Abel Ferrara directed this thirty-minute documentary that interviews the cast of his film THE ADDICTION.
A short documentary about a female truck driver in the United Kingdom.
Moscow, January 1948. In the bitter cold, a large crowd attends the State Funeral of the Yiddish actor and director Solomon Mikhoels. An official proclamation mourns the death of "a great People's Artist of the Soviet Union." What people are really mourning is the death of the most popular Jewish theater in the Soviet Union, and the man who kept it alive against all odds for over 20 years. No doubt many suspected the truth: he had just been assassinated by Stalin's secret police.
A documentary about the making of Ari Aster's Kafkaesque epic Beau is Afraid.
Ian James has been creating leather goods for nearly a decade, but only recently realized his dream of opening his own shop. When James got laid off during the COVID-19 pandemic, he took the plunge and opened his namesake boutique in San Francisco. James calls the shop—which includes both custom pieces and items that can be bought off the shelf—a “safe space for black people,” where culturally relatable creativity blooms in a gentrifying neighborhood.
Chris Renfro doesn’t just grow and harvest grapes on a hillside high above San Francisco’s Highway 280 to make delicious local wine. He is dedicated to building a sustainable food community that nourishes every member of the local economy and ecosystem. With the 280 Project’s mission to reclaim space, realize opportunity and revitalize community, Renfro brings both passion and vision to the notion that land ownership is a powerful path to self-determination.
In a warehouse in the heart of Los Angeles, a dwindling handful of devoted craftspeople maintain more than 80,000 student musical instruments, the largest remaining workshop in America of its kind. Meet four unforgettable characters whose broken-and-repaired lives have been dedicated to bringing so much more than music to the schoolchildren of this city.
A documentary-comedy about insurmountable cross-cultural barriers
A young mother, alone with her daughter, confides in a friend who happens to be the director herself. Chantal Akerman, although she sympathizes with the mother, does not say a word.
Actor and writer Mark Gatiss embarks on a chilling journey through European horror cinema, from the silent nightmares of German Expressionism in the 1920s to the Belgian lesbian vampires in the 1970s, from the black-gloved killers of Italian bloody giallo cinema to the ghosts of the Spanish Civil War, and finally reveals how Europe's turbulent 20th century forged its ground-breaking horror tradition.
Diane di Prima (1934-2020) was a poet, writer, publisher and playwright whose work has been associated with the Beat movement. Born and raised in New York City, she associated with poets such as Amiri Baraka, Jack Kerouac and Frank O’Hara, co-editing The Floating Bear magazine with Baraka in the 60s and co-founding the Poets Press and the New York Poets Theatre. Throughout her life in New York and later out West, both her sense of anarchic limitlessness and her zeal for collaboration guided her work.
On the way to creating a new future, the New Jewish Filmmaking Project is rediscovering the past. 11 young storytellers, ages 15-25, collaborated with Citizen Film’s team of documentary professionals to create a multimedia exhibit that offers a set of signposts for what Jewish identity has been and is becoming.
A short film to accompany the reissue of Nick Cave & The Bad Seeds album The Boatman's Call (originally released in 1997). The result is a determinedly human portrait of the unique body of work produced by the band over the last 25 years, told through those who have lived and loved the music, including close collaborators.
A behind-the-scenes featurette explaining the process to make new Coraline puppets fifteen years after the film's release.
What does being a woman really mean? How do women live the status society reserves for them? A group of women, beautiful or not, young or not, gifted with motherly instinct or not, answer before Agnès Varda's camera.
In 1810, 20 year old Sara Baartman got on a boat from Cape Town to London, unaware that she would never see her home again, or that she would become the icon of racial inferiority and black female sexuality for the next 100 years. Four years later, she became the object of scientific research that formed the bedrock of European ideas about BFS. She died the next year, but even after her death, Sara remained an object of imperialist scientific investigation. In the name of Science, her sexual organs and brain were preserved and displayed in the Musee de l'Homme in Paris until as recently as 1985. Using historical drawings, cartoons, legal documents, and interviews with noted cultural historians and anthropologists, this documentary deconstructs the social, political, scientific, and philosophical assumptions that transformed one young woman into a representation of savage sexuality and racial inferiority.
In the summer of 1968, a group of people assembled in Great Barrington, Massachusetts. They were making a film of John Barth's 1958 novel The End of the Road.
Produced and presented as evidence at the Nuremberg war crimes trial of Hermann Göring and twenty other Nazi leaders, this film consists primarily of dead and surviving prisoners and of facilities used to kill and torture during the World War II.
Bishop William Swing, winner of the San Francisco Foundation 2006 Community Leadership Awards (The San Francisco Foundation Award) - for creating a more just and compassionate community. He reaches out across religions and takes risks to push for innovative solutions to social problems. Bishop Swing's perseverance in fighting homelessness, raising HIV/AIDS awareness, and providing equal access to healthcare has left an indelible imprint on local, national, and international communities.
Michael Franti, winner of the San Francisco Foundation 2009 Community Leadership Awards (the Helen Crocker Russell Award) - artist, activist, founder of Spearhead, for embodying a social movement of justice and activism and being a voice for the vulnerable. By founding the music groups Spearhead and the Disposable Heroes of Hiphoprisy, as well as the Power to the Peaceful festival, Michael built an underground movement to spread a message of social justice and advocated for underrepresented people. His recent film, I Know I'm Not Alone, highlights the human cost of war and empowers people to utilize their vote and recognize their collective power to impact American foreign policy.
Simterview with the Vampire is a 36-minute machinima mockumentary created using The Sims 3. Acclaimed journalist Jonathan Parker (Dean Roman Castiglione) accepts a mysterious invitation from Anastasia Vassiliev (Aylin Baykal), an ancient vampire intent on revealing her true nature to the world. Jonathan arrives at Anastasia’s mansion in the Hollywood Hills, where he is welcomed by her loyal familiar, Penny (Alvin Soprano). Throughout the interview, Anastasia shares her personal history and her philosophy on vampirism, while introducing Jonathan to her adopted vampire daughter Natalia Svetlitskiy (Evie Campbell), who remains forever fourteen. As night turns to dawn, the interview takes a darker, increasingly unsettling turn—culminating in a revelation that changes everything.
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