John Nesbitt's PASSING PARADE
This final John Nesbitt's Passing Parade series short looks at a community, Mooseheart, in Illinois that orphaned children call home.
Narrator (voice)
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In this powerful tale about the rise of Korea’s global adoption program, four adult adoptees return to their country of birth and reconnect with their roots, mapping the geographies of kinship that bind them to a homeland they never knew.
The life and times of the mexican pianist Julieta García Rello, as told by her granddaughter.
In Uganda, AIDS-infected mothers have begun writing what they call Memory Books for their children. Aware of the illness, it is a way for the family to come to terms with the inevitable death that it faces. Hopelessness and desperation are confronted through the collaborative effort of remembering and recording, a process that inspires unexpected strength and even solace in the face of death.
This dramatized short film describes the historical mystery of France's "man in the iron mask". King Louis XIV imprisoned a man who was never identified, but who was forced to wear an iron mask for the length of his captivity, which ended only in his death. Several candidates for the identity of the man are investigated.
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In China more people are on death row than the rest of the world combined. The children of the convicts are often left alone, stigmatized and living in the streets. Grandma Zhang, as the kids call her, is a former prison guard who has founded an orphanage in Nanzhao.
In this somewhat whitewashed documentary on Manhattan's Bowery a newcomer to the area takes his first step toward redemption after a meal, bed, and inspiring talk.
A talented group of orphaned children in Swaziland create a fictional heroine and send her on a dangerous quest.
Growing up in Masbate Province in the Philippines, Jary is neglected and shunned since the moment of his birth for one reason-- his appearance. His older sister, Jessa protects Jary through his early years, then takes him in as a young teen, to raise him alongside her own two children in a fragile house on a hill. Jessa seeks out the medical care Jary has been denied since birth. And more, the support to begin his physical and emotional recovery. Every Day After is a 35-minute documentary film that provides a more nuanced look at the complexities of the healing process we don’t often see. And honors the invisible labor of a sister whose love and action make it possible for Jary to experience the everyday joys and struggles of growing up.
An account of a young Italian boy who was taken in by a Canadian military unit during World War II.
This John Nesbitt's Passing Parade short takes a look at the evolution of the American city, from the initially small farming village, to the eventually hectic, congested metropolis, to the future planned suburban community.
In this John Nesbitt's Passing Parade short, a look is taken at the problems of film preservation efforts in the 1930s and early 1940s.
A "Passing Parade" MGM short featuring tennis star Alice Marble
This John Nesbitt's Passing Parade series short highlights the film preservation efforts of the Museum of Modern Art in New York. Several scenes from early newsreels are shown.
Since the fall of the Iron Curtain an estimated four million children have found themselves living on the streets in the former countries of the Soviet Union. In the streets of Moscow alone there are over 30,000 surviving in this manner at the present time. The makers of the documentary film concentrated on a community of homeless children living hand to mouth in the Moscow train station Leningradsky. Eight-year-old Sasha, eleven-year-old Kristina, thirteen-year-old Misha and ten-year-old Andrej all dream of living in a communal home. They spend winter nights trying to stay warm by huddling together on hot water pipes and most of their days are spent begging. Andrej has found himself here because of disagreements with his family. Kristina was driven into this way of life by the hatred of her stepmother and twelve-year-old Roma by the regular beatings he received from his constantly drunk father. "When it is worst, we try to make money for food by prostitution," admits ...
This John Nesbitt's Passing Parade short tells the story of Alfred Nobel, who invented dynamite, and later established the Nobel Prize.
Second Chance tells a story of Ukrainian orphaned children and the Canadian volunteers who spend their summers working along side them. The film follows first time volunteer and filmmaker, Adriana Luhovy, as she learns about the children and becomes witness to their strengths and resilience. Converging in Yaremche in the Carpathian Mountains of Ukraine, over 500 orphaned children come together from all over the country. At first quiet and fearful, they learn to trust one another and their counsellors. By countering heartbreaking statistics - 60% of orphaned girls are trafficked within the first year of leaving the orphanage; 50% of boys end up in jail; 10% commit suicide - the volunteers are dedicated to making a difference in the lives of orphaned Ukrainian children.
Poignant postwar appeal for Britain’s Jewry to support orphaned Jewish children rescued from Europe.
A year in the life of children in the Province of Anhui in China, who have lost their parents to AIDS. Traditional obligations to family and village collide with terror of the disease.
Americans are preoccupied with the news, but need an escape from many of the events reported in the news. These escapes in the past have included dime store novels. The most accessible of these escapes is what are known as the funny papers, the set of serialized comic strips that are included within many newspapers. They appeal to all socio-economic classes, and all ages. Some of the earliest known from the late 19th century include the Yellow Kid, Little Nemo, Happy Hooligan, the Katzenjammer Kids, Mutt & Jeff, and Bringing Up Father. Many cartoonists are seen in action. Some originated their characters, while others have taken over following the passing of the originator. The joy of many comic strips are the absurd and the fantastical, which are limited only by the imagination of the cartoonist. Others are grounded in reality, which add to their poignancy within the public mindset.
