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A gaucho kills a man in a duel and must flee.
The story of the irregular forces on the north of Argentina, fighting against the Spanish Crown for the independence.
La Pampa, Argentina. Don Genaro Gran hires gaucho Juan to capture horses and tame them. In his quest, Juan rescues a girl in trouble whose beauty unleashes Don Genaro's worst impulses.
Aballay was a bad tempered gaucho. After killing a man, the terrified look of the victim's son raised his consciousness about his savagery. Years go by, that kid's look doesn't leave him. Aballay knows that the kid will look for him.
In times of recession, five friends need to join a cooperative in the hope of not losing their jobs. What they did not expect is that they would take a hit and, in addition to losing their jobs, they would lose all their savings. What could they do to get back and get revenge?
A farm laborer crosses the mythical nature of the Iberá Wetlands in search of a child he lost in an accident. To find them, he has to embody a hero called "Gauchito Gil", a local Robin Hood, and therefore die like the myth: hanged from his ankles.
Stop motion short film against open pit mining.
After a robbery in the streets of Porto Alegre, Georgia and Bruno will have their lives intertwined by a tennis game orchestrated by the mysterious Jeweler.
The son and daughter of feuding ranchers defy their fathers in the name of love.
Journey across Morocco, Spain, Mexico, Argentina, Patagonia, Texas and British Columbia, to meet vaqueros, gauchos, baqueanos and cowboys - all part of a single global horse culture, an unbroken trail stretching back 1,500 years.
In 1875 Argentina, after killing a man, a gaucho is sentenced to harsh army duty but he deserts the army and becomes a bandit leader.
Based on the well-known poem by Jayme Caetano Braun, Bochincho, O Filme tells the story of an old man who, together with business partners, evokes his memories of a picturesque episode of his past in Rio Grande do Sul.
A girl is saved by a miracle after she falls from a cliff in the Argentine Andes, and is blessed with healing powers. A shrine is built on the site, and a whole city grows around it, rich with gold from the grateful worshipers. Ruiz, an evil and sadistic general, captures the city, confiscates the gold, and closes the shrine. But the Gaucho, the charismatic leader of a band of outlaws, comes to the rescue.
During quarantine, through a screen, through the network, different speeds, different houses, eyes and hands reflect the life, work and creations of the actress and director Deborah Finocchiaro. Therefore, in isolation, new narratives and encounters.
The language that is born from the intersection of cultures, is a pretext to speak of the genesis of Latin America. A road movie that does not seek an answer on the way, but rather to break all possible certainties of what it means to exist at the edges of cultural definitions.
In 2165, Michele's kidnapping puts the city-state Porto 01, the last stronghold of human civilization, in a state of war. The problem is that to save Porto 01 it will be necessary to count on the help of Jefferson, a high school student who lives in 1999.
In trouble with the local authorities, Mabel Simmons, notoriously known as Madea, is on the run from the law. With no place to turn, she moves in with her friend Bam who is recovering from surgery. Unbeknownst to Bam however, Madea is only using the "concerned friend" gag as a way to hide out from the police.
Lightning streaks through the skies as Dalila declares her love to Samson in one of the finest arias of romantic opera. “My heart awakens to your voice like a flower to the kiss of dawn.” An enchanting yet treacherous beauty… When the thunder at last rumbles, Dalila betrays Samson and offers him up to his enemies: “Come up, for this time he has shown me all his heart”, she whispers to them in the night (The Old Testament, Book of Judges). Based on a violent and erotic biblical story, Saint-Saëns’s opera – composed in 1877, much to Liszt’s insistence – would not be performed at the Palais Garnier until fifteen years later. This first Parisian performance in 1892 included the hitherto unperformed “Dance Of The Priestesses”. Nevertheless, it became one of the most performed French operas in the world, together with Faust and Carmen. Conducted by Philippe Jordan, this new production brings back a repertoire masterpiece that has not been performed at the Paris Opera for twenty-five years.
A continuation of the adventures of Mishka, Dimka and Lenka - this time in a summer camp.
A quiet and put-upon house cleaner breaks her silence.
