Voices can't be silenced forever.
An investigative look and analysis of gender disparity in Hollywood, featuring accounts from well-known actors, executives and artists in the Industry.
Trailer
Self
'Figure I' uses a feminist perspective to frame and deconstruct patriarchal techniques of control. This film asks: how was a patriarchal gaze construct-ed, and how has it come to effect biological processes? How have specific tools (like Dürer's Grid) come to shape our technological present and possible futures? Are modern Western scientif-ic/mathematic/technological/medical structures rooted in extractive patriarchal philosophies? 'Figure 1' is composed of re-drawn illustrations of allegorical art historical paintings and etchings, alongside archival footage, Obstetric photography, and rotoscoped animation.
A documentary look at the 'making of' and cult success of the troubled Lou Adler directed film "Ladies And Gentlemen The Fabulous Stains" starring Diane Lane.
This documentary features sexologist and writer Betty Dodson as she assembles a group of women to discuss the appearance and purpose of female genitalia. The discussion is followed by some group self-stimulation exercises and full-body massages.
A crew of filmmakers shoot undercover on the streets of Hong Kong with hidden microphones and no permits. The city becomes a giant set as mounting tension and ego clashes push tempers to breaking point.
A 60-minute salute to American International Pictures. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle.
Documentary which follows Bo Widerberg during the making of 'Man on the Roof', 'The Butt' and a failed theater production.
More than twenty sports journalists – working mainly on television (BeIN Sports, RMC Sport, France Télévisions, Canal+, TF1) but not only (L'Équipe, Radio France) – testify to the anger, despondency and helplessness they felt when they had to endure the “Yucky jokes”, the « culture de boy’s club » and degrading insults on social networks, while at the same time the presence of women in these programs and in the press has increased. Without forgetting the misogynistic comments, the heaps of small sentences on the physique or the competence, the sexual innuendos… until the moral or sexual harassment.
The Californian sun, which lights up the city, lights up again every evening in cinemas all over the world". Guided by these words from Blaise Cendrars, L.A. L.A. END is a stroll through Los Angeles, among the remnants of Hollywood's Golden Age. Following in the footsteps of a Marilyn Monroe lookalike, we meet a gallery of characters who paint a sensitive portrait of a bygone era that gradually becomes a portrait of a woman.
Six professionals in the audiovisual field share their experiences through a visual and sound sensory journey
As a result of the Holocaust and later, AIDS, the male homosexual community has sustained bitter losses and, according to Praunheim, lesbian women have now placed themselves at the head of the so-called queer movement. The female protagonists in the film represent two different generations; they also incorporate the past and present status of homosexuals in society.
Documentary about the making and reception of Carl Th. Dreyer's final movie, "Gertrud."
This short documentary features children aged 5 to 12 talking about their experiences with bullying and discrimination because they or their families do not fit into traditional gender and family roles. This film explores the contemporary diversity of families from kids' points of view, while featuring short animated sequences about the history of derogatory slang.
Documentary about the Lyon sex workers who occupied the church of St. Nizier on June 3, 1975.
An in-depth oral history of the production and development history of Robert Altman's "O.C. and Stiggs," featuring commentaries from the film's cast and crew.
Interviews and performance footage are used to provide an overview of the women's music scene.
No overview available.
The Amsterdam doll shop Colorful Goodies sells Barbies, boy dolls, and cuddly dolls that every child can recognize; from dolls with different skin colors and professions, to dolls with disabilities. This documentary follows three families of color who take home a doll. What does such a doll mean for your self-image if you struggle with it because you are of color, or because you have to learn to live with albinism? Is our dominant white society as tolerant as we think?
Punk music icons, Lunachicks, reunite after 20 years in an unfiltered, hilarious, and electric documentary. Packed with rare archival footage, the film traces their rise from gritty NYC teens to feminist trailblazers of the 90s grunge era. Fans and newcomers alike will thrill as the band recounts old antics, rekindles bonds, and embarks on their long-awaited journey back to the stage.
Dan Aykroyd, John Candy, Gilda Radner and Cheech and Chong present this compilation of classic bad films from the 50's, 60's and 70's. Special features on gorilla pictures, anti-marijuana films and a special tribute to the worst film maker of all-time, Ed Wood.
