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“El Apagón: Aquí Vive Gente” is a documentary directed by Bad Bunny and Blanca Graulau. This 23-minute film explores the socio-economic challenges in Puerto Rico, focusing on the effects of power outages and gentrification driven by the real estate and energy sectors. Through visuals and personal stories, the documentary highlights the experiences of Puerto Rican communities facing these issues.
After a run-in with local thugs, aspiring Harlem rapper Rob flees to a place and father he never knew, and finds his salvation in Reggaeton, a spicy blend of hip-hop, reggae and Latin beats. Puerto Rico, the spiritual home of Reggaeton, inspires Rob and his step-brother Javi to pursue their dream of becoming Reggaeton stars. Together with a dancer named C.C., they learn what it means to stay true to themselves and each other, while overcoming obstacles in love, greed and pride, all culminating in an explosive performance at New York’s Puerto Rican Day Parade.
Explore the 500-year history of the city of San Juan, from the move from Caparra to the different invasions during these centuries. It also looks at how different situations and people were key to what is now the capital of Puerto Rico. This documentary presents, through the recreation of key situations, archival material, and accounts of historians and researchers, decisive moments that influenced what is now the capital.
PsiQuis: Un Giro Decolonial is a documentary that presents and discusses the psychological impact that colonialism has had on the Puerto Rican people. The director analyzes the traumas generated in Puerto Rican society by that colonial experience.
Short documentary about the life of Dr. Pedro Albizu Campos.
Experimental film about rhythm as corporal expression of a culture. Presents various choreographies and does not include the participation of men.
We Are Still Here is a student-made documentary from the University of Puerto Rico, Mayagüez campus (UPRM) about the lives and experiences of the Peñolanos from Barrio Rucio and adjacent communities who have resisted generations of adversities due to their geographical location and at the hands of the Puerto Rican government. Centered on resistance and collective care among communities, this inaugural documentary produced by the Oral History Lab at UPRM and funded by the National Endowment for the Humanities showcases how community work by projects like Aula en la Montaña and organizations like Impacto Juventud GC Inc. demonstrate that strength lies in union and that true healing occurs through mutual accompaniment between community and volunteers.
The Hurricane Maria represented a historic event for the island of Puerto Rico. The Puerto Rican spirit at the helm of this natural disaster was shattered beyond repair. And from the rumble the Puerto Rican spirit will be reborn again. Omar Iloy makes a desperate call to the wounded spirit of the island, a call for hope and help.
Rosina is frustrated by her engagement to millionaire John Johnson III, a fussy, domineering, control freak. The night before her wedding, she goes out dancing with her maid María, María's husband Tomás, and their friend Gordillo. When Rosina learns Gordillo is a sailor on the yacht owned by Mexican film star José María Beltrán, she decides to stow away and sail to Mexico to be with her grandmother.
Strong Puerto Rican women forced to flee the island after Hurricane Maria have bonded like family in a FEMA hotel in the Bronx. They seek stability in their new life as forces try to pull them apart.
The life and career of Puerto Rican tenor Antonio Paoli, also known as The King of Tenors and The Tenor of Kings.
Isla chatarra describes the phenomenon of the ubiquity of automobiles in Puerto Rico. The island measures slightly less than 9,000 square kilometers, but has 25,000 kilometers of paved road, one of the highest proportions in the planet. Puerto Rico is one of the countries with the largest number of vehicles per kilometer (of road) and third in the world in number of cars per 1,000 inhabitants. The film was produced with the idea to raise consciousness and create a dialogue about the ongoing situation of our dependence on cars. It also shows the dangerous circumstances of an island that is slowly being covered by scrap metal.
Combines animation, documentary footage, and hand-painted film as well as slide projections, a painted 12" x 24" backdrop, and sculptural palm tree to create a kaleidoscopic portrait of the Puerto Rican psyche.
Two tons of snow—flown from New Hampshire to Puerto Rico in 1952 in order to “gift” Puerto Ricans a “white Christmas”—become a metaphor for the colonialist paternalism of America’s relationship to Puerto Rico.
Legendary singer Daniel Santos lives in Ocala, Florida, and prepares his biography with Secre, a young journalist. The memory of past glories makes him embark on one more adventure: a tour of South American countries where he was known as “El Jefe” (The Chief) and where he expects to be yet again acclaimed and applauded.
A musical look at the invaluable contribution made by women to Puerto Rican music.
How fair is it for the government to control its citizens? Four Puerto Ricans confront their past when they open their “files”, the records obtained of the illegal surveillance and persecution that the Puerto Rican government held against citizens and organizations that disagreed with the establishment. Through their daily life, they will tell us their stories, experiences and intimate feelings of the persecution they suffered. Taking their past as an example, we will confront the present.
A night in the life of a cab driver in San Juan, Puerto Rico.
A close look at Puerto Rico's unique relationship with the United States.
Carmen accompanies a group of women who must travel from the island of Vieques to San Juan, capital of Puerto Rico, in order to perform breast biopsies. The long journey is by water and road. Amid many fears and vicissitudes, Carmen confirms once again the need for appropriate medical services for both women and for the rest of the Vieques population.
