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This Azerbaijani romantic drama depicts the love affair between Zaur, a man from an affluent family, and Tahmina, a divorced woman doing her best to survive in a conservative society.
Psychological drama about a university dean who leads a double life.
Film exposes the corruption and the decadence of the late Soviet bureaucracy in Azerbaijan SSR through the eyes of a naive Azerbaijani adult man, Hatem.
Young Ruslan rows for a team coached by his father Ali, who places many demands upon his son and is continually dissatisfied by his performance. But when tragedy strikes, his father is overcome with emotions he doesn’t know how to deal with. Debut director Asif Rustamov treats the heavy topic with remarkable subtlety and discretion, emphasizing the characters’ carefully elaborated psychology.
Inspired by Anton Chekhov's The Cherry Orchard, the film follows a prodigal son who returns after 12 years. His reappearance at the family home in rural Azerbaijan significantly alters their way of life.
The film is about the replacement of four generation.
Jan Vacek, a revolutionary of Czech origin, organizes the retreat of communist troops in Baku after the Bolshevik Revolution, following the fall of the local commune...
The film is dedicated to a mother who protects the warmth of her hearth, the peace and well-being of her family.
A drama about a film crew making a movie in an isolated mountain town famous for its ancient fortress, and what happens when the town is threatened by a modern-day foreign invasion.
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The film is about political events which took place in 1989.
After the story of same name of Ilyas Afandiyev. The film is about two young people's love.
After World War II, a group of young “robbers” redistributes the wealth of the rich to the poor while protecting the honor of women, especially the wives and sisters of soldiers at the front. Though branded outlaws by the law, their criminal yet benevolent deeds win the tacit approval of the local community.
The film is about lad who joined the underworld, after coming from Afghan war.
Dedicated to the development of the oil industry of Soviet Azerbaijan in the background of the first half of the twentieth century, including their selfless work in strengthening the economic and military might of the USSR.
The events occur during the Nagorno-Karabakh War. Because of a corpse in a zinc coffin with an arguable address, two families get excited. Having cut the lid off the coffin to identify the soldier, they find out that he is, in fact, Armenian - former citizen of Baku.
January 1990, Baku. The Soviet Union hasn't collapsed yet. Around 300 thousand Azeri have been forsed out from their homes in Armenia and Daghlig Garabagh. Rallies of protest, political meetings spring up in Baku. The old patriarch, Ismail gathers under his roof distant relatives, people of different nationalities, beliefs, and ideas. The old man is tortured by everything happening around him: unrest in the city as well as discord and discarder in his own overpopulated apartment. All his efforts to preserve the family are in vain. People want to live separately. Former friends become bitter enemies because of the senseless aggression.
The film is about war in Garabagh and when we look at wounded solider we see our son, brother or father.
The novelette was written by I.Huseynov. In the film, the problem of war is viewed from the perspective of love. Almost all of the men of the village are at the battlefront. The women who stayed in the night and day to support their efforts. Children wake up in the middle of the night, crying for bread. All of the villagers feel anxious for the men to return. Mothers are waiting for their sons; wives, for their husbands and children, for their fathers. When Sayali's husband dies at the front, her husband's friend Jabrayil proposes to her. The people of the village are furious. Jabrayil's brothers leave home, convinced that their family has been disgraced. One brother goesw crazy; the other fall ill and dies. The only person who doesn't blame Jabrayil is the "agsaggal" (the wise old man) of the village - Isfandiyar Kishi. In this film, note single sound of weaponry is heard, not are any battle scenes depicted, yet we still witness the inherent tragedy of war.
Aghababa
Aghabaji
Aghamirza
Amina
Kalantar
Kheyransa
Amirgulu
Adil
Naila
