A documentary portrait of Michangelo Antonioni based on Roland Barthes' essay.
Self
The Characters of Star Wars is a Video Documentary included in the 2004 DVD release of the Star Wars Original Trilogy. It explained the Mythos of many of the "Star Wars" Characters.
The story of Tasmanian-born actor Errol Flynn whose short & flamboyant life, full of scandals, adventures, loves and excess was largely played out in front of the camera - either making movies or filling the newsreels and gossip magazines. Tragically he was dead from the effects of drugs and alcohol by the time he was only 50 & the myths live on. But there is another side of Flynn that is less well known - his ambitions to be a serious writer and newspaper correspondent, his documentary films and his interest in the Spanish Civil War and Castro's Cuba
Fulton and Pepe's 2000 documentary captures Terry Gilliam's attempt to get The Man Who Killed Don Quixote off the ground. Back injuries, freakish storms, and more zoom in to sabotage the project.
In 1967, experimental filmmaker Jorgen Leth created a striking short film, The Perfect Human, starring a man and women sitting in a box while a narrator poses questions about their relationship and humanity. Years later, Danish director Lars von Trier made a deal with Leth to remake his film five times, each under a different set of circumstances and with von Trier's strictly prescribed rules. As Leth completes each challenge, von Trier creates increasingly further elaborate stipulations.
Kevin Smith interacts in Q&A sessions throughout various college stops in the USA.
A documentary analyzing the furore which so-called "video nasties" caused in Britain during the 1980s.
No overview available.
A documentary made on the set of "The Learning Tree." Narrated by Gordon Parks Jr., and featuring interviews with Gordon Parks Sr. and members of the cast and crew.
Documentary relating Ingmar Bergman's life, from his high school graduation up until he became an established filmmaker in the latter half of the 40's.
Clint Eastwood made his mark on cinema by abandoning violent action films to turn his attention, behind the camera, to more substantial productions that were praised by critics.
A look at the roller coaster life of Sam J. Jones since his role as Flash Gordon, his struggles and successes, and the aftermath of when he went up against one of the most powerful producers in Hollywood.
An introspective insight into the life and artistic journey of William Friedkin, an extraordinary and offbeat director of cult films such as The French Connection, The Exorcist, Sorcerer, Cruising, To Live and Die in L.A. and Killer Joe. For the first time Friedkin opens up, guiding the audience on a fascinating journey through the themes and the stories that have influenced his life and his artistic career.
Overview of director King Vidor's filmography.
Filmmakers discuss the legacy of Alfred Hitchcock and the book “Hitchcock/Truffaut” (“Le cinéma selon Hitchcock”), written by François Truffaut and published in 1966.
An epic exploration of the Czechoslovak New Wave cinema of the 1960s and 70s, structured around a series of conversations with one of its most acclaimed exponents - Closely Observed Trains director Jiří Menzel.
A short film in which Isabella Rossellini discusses the life and work of her father, Roberto Rossellini.
Documentary film about the successful erotic film producer and author Alois Brummer. Documentary filmmaker Hans Jürgen Syberberg accompanies Brummer for six days in his daily business during the shooting of Brummer's film “Graf Porno und die liebesdurstigen Töchter” (Count Porno and the Love-Thirsty Daughters). In addition to Brummer, his employees and actors also have their say.
If cinema is the art of time, Linklater is one of its most thoughtful and engaged directors. Unlike other filmmakers identified as auteurs, Linklater’s distinction is not found on the surface of his films, in a visual style or signature shot, but rather in their DNA, as ongoing conversations with cinema, which is to say, with time itself. A visual essay produced by Sight and Sound.
Highlighting one of the most innovative American directors, this film reveals the path traveled by the auteur from his small-town Texas roots to his warm reception on the awards circuit. Long before he directed Boyhood, Richard Linklater’s intense desire to create fueled his work outside the Hollywood system. Rather than leave Texas, he chose to collaborate with like-minded artists crafting modest, low-budget films in a DIY style. His ability to showcase realistic characters and tell honest stories was evident from his films, and others soon took notice of his raw talent.
Richly illustrated with film clips and interviews, OUR TIME, OUR STORY tells the still-evolving story of the Taiwanese "new wave," from its rise in the early 1980s, as the island was democratizing after decades under martial law, through growing international recognition and domestic debate in the 1990s. Spearheaded in its early years by such filmmakers as Edward Yang, Ko I-cheng, Hou Hsiao-hsien and Wan Jen, the movement revitalized Taiwan cinema through low-budget experiments that emphasized personal stories, political reflection and stylistic invention. Said filmmakers, writers and actors like Wu Nien-jen and Sylvia Chang, even "second wave" directors Tsai Ming-liang and Lin Cheng-sheng provide fond reminiscences and retrospective insights in this compelling account of one of the most distinctive national cinemas of the last quarter-century.
No Trailers found.
