Life is not about meeting ends but living on the edge!
A documentary about human-powered manual ferris wheel rides at Juhu beach in Mumbai.
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A charismatic Indian-Nepali boy, lives a bohemian life in a remote Himalayan village. As he transitions from childhood to teenagehood, his poetic journey of perseverance echoes issues that span across ages and communities.
In the dense forests of the Eastern Himalayas, moths are whispering something to us. In the dark of night, two curious observers shine a light on this secret universe.
A young woman, Srishti Bakshi embarks on a monumental journey, walking almost 4000km over 240 days, from Kanyakumari in the south, to Kashmir, in the North, along the way meeting and learning first hand about the experiences of many women from all corners of India. WOMB is a poignant and heart warming documentary exploring the social and political issues faced by women of today’s India. It is a unique testament to seemingly insurmountable challenges in these unprecedented times and the everyday sheroes who are battling to overcome.
A prismatic meditation on pollution in the capital of the World’s biggest free-market democracy and the most polluted and populated city, Delhi – a film about the pollution inside of the human mind.
A documentary exploring the "respectable" and "immoral" stereotypes of women in Indian society told from the point of view of 2 strip-tease dancers in a cabaret house in Bombay.
Based on the poetry of R. Raj Rao, Bomgay is a collection of six vignettes that depict the underground and complex nature of the gay identity in urban India. Part Genet, part Bollywood, this film combines acidic verse and insightful imagery to reveal the emerging gay community in the post-liberalized India of the 1990s.
A documentary made by Ghatak observing the life of the Adivasis.
Filmmaker Anand Patwardhan looks to history and psychology as he delves into the possible reasons behind the demolition of the Babri Mosque.
Celebrated actor Nayanthara looks back on her journey towards love and superstardom amidst personal struggles and triumphs in this intimate documentary.
Takes the audience behind the artistry, intellectual spirits, and production of the second season of the holy grail of Indian sitcom.
When a lockdown is announced in India, 22-year-old Mahesh finds himself stranded and decides to travel home on a rickety bicycle. He covers about 2,000 kilometers in seven days. It turns him into a national media hype.
An ascetic walks through the narrow streets of a village every morning while his family is still asleep. In his semi-somnolent state he dreams about the history of the village mixing up myths, folklore and facts.
The film explores the campaign waged by the Hindu right-wing organisation Vishva Hindu Parishad to build a Ram temple at the site of the Babri Masjid in Ayodhya, as well as the communal violence that it triggered. A couple of months after Ram ke Naam was released, VHP activists demolished the Babri Masjid in 1992, provoking further violence.
When most people think about Australia, they picture massive sandy beaches, singlet-clad locals drinking beer, and kangaroos bounding through the dusty red outback. Saris, musical numbers, and masala are the furthest from anyone's mind - unless of course, you're one of the millions of Bollywood fans from around the world.
A meandering brook of moments from two afternoons spent with Vinod Kumar Shukla, his wife and son at their home in Raipur, saunters between the mingling geographies of past, present and future, drifting in and out of pauses – to ponder, to reflect, to reminisce, and to share.
Krishnattam or Krishnanattam (Play of Krishna) is a temple ritualistic art performed at Guruvayur Temple (Guruvayur 680101, Trishshur District, Kerala) by a troupe owned by Guruvayur Devasvam. The performance of Krishnattam is based on Krishnagiti, a poetic text in Sanskrit containing verses and stanzas, written by the Zamorin King Manavedan in 1654. The story of Krishna, described in Bhagavata, Mahabharata and Harivamsha is presented in Krishnattam as songs, dance and acting in a sequence of eight plays (Avataram, Kaliyamardanam, Rasakrida, Kamsavadham, Svayamvaram, Banayuddham, Vividavadham and Svayamvaram) in eight days.
A 10-year-old boy and his father support themselves by pulling a cart through Bombay's chaotic traffic. One day when they visit the doctor, they are told that they should change jobs. A visual and sound intensive documentary about a nightmarish traffic situation beyond all control.
via print and film, love and music, state propaganda and people's archives, five-year plans and Emergency.
The film starts with the earliest form of cinema and how Shama Zaidi became an integral part of the evolution of Indian Cinema.
Somi is pregnant with her second child. A girl, she hopes. Together with her husband she prepares for this new phase of their parenthood. It means that their son has to go to school, but as an ex-Naxalite that is tough to achieve in contemporary India, where people like them are third-rate citizens. They lack the certificates and an opaque bureaucratic process doesn't help. Directors Isabella Rinaldi, Cristina Hanes and Arya Rothe of the NoCut Film Collective concentrate on Somi's close family ties, painting a portrait of ex-Naxalites in India. Once, Somi and her husband were communist rebels fighting for the rights of Indian tribes. However, to safeguard their family's welfare, they surrendered to the government in exchange for marginal compensation and simple accommodation.
