Accompanied by a 10,000-year-old shapeshifter and friend known as Sabe, Biidaaban sets out on a mission to reclaim the ceremonial harvesting of sap from maple trees in an unwelcoming suburban neighborhood in Ontario.
Picchu is a story that follows the journey of an Andean girl named Mayu and the unconditional support of her mother. The path will not be simple. Mayu will rely on her determination and her mother's teachings to overcome her fears and doubts to fulfill her destiny. Picchu reflects the reality of many children around the world.
As a young fisherman cruises along a rugged shoreline, a tiny mouse in Haida regalia appears and starts to knit a blanket. A story unfolds on the blanket as it grows longer, illustrating the ancient tale of Haida master sea hunter Naa-Naa-Simgat and his beloved, Kuuga Kuns. When a SGaana (the Haida word for “killer whale”) captures the hunter and drags him down into a supernatural world, the courageous Kuuga Kuns sets off to save him. Will the lovers manage to escape the undersea Mountain of SGaana, or will they, too, become part of the Haida spirit world forever?
Traditional Northwestern Indigenous spiritual images combined with cutting-edge computer animation in this surreal short film about the power of tradition. Three urban Indigenous teens are whisked away to an imaginary land by a magical raven, and there they encounter a totem pole. The totem pole's characters—a raven, a frog and a bear—come to life, becoming their teachers, guides and friends. Features a special interview with J. Bradley Hunt, the celebrated Heiltsuk artist on whose work the characters in Totem Talk are based.
Xóchitl is an indigenous woman who must fight for her freedom before the birth of her baby, since she finds herself trapped in an abusive relationship. She will have to face a town full of prejudices and accomplices of her abuser. However, Xóchitl has the inner strength of her lineage, which will manifest itself in her favor.
Based on the shamanic rituals in Mongolia and Siberia, this is a testament to the need to reclaim the ideas of animism for planetary health and non-human materialities.
Felix gets into trouble with a tribe of Indians out west, and is chased by a bear.
A little girl will have to sing to the mythical goddess of water so that this valuable liquid can reach her community.
For an Inuit fisherman, technology means absurdity. Floating out on a block of ice, he doesn't have any other choice to grab onto some flying fish to save himself.
Toronto’s town square is flooded. The city’s infrastructure has merged with local flora. In this radically different future, people have found a connection to the past.
The Mapuche tribe asks their Gods for help in difficult situations, including illness and drought. When the Spanish conquerers on their horses invade their country, the indigenous people think that they are aliens. The Spaniards capture and enslave many of the Mapuche tribe. Lautaro, a young captured native, realizes that these aliens are human beings without any divine power. He learns to use their weapons and organizes a resistance movement against the intruders.
Casper the Friendly Ghost helps Little Feather go hunting.
This animated short, inspired by the Mi'kmaq legend "The Stone Canoe" explores Indigenous humour. We follow Little Thunder as he reluctantly leaves his family and sets out on a cross-country canoe trip to become a man.
In the snowy heart of Yakutia little girl Nyukku embarks on her first Munkha, Sakha traditional fishing. Filled with excitement and armed with her "magical" mittens, she dreams of catching a big pile of fish. However, her brother Michil is quite skeptical about the "magic" of her mittens and teasingly predicts that she will lose them. Nyukku's enthusiasm is undiminished, so she challenges Michil to a bet. Unfortunately, her adventure leads to an unexpected chaos and failure, and Nyukku loses the bet. Through this experience and guided by their father's wisdom, Nyukku and Michil learn a valuable lesson: the true magic lies in the strength of family bonds and mutual support. As a result, the children save the catch, and miraculously, Nyukku gets her lost mitten back.
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The big bad cats are the villains/Indians, and the little mice are the settlers going west in their little covered wagons, and the Indians are on a rampage about it. Things look dark indeed for the settlers when the likes of Buffalo Bill, General Custer and Daniel Boone are unable to defeat the attacking cats but...wait...up in the sky...here comes the singing, flying mouse...Mighty Mouse. Not recommended for Revisionists.
Two indigenous tribes invoke the god of love, Rudá, to come and celebrate the rite of love. They believe that this god lives in the clouds and that love is free from all prejudice.
Taqralik Partridge asks what if every language that had been lost to English — every word, every syllable — grew up out of the ground in flowers? Taqralik’s grandmother’s Scottish Gaelic and her father’s Inuktitut unfold in memories of her family, of pain, and of love.
An unapologetic confrontation of cultural appropriation and everything that’s wrong with hipsters in headdresses.
Oral legend of the Amazonian nationality Secoya del Ecuador. Tells the story of Ñañe (the moon) and how it created the world.
Rose the rabbit seeks her way home in this poetic story of reclamation, recovery, and reconciliation.
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