Faraz’s quiet life working at an isolated petrol station is turned upside down when his ageing father Malik begins to speak in a long-forgotten language and insists on returning back home.
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A roadside movie about a teenage girl who feels trapped by her life in a remote petrol station in the Scottish Highlands.
This film, which is in the genre of psychological drama, tells the story of an artist who is shaken by the changes in life.
Deep underground, a lone scientist mans a discarded research facility struggling to deal with extreme boredom, a desperate voiceless companion and a mystery he'd really rather not have to solve.
The Dreamers (1985) is a posthumous short film assembled by Oja Kodar from unfinished footage directed by Orson Welles in 1982. Edited after Welles’s death, the film derives from fragmentary material intended for an uncompleted adaptation of stories by Isak Dinesen. The 1985 version represents an editorial assembly rather than a completed work authored by Welles, presenting selected footage in a reconstructed form for archival circulation. (Note: This is a posthumous editorial reconstruction. The original 1982 project exists separately as an unfinished Welles work and was never completed or released by him.)
In a month, Mi-hyeon visits Weon-kyu, who lives in the provinces. Mi-hyeon, 33, and Weon-kyu, 18. In the inn, the uneasiness of their relationship explodes, but they realize each other's affection.
A teenage boy attempts to put into practice his father's conception of masculinity when left to fend for himself amongst a group of older kids.
Based on the novel "Šta bi učinio Zobec?" (What Would Zobec Do?) by Svetozar Vlajković. It's a short movie about a young man who is afraid of being turned down by a girl.
Esteban and Virginia do what they usually do together, but is it out of love or out of habit and fear of loneliness? Would daily routines work just as well with someone else? A depiction of a dead end relationship.
In the midst of political upheaval in Brazil, Travis Mathews directs this startling and moving film of the intersection between class, privilege and sex. A man lives a lonely, exquisite lifestyle in his large, empty apartment. He hears a noise, of a man stumbling through the window in his bedroom. The man has a gun, and he shakes while he holds it. What follows is a tender, complex exploration of lust and desire between two very talented performers and the faultless Direction of Mathews.
A man and a woman on a motorcycle arrive with a ferry to Assens. They want to catch the next ferry in Nyborg, on the other side of the island, but this ferry will leave in three quarters of an hour and the ferry berth is 70 km away.
A Canadian returns to find his fiancée is married and schemes revenge.
When the tragedy strikes Josh, to the confusion and concern of his best friend Andy, Josh shows no signs of grief outwardly and carries on in his daily affairs with alarming normalcy.
City of Lost Children is a near future thriller set in a refugee camp for kids in the UK. We follow Dami and Azra as they negotiate the chaos of the camp, desperately trying to find a home for Dami before Azra is deported the next day.
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A happily married woman finds out that her marriage is not so happy during a dinner party for her newly promoted husband.
Small dog Poldek lives with a poor old lady in a small one-room apartment. The tenement block is part of a tumbledown grey town out in the nowhere, forgotten by prosperity. The dog is hungry, howles and eats flies that are magically attracted by the old woman. She leaves home every day to seek some eatable stuff. An unsavoury little horrorstory with a lot of action.
Short film by Almodovar, which tells the origin of the veil. Abraham, walking with Isaac, meets Salomé, who dances and demands Isaac’s head. Isaac flees but is hypnotised and returned. Abraham, about to act, hears God reveal it was a test of temptation. Salomé is a divine figure, and Abraham is instructed to have women cover themselves as a sign of respect.
A young man walks into a meticulously clean and sterile bathroom and proceeds to shave away hair, then skin, in an increasingly bloody and graphic bathroom scene.
A voyeuristic journey through the homoerotic work of Alair Gomes.
Brynja is having the time of her life in a foreign country when all of a sudden her world is turned upside down. She finds herself standing at a crossroad; fight or flight. On her way, she meets women from all over the world that have found themselves in the same situation.
Faraz
Malik
Young Faraz
