A day in the life of a lighthouse keeper on a remote cape off the Uruguayan coastline.
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Images of Argentinian companies and factories in the first light of day, seen from the inside of a car, while the director reads out documents in voiceover that reveals the collusion of the same concerns in the military dictatorship’s terror.
Armed based on photography, period films, archival materials and testimonies of survivors, family members and historians, the documentary accurately and exquisitely reconstructs the course of the “expropriating anarchists” in the Río de la Plata and specifically in Montevideo del First third of the 20th century.
A documentary on the life of Uruguayan politician and former guerrilla fighter José Mujica.
Punta del Este was built upon a small, treasurable port town still alive in the memories of former residents and visitors. However, talk of progress has arised in present times. A kind of progress involving physical, historical, spiritual destruction. Bajo la Arena poses a crossroads between the passage of time and its ever-present traces in the landscape and in people's affections.
This documentary captures a deeply personal journey by Argentinian actor and musician, Nicolás Pauls, to the Uruguayan coast. This area hosts two of the world's foremost sea lion colonies. Isla de lobos and Cabo Polonio. A famed sanctuary for hundreds of thousands of sea lions. Pauls presents the two sides of the complex conflict between the local artisanal fisherman, struggling to earn their living and the sea lions who risk their survival in leaving the boundaries of the island.
Documentary about the musical artist and drag queen Pady Jeff produced by students of the Social Communication degree at the Catholic University of Uruguay.
The campaign of the Uruguayan rugby team, nicknamed "Los Teros", during the 2015 Rugby World Cup qualification, and the amateur character of its players that contrasts against the professionalism of their group rivals.
In Germán Araujo, director Aldo Novick revives the memory of a journalist who defied censorship during one of Uruguay's darkest periods. Through previously unseen archival footage, testimonies, and music, the film honors the courage of those who reported the truth when it was risky. This powerful documentary is shaping up to be one of the most important Uruguayan film releases of the year.
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A documentary revolving around the 1972 crash of the plane carrying an Uruguayan rugby team; interviews with survivors and the families of victims.
Created in the Victorian era to widen the mouth of the River Tees for shipping, South Gare is a man-made peninsula extending four kilometres into the cold North Sea. Today, the industry it was built for has gone, but the Gare remains as a haven for all sorts of unexpected communities - kite-surfers, photographers, bird-watchers, scuba-divers and the people who simply appreciate its strange, lonely beauty.
Tells the story of Gerardo Bleier after the pain caused by the loss of his father, Eduardo, detained and disappeared during the Uruguayan dictatorship (1973-1985). The documentary portrays the meaning of truth and the search for freedom since the discovery of Eduardo's remains in 2019.
A Media Agua is a documentary filmed in 16mm, made up of a series of short films that review the history of the last century through the eyes of an Anglo-Uruguayan family and their perception of Uruguayan culture, World War II and technological advances of the time. Based on found and salvaged film reels, the team attempts to piece together the history of this fragmented family and its subsequent three generations, with the goal of understanding their beliefs and secrets as part of the Secret Service in South America.
The story of Florida gymnast Daiana Casella, who, along with her family and teacher, overcame the obstacles that Down syndrome could put in her way. In addition to her training and preparation for future competitions, Daiana works as an artistic gymnastics teacher for a large number of children with whom she maintains a very special relationship. During the making of the film, Daiana is training for the Berlin 2023 Special Olympics, an event that will conclude her athletic career at the Olympic and world levels.
After the coup in Uruguay in 1973, thousands of intellectuals and artists fled the country. The filmmaker’s father was among them and left for Europe. After his passing, she came upon some Super 8 movies and audio files he had recorded. Through this archive, she started building a new family story trying to reveal and understand the silent pain of exile.
Considered one of the first documentary about contaminated water in Uruguay.
The Punta de Rieles prison was where most female political prisoners were incarcerated during the dictatorship in Uruguay. The way up to the building led through “the meadow” where there were animals grazing, and the prison itself was surrounded with flowers. The place seemed eminently liveable, almost comfortable, and at first sight there was no sign of the silent struggle going on behind those walls. This documentary is an attempt to reconstruct life at the prison through the testimony of some of the hundreds of women who were there and who resisted the military regime's attempts to grind them down and destroy them.
In 1983 a group of 154 children aged 3 and 17 years old traveled alone from Europe to Montevideo. They were children of political exiles from Uruguay, who were unable to come back to their own country; they sent their kids to know their relatives and home country. That human sign, charged with a political message, took part in children’s identity development. Nowadays, six of them still remember that day, when a crowd received them singing all together “your parents will come back”.
Ten years after winning a world title in bodybuilding in Russia and becoming a star of said discipline in Mexico, Antonio Osta (43) leads a life of austerity in the Uruguayan rural town where he grew up. He resides there with his son Juanjo (17), a sensitive teenager who keeps him company and confronts him openly. Suffering from acute kidney disease which keeps him from competing professionally, Antonio is stuck in limbo, halfway between his glorious past and the impossibility of being who he once was. However, he is unwilling to give up his lifestyle, even if it kills him. In an attempt to reinvent himself, and seeking a better future for his son, Antonio plans a comeback to the Mexico bodybuilding scene, where he may relive his glory days.
