Short documentary on the shunters in the Darling Island, Sydney, Australia railyard. Filmed in 1977.
A Dutch documentary about the history of the anarchist punk band Crass. The film features archival footage of the band, and interviews with former members Steve Ignorant, Penny Rimbaud and Gee Vaucher.
Böttchers film showcases three young workers who learn how to paint, draw, and make sculptures out of stone. The film generated a storm of mistrust, as there is no leading communist party, and the three individuals live blithely and independently of the official dictates. It became one of the first DEFA documentary productions that were not allowed to be shown.
A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.
The first feature-length documentary that fully explores how the toxic social and political Canadian context after 1968 created some of the most nihilistic and imaginative Canadian cult films of the 1970s and 80s and beyond.
Artist Marianne Lindberg De Geer thinks about her old friends from the 70s, where did they all go?
The stranger-than-fiction true story of George Lazenby, a poor Australian car mechanic who, through an unbelievable set of circumstances, landed the role of James Bond despite having never acted a day in his life.
Martin Scorsese's documentary intertwines footage from The Band's incredible farewell tour with probing backstage interviews and featured performances by Eric Clapton, Bob Dylan, Joni Mitchell, Van Morrison, and other rock legends.
This 135-minute documentary offers to reopen this magical parenthesis which has seen the birth of a whirlwind of artists with very different styles. From Chantal Goya to Annie Cordy, from Pierre Perret to Carlos. They knew how to bring each in their own way generations of children into their poetic universe.
In the last five years of his life, David Bowie ended nearly a decade of silence to engage in an extraordinary burst of activity, producing two groundbreaking albums and a musical. David Bowie: The Last Five Years explores this unexpected end to a remarkable career. Made with remarkable access, Francis Whately’s documentary is a revelatory follow-up to his acclaimed 2013 documentary David Bowie: Five Years, which chronicled Bowie’s golden ‘70s and early-‘80s period.
In 1971, Sharon witnessed a glowing cross in her Bronx apartment, sparking belief and skepticism. "The Sight Unseen" explores her memories and Melvin Tapley’s writings, investigating whether the phenomenon was divine or a hoax.
The Welcome is a life-affirming collection of short films sharing stories that will transport you across countries, borders and oceans. Hear fresh voices and emerging Queensland artists from diverse backgrounds tell honest and authentic stories about migrant and refugee experiences and what it means to belong in Australia. The Welcome is an extension of La Boite’s critically acclaimed 2020 stage production, The Neighbourhood. This intimate storytelling experience was created by La Boite with Brisbane-based production company KIOSK and proudly supported by the Commonwealth Bank and Queensland Government. The Welcome screens across multiple digital platforms, in recognition and celebration of Queensland’s diverse communities.
Through one woman's experience as an adopted person and also as a mother who relinquished her child in 1971, this documentary highlights the many complex issues associated with adoption.
Documentary following dockers of Liverpool sacked in a labour dispute and their supporters’ group, Women of the Waterfront, as they receive support from around the world and seek solidarity at the TUC conference.
Made from reimagined/recycled images and sounds from the filmmaker’s archive and other found materials, Undercurrents is a poetic essay documentary about the undercurrents of history playing out in the present. It is also (at its heart) about the power of resistance.
SUNSHINE CITY is Albie Thom’s sprawling, protoplasmic experimental portrait of his hometown of Sydney. The National Film and Sound Archive of Australia call it “a structured diary film which investigates the process of living in Sydney, which uses a repeating light modulation to intensify experiences of light, heat, colour”.
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In June 1893, European prospectors unlawfully took claim to ‘The Golden Mile’ on Aboriginal land. In little over a hundred years the natural landscape has been transformed into the industrial hellscape of Kalgoorlie-Boulder. As incumbent Mayor John Bowler starts to campaign for a second term, independent prospector John ‘General Hercules’ Katahanas decides to run against him on an anti-corruption ticket. What starts out as a quirky David-vs-Goliath political battle, unravels into a portrait of a man, a town and a country sent mad by the timeless cycles of exploitation, racism and greed.
Filled with raunchy laughs, this documentary compiles outrageous scenes from sex-comedies that shaped Brazil's "pornochanchada" boom of the 1970s.
In the winter of 2002-'03, as the US was building its case to attack Iraq, people around the world responded with a series fo the largest peace protests in history. Shutdown: The Rise and Fall of Direct Action to Stop the War, is an action-packed documentary chronicling how DASW successfully organized to shut down a major US city and how they failed to effectively maintain the organization to fight the war machine and end the occupation of Iraq. Created by organizers involved with DASW, Shutdown combines detailed information on organizing for a mass action, critical interviews on organizing pitfalls, and the wisdom of hindsight. It is a must-see film for those engaged in the continuous struggle toward social justice.
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