Maria da Piedade
Ana
Sueli
Neneco
Lucas
Lourdres
Marlene
Violeiro
Antonio
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Jupa is going through a difficult phase when he is invited by his childhood friend to go on a farewell trip to the Kombi.
After awakening from a recurring nightmare, Luanda, a Black woman and single mother, finds her day pierced by painful memories that insist on resurfacing. A seemingly simple, intimate unease draws her back into recollections of a past shaped by poverty and sorrow. As she confronts these ghosts, Luanda revisits the experiences that forged her path and reveal the strength of the woman she has become.
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World-renowned Drag Queen Miz Cracker helps a Texas family that’s experiencing strange occurrences after renovating their 1892 home. As a lover of the paranormal, can Miz Cracker solve their ghost problem and help them coexist peacefully with the spirits?
An intimate visual poem explores the delicate balance between change and stillness, inspired by Ethan TK Trinh’s 2025 poetry collection, “Change and Don’t.”
The life of Gabriela, a 17-year-old teenager who lives in the small city of Virgem da Lapa, is marked by simplicity and the bond with her family. When an opportunity arises to move to Florianópolis, she must decide whether to embrace an uncertain future or remain by the side of her loved ones. Amidst the beauty of the Jequitinhonha Valley, Gabriela finds herself torn between her personal dreams and the desire to take care of those she loves.
Between longing and regret, Isabela finds in technology an unexpected possibility: reliving memories through artificial intelligence. As she dives into the past, she is faced with recollections that both confront and transform her. But to what extent is remembering enough?
A romantic escape into nature turns into the ultimate moment of reckoning when a husband and wife are trapped in a tent with a deadly snake. Unable to escape and with certain death looming, the tent becomes a heated confessional to a cataclysmic truth. Betrayed, the couple finds themselves spiraling into a dark and dangerous space of which only one can survive.
In trouble with the local authorities, Mabel Simmons, notoriously known as Madea, is on the run from the law. With no place to turn, she moves in with her friend Bam who is recovering from surgery. Unbeknownst to Bam however, Madea is only using the "concerned friend" gag as a way to hide out from the police.
Lightning streaks through the skies as Dalila declares her love to Samson in one of the finest arias of romantic opera. “My heart awakens to your voice like a flower to the kiss of dawn.” An enchanting yet treacherous beauty… When the thunder at last rumbles, Dalila betrays Samson and offers him up to his enemies: “Come up, for this time he has shown me all his heart”, she whispers to them in the night (The Old Testament, Book of Judges). Based on a violent and erotic biblical story, Saint-Saëns’s opera – composed in 1877, much to Liszt’s insistence – would not be performed at the Palais Garnier until fifteen years later. This first Parisian performance in 1892 included the hitherto unperformed “Dance Of The Priestesses”. Nevertheless, it became one of the most performed French operas in the world, together with Faust and Carmen. Conducted by Philippe Jordan, this new production brings back a repertoire masterpiece that has not been performed at the Paris Opera for twenty-five years.
A quiet and put-upon house cleaner breaks her silence.
