Winter fantasy based on Stravinsky's ballet "Petrushka".
Florence, 1631. The black plague rages, the streets are deserted, healthy citizens are confined. Alvise, a plague doctor, discreetly paces the city in search of infected bodies to conduct his experiments, in the hope of finding a cure. One day, during an autopsy, a strange creature springs from one of the corpses...
Bimbo becomes a long distance accordion champ and comes through with a load of credit.
Zero, Ribut, Taiga, Z, 80, Max, Mebius, Great, Powered, Grigio, and many more Ultra Heroes fight together to solve this mysterious case. This is the complete, director's cut version of the original web series with no breaks!
Felix is looking for a friend and discovers the 'Fulgidusen', the little lights of the forest. But the village of the Fulgiduses and thus also the secret of the forest are in great danger ...
After 500 years, Martin Luther finally gets his own animated film. A completely and utterly accurate history lesson about Martin Luther.
An experimental animation by Kazimierz Urbański about transportation. Combines various techniques: traditional cartoon film, cut-out, documentary photos, animation of objects, and effects caused directly on the tape.
Zbigniew Rybczynski's series of pictures to the music of Kazimierz Serocki.
A story of a monster which, moving at an enormous speed, devours whatever comes across on its way: people, animals, cars, buildings.
Film unfolds in five sequences, each depicting a facet of Barbórka celebrations—from the miners’ orchestra wake-up call and the medal-awarding academy through evening feasting and dancing. Folk traditions mingle with party-state rituals as speeches for the PZPR Congress intercut candlelit toasts. In the opening mining-orchestra segment, dynamic editing syncs shot length to the music’s tempo, while grotesque staging casts engineers as conductors and workers’ movements as instrumental solos.
Shows a couple (Adam and Eve) and various objects, simultaneously, in time, space and movement.
A lonely fisherman's wait. Over the horizon against the expanse of the sea, time passes. Something gradually overwhelms the waiting man. We then discover that he's unstable, fragile and sadly violent. As he suffocates from within, colors appear on his skin. And then everything comes to a halt : a woman arrives like an apparition in the water.
Amina is living in the big city, working from home. When adult life pressures reach an all time high, her house comes alive in strange and unusual ways, forcing her to face an invisible enemy to save her work day.
A jive-talking Easter Bunny named Jack decides to retire, so his friends throw him a crazy roast before he officially hangs up his basket. A series of kooky flashbacks tells of his life-story and career, but will all this reminiscing only convince him not to quit after all?
The world's largest stop-motion animation film. "Gulp" follows the adventures of a fisherman who is swallowed by a big fish. This animation was shot using a Nokia N8 phone by suspending three phones high above the action on a crane.
1925 aka Hell is a animation loops directed by Max Hattler, inspired by the work of French outsider artist Augustin Lesage. 1925 is based on Lesage's painting 'A symbolic Composition of the Spiritual World' from 1925.
A paraphrase on the folk tales about the outwitted Death. This one is a story of a folk musician who plays his violin so well that Death lights a new life candle for him.
Loik, a disfigured sailor, is posted to a remote lighthouse with Morlaix, a tyrannical head keeper. But soon, the two men find themselves besieged by a strange storm.
A poetic essay on the city of St. Petersburg in the 18th century, based on poems by Alexander Pushkin and Alexander Blok and a novel by Andrey Belyi. The film contains reworked footage from Aleksey Batalov's "Overcoat", Eisenstein´s "Strike", Petrov's "Peter The First", Tikhomirov's "The Queen Of Spades" and others. Petersburg is an unbounded visual fantasy where reality and imagination merge into one. The history of the city represented in a digital form may live its independent life. Yevteyeva presents sights of St.Petersburg that have become the genetic code of the Russian culture in a particular manner in her film. Each shot of the film was hand-painted with special strokes.
In 2015, we created this cell animation short to commemorate the Armenian Genocide Centenary. To the date, the Turkish government still denies the genocide took place, dodging their responsibility. 100 years will have passed this April 24th, and Armenians will keep on fighting for justice. This is a small tribute to the 1.500.000 victims.
Animation about blood, flowers and stuff.
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