An emotional journey through the film archives of the Mexican Revolution, ranging from Venustiano Carranza's administration to the creation of the PNR party by Plutarco Elias Calles.
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A thorough analysis of the socio-politics of Mexico, within the historical context of the Mexican Revolution reality. Includes footage from the 1910s, interviews with farmers, politicians, intellectuals, middle class, union, etc, as well as scenes from the life of an Indian family in Chiapas, their religious rituals, their crops, trials and bilingual schools. The film ends with the slaughter in the Plaza de Tlatelolco in 1968, during the infamous Olympics.
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Chapter 4 of the series 18 decades of life in Mexico in the twentieth century. Images of the cultural, social and political life in Mexico between 1915 and 1919.
A history of the Mexican Revolution (1910-17), narrated through the striking images of the enormous film archive of Salvador Toscano (1872-1947), pioneer of Mexican cinema, compiled by his daughter, Carmen Toscano.
Historical heritage documentary about the disease that, 100 years ago, occurred during and after the Mexican Revolution. This film presents real testimonies of this cruel pandemic in the indigenous peoples of Mexico in the 20th century.
The Storm That Swept Mexico tells the gripping story of the Mexican Revolution of 1910, the first major political and social revolution of the 20th century. The revolution not only changed the course of Mexican history, transforming economic and political power within the nation, but also profoundly impacted the relationships between Mexico, the U.S. and the rest of the world.
Chapter 3 of the series 18 decades of life in Mexico in the twentieth century. Images of the cultural, social and political life in Mexico between 1910 and 1914, and the beginning of the major armed conflict that marked the future of the Mexican nation.
Using rare historical footage, vintage musical recordings, and interviews with 88-year-old Pedro J. Gonzalez and his wife, this film chronicles Gonzalez’s long and colorful life, from his early days with Pancho Villa during the Mexican Revolution, to his career as a popular radio personality in Los Angeles in the 1930s, to the controversial court case that sent him to San Prison, a victim of the repressive forces operating against the Chicano/Mexicano community during that period.
The hope of a young historian to corroborate the existence of Pascual Vázquez, a supposed general of the Mexican revolution, materializes in Ms. Hilda, Pascual's granddaughter, who offers to tell the stories of her grandfather.
The film portraits the stage previous to the outbreak of the Mexican Revolution, from the end of Porfirio Díaz´ government, the social volatility, the ephemeral government of Madero and the presence of the working class in the figures of Villa and Zapata, until the signing if the Constitution of 1917. All of this through moving images, filmed during those events mainly by the Alva brothers, filmmakers of that time. Those images let us perceive the contradictory and shuddered glance of the people of that period.
Tita, who lives on a ranch in Mexico, falls in love with a boy, Pedro, who lives nearby; but when they want to get married, Tita's family prevents it, because she must remain single to take care of her mother.
The ruthless and cruel Captain Ramirez hunts down and kills revolutionaries in his search for The Saint, the righteous leader of the Mexican insurrection against the Federales.
American arms dealer Kennedy hopes to make a killing by selling to the "regulares" in the 1916 Mexican revolution. American mercenary Wilson favors the rebel faction headed by Escobar, and they plot to hijack Kennedy's arms; but Wilson also has his eye on Kennedy's wife. Raids, counter-raids, and escapes follow in a veritable hail of bullets.
Ragtag crew of indigents from an asylum for the handicapped form a squadron to defend the Church during the Cristero Uprising.
A story about two men caught in the Mexican revolution: close friends before, but now on the opposite sides. One of them is military officer, while the other one expects capital punishment. The prisoner's mother comes to visit his son, unaware that his former best friend is now his enemy.
Mexico 1926. Durazo is an outlaw and a former revolutionary. He is getting at the end of the quest for a coveted treasure. His mission will be interrupted by an unexpected meeting, which will define his life.
Villistas, army officers, heirs and heiresses all gather at the home of a recently deceased hacendado. Everybody has an agenda, everybody butts heads in comical ways. Or not so much.
Peasant farmer and landowner are rivals for a woman. Sequel to Ay Jalisco No Te Rajes.
During the Mexican Revolution, the people tired of living in poverty and enduring the atrocities committed by the federals, decide to follow one of their own, General Demetrio Macias, a thief with tricks he learned in jail and who along with "La Pintada" decides to take his people to victory. Led by Captain Anastacio Montañez, the newly formed army fight and honor their code at the same time as they loot houses to spread the wealth.
The assassination of Pancho Villa, on the outskirts of Parral, Chihuahua, plunged the city into mourning, and a wake for the revolutionary hero was held by his closest collaborators. Conspicuous among the mourners were the four women with whom Villa was having intimate relationships at the time of his death. Now that Villa is no longer around to mediate and keep them apart, tensions between the women grow and intensify, with unexpected consequences. An intimate and human portrait of the Centaur of the North.
