Rajunath, the lazy son of the village postman Shambunath, is a liar. He often plays pranks on the poor villagers. When his father succumbs to burns, he swears never to lie again.
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Crime - Sapna Lakha lives a very wealthy lifestyle with her businessman dad. She falls in love with a singer-cum-waiter, Shashank Dutt, who is also attracted to her. Her dad, who disapproves of him however, agrees to let them marry. *Subtitles not available for this feature* - Jimmy Shergill, Shenaz Treasury, Kader Khan
Jo Bole So Nihaal (also transliterated as Jo Bole So Nihal; literally meaning "Whoever utters shall be fulfilled") is a 2005 Bollywood action comedy film, directed by Rahul Rawail. It stars Sunny Deol, Shillpi Sharma and Kamaal Khan in lead roles, whilst Nupur Mehta and Surekha Sikri appear in major supporting roles; the director also plays an antagonistic role in the film. Singer Kamaal Khan appeared first time on big screen in a negative role. This movie was his debut movie as actor. The film's release was met by protests from Sikh groups, who took offense at its use of a Sikh religious phrase as its title,[1] as well as scenes in which a Sikh police officer is shown being chased by scantily-clad women[citation needed]. Two bomb attacks on 22 May 2005 on theatres in New Delhi showing the film killed one person and injured 49, prompting cinema owners to pull the film, in some cases voluntarily and in some states as a result of a government order.
A gang of bikers headed by the cool-headed and arrogant Kabir is on a robbing spree in Mumbai. ACP Jai Dixit is put in charge of the case and he recruits a bumbling bike mechanic and racer to help Jai nab them.
DCP DeSilva sees a way to bring to justice the feared head of a criminal empire by recruiting a man named Vijay, who looks exactly like the crime boss. The ruse works too well, and soon Vijay finds his life in danger when DeSilva, the only one who knows his true identity, dies.
Following a traumatic chapter in their lives, Sameer and Nargis try to lead a happy life by adopting Nandini, a friend's orphaned niece. But fate soon strikes back hard when Nandini goes missing.
Sergeant Nikhil Sharma suffers from severe depression after losing a limb while on duty. However, after meeting Monica, he gains confidence and vows to reclaim his previous life by solving a critical case. Will he be able to complete his mission?
India's Biggest Franchise is back with the 5th instalment, and this time it is not just chaos and comedy.... But a KILLER Comedy!
Wealthy Shankar and well-educated Suresh are cousins and the best of friends. A marriage is arranged for each of them (Shankar's with Madhumati, Suresh' with Shanta), but Shankar's father is against the couples meeting in person and instead each cousin meets with the other's intended. During the meeting Suresh falls in love with Madhumati and scheme switch brides. But his innocent scheme has unforeseen circumstances as Shankar's marriage quickly turns sour because Shanta despises him for being uneducated and blames him for tricking her into marriage.
On the 25th of June 1983, the Lord’s Cricket Ground witnessed one of the biggest underdog stories in the history of sports. Fourteen inspired players - led by a man's self-belief and conviction - fought against all odds and orchestrated India’s greatest sporting triumph by beating the two-time World Champions West Indies.
A single pregnant woman living without her husband or any man, alone, in a society of people where everyone questions her character and mysterious lifestyle. Reluctantly, Divyendu Sharma finds himself involved in her life. His aunt, played by Dolly Ahluwalia, is a woman who lives in Badnaam lane (name of the residential complex in Delhi) and keeps track of the society she lives in and keeps her nephew informed about the whereabouts of its residents, particularly the Bengali surrogate woman, Patralekhaa.
Two lovers fall into a passionate love affair in the underworld.
The film centers around the life of Taran, who loses her fiance Amar in a skiing accident. Her life changes when she meets Shekhar, who has seen the best and worst of times. The story explores old friendship, newfound love and a difficult decision.
Shudra: The Rising is a Hindi language film with a storyline based on the caste system in ancient India, and more specifically the Hindu Varna system. It is directed by Sanjiv Jaiswal and dedicated to Bhim Rao Ambedkar. The film depicts the four basic units of the caste system - the Brahmins, Kshatriyas, Vaishyas and the Shudras. The film shows various rules imposed on the Shudras such as waking with a bell around their ankles and a long leaf behind their back,and a pot hanging around their neck.
Zubeidaa, an aspiring Muslim actress, marries a Hindu prince to become his second wife. Her tumultuous relationship with her husband, and her inner demons lead her to a decision which has fatal consequences for them all.
Sabhyata, who falls in love with the village pradhaan's son, must decide how she will fight the ceremonial ritual of Kori in order to have a happy and respectful married life.
Zooni Ali Beg is a blind Kashmiri girl who travels without her parents for the first time with a dance troupe to Delhi to perform in a ceremony for independence day. On her journey, she meets Rehan Khan, a casanova and tour guide who flirts with her. Although her friends warn Zooni about him, she cannot resist falling in love with him and he takes her on a private tour of New Delhi. But there is more to Rehan than meets the eye and Zooni will have to make a heartbreaking decision.
A very clever parrot lives in a Hindu palace, surrounded by many beautiful girls, but the parrot escapes, and is trapped far from the palace. One day, when its new owner is sleeping, the bird convinces a young boy to open the cage door. In return, it shows the boy a secret passage to get into the palace.
Najma is in platonic love with Salim Akhtar but cannot marry him until he is financially stable. An elderly Shakir promises to help Akhtar set up his business in exchange for Najma finding a suitable bride for him.
Rahul, the son-in-law of an old industrialist and one of the heirs to his fortune, clashes with Dinesh, the industrialist’s nephew who is openly unscrupulous. Rahul, on his part, conceals his personal ambition under a cloak of liberalism and encourages indigenous production.
We are thrust into the decaying crumbling marriage of Megha and Vinay. A relationship that is now running only on toxicity and vitriol for each other. Accusations fly, perceptions have been distorted and what is left is an unreliable narration of events. The only thing certain is that there is no redemption when they try to address this by inviting guests…
