Where coercive control started
The remarkable story of Alex Skeel, a 23-year-old man from Bedford who survived an abusive relationship with his girlfriend Jordan Worth
No Trailers found.
Himself
"Women On Trail" exposes the innate corruption and sexism in the family court system as children are removed from their mothers and given to fathers who often either don't want them or have been convicted of domestic violence.
Christy Martin broke boundaries and noses as she rose in the boxing world, but her public persona belied personal demons, abuse and a threat on her life.
Mariem, 53, a former estate agent, has been living at a shelter for several months. Surrounded by women in far more precarious circumstances than herself, she tries to regard her unprecedented social downfall as an immersion in real life. By the time she leaves, Mariem’s view of the world will have changed forever, enriched by all the women she has met along the way.
Three young men bond together to escape volatile families in their Rust Belt hometown. As they face adult responsibilities, unexpected revelations threaten their decade-long friendship.
For over 50 years, British undercover police officers have infiltrated activist groups, specifically targeting and manipulating women, forming romantic relationships and even having children with them. Now, three women don animal masks and revisit scenes from their past as animal-rights activists who were taken advantage of by spycops in order to reclaim their power, agency and narrative.
Every year in Quebec, 25,000 reports of children being beaten, sexually abused or abandoned are retained by the Directorate of Youth Protection. And nearly 40% of babies who die in the province to die because of the violence of their parents. This explains the fact that nearly 30,000 children are supported by the DPJ until the age of 18. But this government agency is in a position to meet the needs of young people? Journalist and documentary filmmaker Paul Arcand presents the testimonies of children and adult victims of abuse of all kinds, and interviews politicians, social workers and members of the judiciary on their perception of the problem. In addition, Arcand denounces the carelessness of a bureaucratic system that does not always seem to be concerned about the well-being of those for whom they are responsible.
A series of lawsuits and allegations have legendary rap mogul P. Diddy on the ropes. TMZ has the troubling inside story from people who were there.
In France, victims and perpetrators of offenses, misdemeanors, or crimes can meet and talk in secure, supervised settings. Included in the Penal Code since 2014, this "restorative justice" is intended to complement criminal justice and provide a safe space for dialogue. The aim is to enable victims to rebuild their lives and perpetrators to take full responsibility for their actions, thereby reducing the risk of reoffending. This film follows one such program over the course of a year. Amélie, a prison rehabilitation and probation counselor, and Séverine, a lawyer for a victims' association, prepare Marthe, Aurélien, Sylvain, and JF, who are incarcerated for murder or attempted murder of their spouses. They also follow Emeline, Evelyne, and Marie, victims of similar crimes.
AND SO I STAYED is an award-winning documentary about survivors of abuse fighting for their lives and spending years behind bars. These women paid a steep price with long prison sentences, lost time with loved ones, and painful memories. Formerly incarcerated survivor-advocate Kim Dadou Brown, who met her wife while incarcerated, is a driving force in the passage of New York’s Domestic Violence Survivors Justice Act (DVSJA), a new law meant to prevent survivors from receiving harsh prison sentences for their acts of survival. Nikki Addimando, a mother of two young children, suffered the consequences when a judge didn’t follow the law’s guidelines. Tanisha Davis, a single mother who was ripped away from her son in 2013, is hopeful the new law is her way out of a harsh prison sentence.
British documentarian Nick Broomfield creates a follow-up piece to his 1992 documentary of the serial killer Aileen Wuornos, a highway prostitute who was convicted of killing six men in Florida between 1989 and 1990. Interviewing an increasingly mentally unstable Wuornos, Broomfield captures the distorted mind of a murderer whom the state of Florida deems of sound mind -- and therefore fit to execute. Throughout the film, Broomfield includes footage of his testimony at Wuornos' trial.
Survivors of violent crimes and prisoners incarcerated for murder connect to undergo astonishing transformations, liberating themselves from the debilitating constraints of trauma, and shattering preconceptions of "us and them."
Behind the closed doors of the Copenhagen-based women's shelter, the women and children are slowly recovering after having escaped domestic violence. Day by day the women are processing their traumas, building confidence and slowly understanding what it takes to break the cycle of violence.
"The Monsters in My Home" focuses on the work Carme Artero, a foster mother from Majorca, Spain, who has devoted her time to setting up a foundation in defense of the rights of children who have suffered from abuse. The documentary features testimonies and the experience of people who care of children living situations of vulnerability, such as sexual or physical abuse or neglect and whose parents have their parental custody taken away by the Law.
Filmmaker Amy Berg sheds light on the sexual, financial and spiritual abuses heaped upon members of the Fundamentalist Church of Jesus Christ of Latter-day Saints by their former leader, Warren Jeffs.
The film chronicles Nina Simone's journey from child piano prodigy to iconic musician and passionate activist, told in her own words.
AMERICAN REFLEXXX is a short film documenting a social experiment that took place in Myrtle Beach, South Carolina. Alli Coates filmed performance artist Signe Pierce as she strutted down a busy oceanside street in stripper garb and a reflective mask. The pair agreed not to communicate until the experiment was completed, but never anticipated the horror that would unfold in under an hour. The result is a heart wrenching technicolor spectacle that raises questions about gender stereotypes, mob mentality, and violence in America.
Scars Unseen is a ‘triumph of the human spirit’ documentary following three women who have overcome domestic violence and are paying it forward. Due to the COVID-19 pandemic, the statistic of 1 in 4 women affected by domestic violence went up to 1 in 3 women. This inspiring documentary highlights each individual’s experience involving domestic violence, focusing not on the grim details of their trauma but rather on the tools and techniques that helped them to persevere on their healing journey. Scars Unseen aims to illuminate the power of healing, de-stigmatize victimhood, and encourage open communication about the causes, treatment, and prevention of abuse. This documentary focuses on the resiliency of three phenomenal women and encourages us all to be more trauma-informed. Scars Unseen is changing the conversation around domestic violence.
In each scene, police respond to a different domestic abuse calls.
During the 1980s, claims of satanic ritual abuse ran rife throughout the western world, uncovered by hypnotic therapists and perpetuated throughout the media, including high-rating television talk shows. In Demonic, filmmaker Pia Borg delves into this bizarre chapter of history, examining the elusive line between fact, fiction and the persuasive power of the media.
‘Over the course of several summer days in Split I talked to my mom about everything. I mean, really everything.’
