On his documentary journey along the Black Sea coast, documentary filmmaker Stanislaw Mucha paints an idiosyncratic picture of the interface between Europe and Asia.
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The Dynasty by the Direkt36 investigative center tells the story of the business dealings of the Prime Minister’s family over several decades. With hidden camera footage, it also shows the luxurious world built by Viktor Orbán’s son-in-law István Tiborcz and his daughter Ráhel Orbán.
The ruin pub phenomenon in Budapest jolted the city to life like an explosion in the early 2000s. The capital, which had flourished and buzzed with culture at the turn of the century, was levelled in an instant by the Second World War. The people living here had to start from scratch, and through perseverance and determination, the city once again began to thrive—only to slide toward decline once more. Budapest exists within this cycle, and the ruin pub is part of it, encapsulating a sense of permanence built from the ruins of Eastern Europe.
The little-known story of Ukrainian children torn from their homes in the crush between the Nazi and Soviet fronts in World War II. Spending their childhood as refugees in Europe, these inspiring individuals later immigrated to the United States, creating new homes and communities through their grit, faith and deep belief in the importance of preserving culture.
In the wilderness of the Bucharest Delta, nine children and their parents lived in perfect harmony with nature for 20 years – until they are chased out and forced to adapt to life in the big city.
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A sociopolitical historical documentary-thriller about the international decline of communism and the 1956 Hungarian Revolution.
"LIDA" takes place on the day of Lida's 70th birthday. This already special day is made more unusual by the recent arrival of her grandson, Lev, who had immigrated to the United States with his family in 2001. Returning to Ukraine for the first time as an adult, Lev documents his grandmother as she tends to the small homestead and prepares for the birthday celebration in the rural village in Ukraine. By capturing moments of arduous labor, as well as through personal conversation, Lev inquires into his grandmothers relationship to her home, land - and their family.
Between February and April 2025, filmmakers Bernard-Henri Lévy and Marc Roussel filmed the Pokrovsk and Soumy fronts in eastern Ukraine, following the fighters of the Anne de Kyiv Brigade, armed by France. They filmed the daily lives of the inhabitants, bombarded by Russian forces terrorizing civilians on the eve of possible negotiations. They interview President Zelenskyy, who is reluctant to travel to Washington, and then watch the rebroadcast of the meeting with Ukrainian soldiers in a bunker. For the real heroes are the anonymous fighters and civilians who hold their heads high in the face of adversity and suffering, and who are filmed on a daily basis. The final part of Lévy’s “Ukrainian Quartet”, Our War is a diary, peppered with flashbacks in which the author recalls the high points of this war that began in 2014.
"This wonderful age in life where every thought strives toward an ideal, toward work, toward the future." Sahia Studios propaganda flick about how adults and their "those darn kids" attitudes affect adolescents.
The story of six young people addicted to heroin in Sofia, Bulgaria.
A film about the artist Daniel Spoerri. It's actually a film about a thought by Daniel Spoerri: a film almost without Daniel Spoerri, it's actually mostly acted out by a child - to say no less than that everything somehow goes on in life, even if you die in between.
A cinematic, character-driven insight to what it meant to produce and to own a car in communist times: the Socialist propaganda dreams and the hard reality of living that dream. The freedom that these slow and clumsy vehicles were giving to their owners; the cars as an instrument in the Cold War battle; legends and homemade tune-ups as an attempt to stand at least a little bit off the crowd.
Between 1930 and 1945, Eastern Europe experienced mass violence on an unprecedented scale. Hitler and Stalin exploited the vast region for their respective expansionist plans. It is estimated that around 14 million civilians were murdered—primarily Jews, Poles, Balts, Belarusians, and Ukrainians.
"Free Spaces" sketches a new and transformative image of four major cities in Eastern Europe. In te post-communist urban settings of Tbilisi (Georgia), Yerevan (Armenia), Chișinău (Moldova) and Kiev (Ukraine), Ina Ivanceanu follows artists and activists as they reclaim public spaces and assert their freedom of expression. Occupying a cinema, reviving an old Soviet circus, converting a grim metro passage into a glamorous arena, and repurposing a defunct factory building into a cultural agora. By seizing and creatively transforming public spaces characterized by an abondoned past, today's new generation explores democratic means and freedom while also confronting pervasive neoliberal structures in their respective societies.
2021 was a turning point for Belarus and 6 Belarusian students - as well as for the city of Łódź, Poland, in which they found themselves. Across the rails of change and transformation, documenting a time that has not been before and will not repeat again. Heroes of the film have very different fates and experiences, but they are all connected by the place they found themselves in - the post-industrial and post-apocalyptic city, which becomes a part of their story and a hero of its own. Students, transport, quaters, youth, revolution, local apocalypse, changes and turns - they all mix in a documentary kaleidoscope 'Across the Rails'.
On December 15, 2024, the collision and sinking of two fuel oil tankers in the Kerch Strait caused one of the most devastating environmental disasters in the history of the Black Sea. Six months later, the tankers lying on the seabed are still leaking fuel oil, and of the thousands of volunteers who initially took part in the cleanup, only a few dozen remain along a 30-kilometer stretch of beach. The film was shot on the Taman Peninsula in early summer 2025, against the backdrop of a formally lifted, yet in reality already underway, beach season. In the face of scarce resources, the departure of their own leaders, and the daily release of fuel oil, the volunteers talk about themselves, rescue animals, combat the ignorance of those around them, and try to find the motivation to continue their fight against a disaster that at times seems endless.
It’s the last dictatorship of Europe, caught in a Soviet time-warp, where the secret police is still called the KGB and the president rules by fear. Disappearances, political assassinations, waves of repression and mass arrests are all regular occurances. But while half of Belarus moves closer to Russia, the other half is trying to resist…
A Russian-backed conspiracy film produced by Oliver Stone, framing the Euromaidan protests and the ouster of Viktor Yanukovych as a Western-engineered coup.
At the beginning of the 70s, Sahia Studio produced a number of social investigations commissioned by the Central Committee of the Romanian Communist Party, intended to expose the so-called "social parasitism". The decision was taken after the theses of July 1971, which provide that "one of the main objectives of political work, especially among the youth, is the firm fight against the tendencies of parasitism, of an easy life, without work, the cultivation of responsibility and the duty to work , in the service of the country, the people, the socialist society". The most famous films, made with the competition of the Ministry of the Interior and the Ministry of Justice, are Să treacă vara and Iarna unor pierde vară
