A rich child and a poor one are both unhappy and search for God in the Himalayas.
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Tingoo
Mangoo / Mangesh
Dhannu
Ganga
Rahim
Buddhu
Detective Damroo
The Musician Priest
Musician Priest's Wife
Mrs. Motilal
Singer / Dancer
Meet the Gupchups, a typical Indian middle-class family, financially weak but morally rich. Their ordinary life takes an extraordinary twist when they find a bag containing ₹ 5 crores. Will they give up ethics for money?
The story is about the dream of Rajaram and its impact on the society. Rajaram an enthusiast by nature had only one dream of becoming an actor since his childhood. Being a village resident, he was deprived of that chance to live his dream. Will the duo be able to survive the obstacles or become a victim and succumb to the blind beliefs of the society? Who is the real Ravan, Rajaram or We "The Society"?
A fictional drama piece set in a time when anti-capital punishment revolutions had started. It depicts a father's dilemma when his own son is sentenced to death.
No Means No is a cross-genre action-packed, teenage musical love story, a courtroom drama that's more like the thrill of a roller-coaster ride as each twist and turn begins to unravel to reach a conclusion that calls out for justice.
Disowned by his father as a boy, Surya is taken in by a crime boss. When his brother Shiv is wrongly imprisoned, his father pleads for Surya's help.
Jilted by his wife, a man with OCD finds eye-opening common ground and camaraderie with his neighbour, a young man with Down Syndrome.
Thanedaar is a 1990 Hindi action film directed by Raj N. Sippy and starring Sanjay Dutt, Madhuri Dixit, Jeetendra, Jaya Pradha and Kiran Kumar. The film is perhaps most remembered for the hit song Tamma Tamma Loge and its quirky dancing moves. It was the first pairing of Dutt and Dixit who went on to star in 7 films together including big box office successes Saajan (1991) and Khalnayak (1993).
When a sex worker hires a gay songwriter to care for her disabled son, the ensuing bonds that form offer a complex portrayal of love and family.
Pooja has been brought up by her grandparents, and has no recollection of her mom and dad. She is told by her grandpa, Kantaprasad, that her dad had passed away. Years later, Pooja has now grown up. She starts getting mysterious phone calls from a male who merely says "I love you", and hangs-up. When her grandpa has these phone calls traced, the caller is Anand, Pooja's dad. Kantaprasad has him beaten up, and warns him against contacting Pooja again. When Pooja is being molested by a male in her apartment building, Anand comes to her rescue, and it is then Pooja comes to know that this shabby, alcoholic man is her dad. Will Pooja accept him, or will she follow her grandpa's advise and continue on with her life.
Ajay, the son of criminal leader Nageshwar, leads a peaceful family life. However, when the rivals kidnap Ajay's son, Nageshwar forces him to join the life of crime to rescue his child.
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Forced to live apart due to a unique job prospect, two newlyweds face the hassles, hiccups — and hilarity — that arise from their long-distance marriage.
Shanichari is a beautiful girl born in lower cast and her life is full of sufferings because of lower cast, poor finances, lost parents, drunken husband, mischievous son. The title refers to a custom in some parts of Rajasthan—where aristocratic women were long kept secluded and veiled—of hiring professional women mourners on the death of a male relative, a rudaali (pronounced “roo-dah-lee”—literally, a female “weeper”) to publicly express the grief that family members, constrained by their high social status, were not permitted to display—or at times, perhaps did not feel. Underwritten by the National Film Development Corporation (NFDC) and Doordarshan (Indian national television) and based on a short story by famed Bengali author Mahasweta Devi—whose tales often focus on the travails of low-caste women.
Yogi Joshi (Kamal Sadanah) is the hardworking middle class student who goes to college with the traditional Pooja (Ayesha Julka), who is the daughter of a single-father. Pooja has been in love with Yogi for quite some time, but Yogi seems to see her as a good friend. Yogi's father (Bharat Kapoor) works at the factory owned by the successful Indu Singh (Amrita Singh). Indu admits her daughter into the same college as Yogi and Pooja. She is a trustee of the college and is assured by the Principal that Kajal is in good hands. Kajal (Divya Bharti) goes to college and tries to park in Pooja's spot, but Pooja cuts her off. The two get in an altercation and to show Pooja how much power Kajal has, she drives her jeep into the corridors of the college and stops right in front of Pooja and her friends, including Yogi.
Surjit finds out that his sister is in love with Manjit Singh . Surjit goes to Thakurs house in order to get Manjit to marry his sister. The Thakur humiliates him; making him, a vegetarian, eat dog food and beg on his knees. Surjit does so and is told to go home and make wedding preparations. The next day, Thakur visits Surjit and kills him and his wife in broad daylight.
After her fiance, Vijay, is killed in a crash, a pregnant Pooja agrees to marry Amar, her childhood friend who has always loved her. But her life takes yet another turn when Vijay returns to her life.
A penniless musician is unwittingly forced to trade places with a look-alike diamond merchant/thief causing a comedy of errors by everyone involved.
A convict studies law in prison and becomes a lawyer to seek revenge against the corrupt police officer who framed him on the very day of his marriage.
Early-1940s, rural British India. When a woman decides to fight against the village's despotic subedar and is supported by the guard of the local spice factory, more women join to defy the prevailing oppression.
