In this sober and moody documentary, director Anders Østergaard explores the life - and death - of Swedish wonder kid jazz pianist Jan Johansson through a rain-soaked windshield.
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Himself (archive footage)
Himself
Crazy is the story of a legendary guitar player who emerged from Nashville in the 1950s. Blessed with incomparable, natural talent, Hank Garland quickly established his reputation as the finest sessions player in Nashville.
Elijah Jamal Balbed grew up in Washington DC in the midst of one of its most difficult eras, as its identity was being tested. As the city changed around him, his budding career as a musician exposed him to the people and music providing a voice and an outlet to the people of DC. Now tasked with preserving and sharing that tradition, Balbed reflects on balancing that responsibility with creating a musical identity of his own.
Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."
A Film About Kids and Music is a project arising from a music class. Conducted by Joan Chamorro, the big band brings together children between 6 and 18 years old, around a classic jazz repertoire with lots of swing, which gained the public’s attention and sold-out some of the most important music auditoriums in Spain.
A vibrant tribute to one of America's legendary bandleaders, charting Glenn Miller's rise from obscurity and poverty to fame and wealth in the early 1940s.
One of the true legends of the jazz scene, Miles Davis was not only a virtuoso on the trumpet, but also one of the founders of cool Jazz, Groove, Hard Bop, and Fusion. Available for the first time completely digitally re-recorded is Davis' live performance in Montreal with rare concert footage. This is a must-have for all jazz lovers.
BBC archivists recently unearthed a veritable treasure trove of Ella Fitzgerald shows recorded by the BBC. Featuring two shows from 1965, and a performance live at Ronnie Scott’s from 1974; this is the timeless Ella Fitzgerald.
Jack DeJohnette - Drums, Herbie Hancock - Keyboards, Dave Holland - Bass, Pat Metheney - Guitars. For the first time, these four masterful musicians come together to form a jazz group most people would never expect to see happen. Taking their collaborations around the world, they toured Canada, Europe, Japan, and the United States, performing concerts and festivals to sold out audiences and rave reviews. On June 23, 1990, this extraordinary group performed two concerts at the Mellon Jazz Festival at the Philadelphia Academy of music. Both shows were filmed and have been carefully edited to create a technically flawless video of a truly "once in a lifetime" event. All of the songs were selected with great care, as might be expected from a band of this caliber.
A documentary featuring archive footage to celebrate the 100th birth of jazz legend Louis Armstrong.
The Very Best of Diana Krall is the first greatest hits album by Canadian singer Diana Krall.
Gruber is a normal 16-year-old growing up in Budapest in 1962, but he has a problem -- how does he get to know the opposite sex? At the Sunday afternoon dance classes the young "ladies and gentlemen" hold each other while dancing, and that makes the lessons worth something. Otherwise, the pianist's attention wanders and the orchestra does not exactly play with a single-minded dedication. In fact, everybody seems to have other things on their minds, except for the enthusiastic dance instructor and his ever-smiling assistant.
An unprecedented collection by Afrobeat legend Femi Kuti, Live At The Shrine includes both a concert film/DVD documentary and a live concert CD, singularly conveying the beauty and joy of Afrobeat music – a combustible cocktail fusing jazz, funk, and traditional African music – while also communicating it’s fascinating roots and politics which began with Femi’s father Fela Kuti, the creator and godfather of Afrobeat. Live At The Shrine takes place in the Kuti family’s hometown of Lagos at the Africa Shrine, where every Sunday Femi plays to a packed house of revelers. With music as his weapon of choice and the Africa Shrine a temple of protest song, Femi continues his father’s fight, railing against the corrupt Nigerian government and staunchly defending PanAfricanism. Capturing this experience through interviews, street scenes, and the music itself, Live At The Shrine captures the spirit, passion, and hope, of a man and a people who are fighting.
Clark Terry has been described as 'possessor of the happiest sound in jazz'. A veteran of Duke Ellington's orchestra, he began to perform as a soloist in the sixties and established a reputation as one of the great teachers of jazz music, which continues to the present day. In this performance from 1977, he is joined by an all star band including Oscar Peterson, Ronnie Scott, Niels Pedersen, Joe Pass, Bobby Durnham and Milt Jackson.
Jake Blues, just released from prison, puts his old band back together to save the Catholic home where he and his brother Elwood were raised.
The Third Part of the Third Measure creates an encounter with the militant minimalism of black avant-garde queer composer, pianist and vocalist Julius Eastman. The film focuses on what The Otolith Group describe as ‘an experience of watching in the key of listening’, invoking political feelings of defiance and the collective practice of movement building that participates in the global struggles against neoreactionary authoritarianism. The Third Part of the Third Measure invites viewers to attend to exemplary ecstatic aesthetics of black radicalism that Eastman himself once described as ‘full of honour, integrity and boundless courage’.
In the 1930s, jazz guitarist Emmet Ray idolizes Django Reinhardt, faces gangsters and falls in love with a mute woman.
In the late 1990s, iconic photographer Bruce Weber barely managed to convince legendary actor Robert Mitchum (1917-97) to let himself be filmed simply hanging out with friends, telling anecdotes from his life and recording jazz standards.
Danny 'Sweet Touch' Caputo is a young sax player on the verge of crowning his life's dream, to play in the festival that will send him to the top amongst the jazz greats. With just 50 minutes standing between him and his consecration, as he runs over his last simple question more to pass time than anything else. Danny tries to answer, but instead finds himself projected into another world, one populated by the sensual and very real ghosts of his past...
The story of a virtuoso piano player who lives his entire life aboard an ocean liner. Born and raised on the ship, 1900 learned about the outside world through interactions with passengers, never setting foot on land, even for the love of his life. Years later, the ship may be destroyed, and a former band member fears that 1900 may still be aboard, willing to go down with the ship.
In 1936, two female artists (a singer and a pianist) visit the city of Lushnja, which was very conservative.
