The adaptation of a lesser known novel by Nobelist Ivo Andric, which describes the life of a spinster who was overwhelmed by a single passion: avarice.
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Rajka Radaković
Vlado Ratko
Rafo Konforti
Jovanka
Majka
Otac
A woman and her daughter struggle to make their way through the aftermath of the Balkan war.
Despite mixed emotions, Frederick Winterbourne tries to figure out the bright and bubbly Daisy Miller, only to be helped and hindered by false judgments from their fellow friends.
An exiled filmmaker finally returns to his home country where former mysteries and afflictions of his early life come back to haunt him once more.
The horrors of war are examined from the view points of lifelong friends (Linus Roache, Vincent Perez), who end up on opposing sides in the civil war in Sarajevo. One is an expert marksman, who trains the snipers used to terrify the city and the other becomes a freedom fighter, who rejects his friend's offer to gain an escape from the city. As might be expected, the two eventually have to face-off against one another.
Hak-ming heads the Ko Family, but he and his brothers, Hak-ting and Hak-on, and the second wife of the late Master Ko quarrel. Young Cousin Mui, who has tuberculosis, is forced by to marry an older woman. Kok-sun is guilty of being unable to stop the marriage. Sun and maid Chui-wan are wary of their feelings for each other due to class difference. Cousin Mui dies of illness. Hak-ting has his eyes on Wan. His wife, Wong, complains to their daughter, Shuk-ching, who cannot take it and commits suicide. Wong blames herself for her death. Undergone these tragedies, Cousin Kam's mother let Kam have a modern wedding with Kok-man. When Ming is ill, Ting and On want to sell the ancestral home. Hak-ming dies of angst. When the fifth uncle of Sun forces Wan to be his concubine, Wan tries to kill herself but is intercepted by Sun. Pressurised by people of the house over the issue of inheritance, Sun protests by declaring his love for Wan and leaves the family, with his mother, brother Man and Wan.
Ruža left Serbia, her country, over 30 years ago and lives in Zurich. Her daily life is a string of repetitive moments until, one day, Ana arrives on the scene and upsets Ruža's painstakingly organized world. A subtle friendship develops between the two strong willed women.
Bus Money dons various disguises on public buses to protect the defenceless from the bullies and receives heroic praise. Money meets Tai Ngau, a righteous journalist, when they bear witness to the callous response of Manager Mo to the death of his servant Ah-kwai. Tai writes to redress grievances of the deceased. When visiting the family of orphans, he chances on his kindred spirit giving the eldest daughter Ah-yin a gift of gold. Money exploits the weakness of Mo and her connection with his son Sze-fu to swindle a fortune out of the lewd man for the benefits of the fatherless children. Her rage grows learning that Mo's friend Fong Hak-sang has pulled off a lucrative fraud on returned overseas Chinese and forces Ah-yin to pledge herself in paying off her father's debts. Money, who has all kinds of tricks up her sleeve, teams up with Tai and gives Mo and Fong their comeuppance before setting off on her next mission.
"Family" (1953), which launched the Union Film legacy, "Spring" (1953) and "Autumn" (1954) are adaptations of Ba Jin's highly regarded novel "Torrent Trilogy". In "Family", director Ng Wui skilfully condenses the voluminous first part of the novel into an emotionally powerful and intellectually focused story of youngsters struggling to survive oppression and repression in a feudalistic family. This well-received film quickly established the company's reputation.
When Lucy Honeychurch and chaperon Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting the Emersons could change Lucy's life forever but, once back in England, how will her experiences in Tuscany affect her marriage plans?
A headstrong young teacher in a private school in 1930s Edinburgh ignores the curriculum and influences her impressionable 12-year-old charges with her over-romanticized worldview.
A woman suffers a nervous breakdown and an oppressive mother before being freed by the love of a man she meets on a cruise.
Chor Yuen started his directorial career with a bang. From its very first image, The Natural Son establishes Chor as a filmmaker of stylistic flourish, which would be sustained in various forms throughout his long tenure. Adapted from '30 cents' pulp fiction, it is a Kong Ngee melodrama made in the studio's mould, with Westernised characters and trendy middle-class lifestyles. Yet, Chor's first film is not exempt from the social urgency that characterises the Cantonese cinema of his father, Cheung Wood-yau. The film cloaks its entertainment in a moral deliberation on blood ties, its story about the raising of a bastard child a head-on challenge of archaic family values. An ostentatious start for a colourful and eventful career.
A writer leaves his upper-class life and journeys with a woman claiming to be his sister, and her two friends.
A penniless middle-aged spinster scrapes by giving piano lessons in the Dublin of the 1950s. She makes a sad last bid for love with a fellow resident of her rundown boarding house, who imagines she has the money to bankroll the business he hopes to open.
Filmed entirely inside Civitavecchia prison, with the inmates themselves as protagonists and co-authors, Fortezza is the reinterpretation of one of the most important novels of the 1900s: The Tartar Steppe by Dino Buzzati. Three soldiers arrive at a solitary military garrison which no longer serves any defensive function. Here, time is at a standstill and is marked by strict regulations, power dynamics, engrained idleness and habit. Waiting in vain for an enemy that will not arrive, the military officers are consumed by the need to give their stay meaning, and resist the attraction that this place holds for them.
A defrocked Episcopal clergyman leads a bus-load of middle-aged Baptist women on a tour of the Mexican coast and comes to terms with the failure haunting his life.
Trials and tribulations of a Jewish family from Sarajevo during turbulent times between 1914 and 1945. Based on TV series of the same title.
Ko Suk-ying is saddened over her arranged marriage as manipulated by her father Hak-ming. Ko Kok-sun's Cousin Chow Wai's spends the Mid-Autumn Festival before her marriage with the Kos. She has been in love with Sun. Sun finds out about her love for him when she is about to be married off, he is too weak to oppose to Wai's betrothal to another man. Sun's son, Hoi-sun, falls ill. Fearing the displeasure of his elders, Sun dares not consult a western doctor. Meanwhile, another dispute arises among members of the family over the ancestral land. When accused of being incompetent in his management, Sun takes the blame silently. Wai dies of grief while Hoi-sun becomes a victim of mistreatment. Sun is devastated at this double blow. Hak-ming instructs Sun to arrange for Ying's wedding. Knowing the kind of man Ying's fiancee is, Sun is reluctant. Not wanting to follow in Wai's footsteps, Ying fights for her own rights, and backed by an enlightened Sun, she leaves for a new start.
After a band of drunken thugs overruns a small Indian Nation town, killing Reverend Goodnight and raping the women folk, Eula Goodnight enlists the aid of US Marshal Cogburn to hunt them down and bring her father's killers to justice.
Follow a group of international journalists into the heart of the once cosmopolitan city of Sarajevo—now a danger zone of sniper and mortar attacks where residents still live. While reporting on an American aid worker who’s trying to get children out of the country, a British correspondent decides to take an orphaned girl home to London.
