A group of children struggle to survive in the brutal landscape of a diseased, post-apocalyptic America.
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Unni and his friends move to the 6th grade after the new academic year begins. He loves his school life mainly because of his crush Riya and feels threatened by the newcomer in his class - Roney. Soon they lock horns and are in competition.
A babysitter takes the son of a wealthy family for a walk in the park. After a carelessness of the babysitter, the child follows two children from the street, who before returning him with her, will be responsible for giving him the best day of his life.
When a U.S. Marine returns home from Afghanistan, he finds that the place he once called home is no better than the battlefields he fought on overseas. Accompanied by his best friend, he searches desperately for the whereabouts of his estranged son and wife. In their search, the two intercept a man carrying vital information about his family.
The O'Neills lived happily in their house in the Australian countryside. That was until one day fate struck blindly, taking the life of Peter, the father, leaving his grief-stricken wife Dawn alone with their four children. Among them, eight-year-old Simone denies this reality. She is persuaded that her father still lives in the giant fig tree growing near their house and speaks to her through its leaves. But the tree becomes more and more invasive and threatens the house. It must be felled. Of course, Simone won't allow it.
Father KIM and Hyung-woo, a sixth-grader, travel together to the quiet village of Boriwool. Kim is going there to start his priesthood as pastor of Boriwool Church, Hyung-woo to see his dad Woon-ahm, who left his family six years ago to become a Buddhist monk. Hyung-woo feels awkward with his dad and becomes bored with living in the country. Father Kim also finds some of his flock quite antagonistic to him. Meanwhile, the village kids coached by Woon-ahm play the church orphans in a soccer match. After the orphans are beaten soundly, Father Kim begins coaching them...
Set one year after the zombie apocalypse has supposedly come to an end, a desperate couple set out to find a cure for their infected daughter.
Working with children led Barskaya to create superb direct sound and an inspired style of shooting. Don’t look for conventional cinematic syntax here. The film is chaotic in the way that Soviet films still knew how to be, and Langlois couldn’t help but be seduced by its rebellious spirit, its anarchy and love of children, comparable to Vigo’s Zero de conduite. As well as being a film made with and for children, it offers a complex take on Western society. Pre-Nazi Germany is not named as such but is carefully reconstructed, possibly under advice from Karl Radek, and children offer a playful reflection of class struggle – doubly excluded, as proletarians and as minors. “They play in the same way that they live”, one intertitle says. The interaction between their comical games and the yet more ludicrous ones played by adults is developed on several levels.
Marianne and Jacques are a young middle-class couple who live in a chic Parisian apartment with their two young children. One day, Marianne receives an unexpected visit from two strangers, Mr and Mrs Worms, who claim to have lived in the apartment when they were children and who ask if they can just take a look around their former home. Marianne agrees, but no sooner have the mysterious Worms left than things take an inexplicable turn for the worse...
Plagued by a series of apocalyptic visions, a young husband and father questions whether to shelter his family from a coming storm, or from himself.
Three kids climb over the wall of an old cemetery in the Piacenza countryside and reach a boy their age, who is praying in front of a tomb. Then, they all run out and reach an ancient abandoned cemetery. Here they amuse themselves by destroying votive statues and uncovering tombstones from which they extract bones and teeth.
The viscous conflict between Israel and the Palestinians is now a generation old. For many of the children of the region, the terrorist war has been going on for their entire lifetimes, killing their family and friends, and overshadowing their lives. They are the Children of Rage
Set in a parallel universe entering a black hole, a woman reading the book of Revelation has visions of regeneration during Anthropocene.
A short film of the last day of summer that never ends.
Best friends Karl and Miles, who find themselves in a secluded cabin in the woods with what they think is an opportunity to get rich, with the only thing standing in their way being the end of the world.
Rose Sellars is a middle-aged woman who falls in love with a widower. However, his children believe that their father is too old to start a new relationship.
While vacationing at a remote cabin, a young girl and her two fathers are taken hostage by four armed strangers who demand that the family make an unthinkable choice to avert the apocalypse. With limited access to the outside world, the family must decide what they believe before all is lost.
What follows is a black-and-white silent film set in the 1890s during the brewing Filipino revolution against Spanish colonialism. A series of tragic and comic sequences tells the Three Ages of an Indio (“common man”) as he progresses from boy bell ringer in a village church to teenage revolutionary to adult theater actor rehearsing a popular Spanish play.
Mario Moreno portrays a professor in this movie. A small town in the middle of no where requests the school Mario Moreno is working in for a teacher. He ends up going to give the town a hand. When he arrives he comes to know the corrupt leaders who through out the movie try to make him leave. Although he is being harassed you can see how much he cares for the kids and their circumstances. He deals with problems by using his hilarious comments.
Prequel to the Henry James classic "Turn of the Screw" about the events leading up to the deaths of Peter Quint and Ms. Jessel, and the slow corruption of the children in their care.
Stuck in a mining town near Vladivostok in 1947 amongst Soviet exiles and Japanese POWs (Japanese prisoners remained in Siberia for years after the war had ended), the kids have to come up with something to keep them busy. Two friends, Valerka and Galia, play some peculiar, very dangerous games of their own amid the man-made wasteland of Suchan.
