Richard
Richard's mother
Richard's best friend
Richard's wife
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A veteran theatre artist who lives for his art 'enters' the world of films. Can the film industry hold on to his inimitable artistry?
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Out of work actor Joe volunteers to help try and save his sister's local church for the community by putting on a Christmas production of Hamlet, somewhat against the advice of his agent Margaretta. As the cast he assembles are still available even at Christmas and are prepared to do it on a 'profit sharing' basis (that is, they may not get paid anything) he cannot expect - and does not get - the cream of the cream. But although they all bring their own problems and foibles along, something bigger starts to emerge in the perhaps aptly named village of Hope.
In 1960, two legendary couples stayed at the Beverly Hills Hotel in Los Angeles. Simone Signoret and Yves Montand stayed in bungalow 20: they loved each other, they were beautiful, still young, full of life, at the height of their fame. But Marilyn Monroe, staying in the neighboring bungalow, was an irresistible woman whose relationship with writer Arthur Miller was on the rocks. Simone became friends with Marilyn, while Yves filmed with her, trying to resist her seduction. Unfortunately, Arthur left. The lives of four people are shattered. Neither woman will ever truly recover from this affair, and each will be plagued by doubt. Recorded on January 12 and 13, 2024, at the Théâtre de la Madeleine in Paris's 8th arrondissement.
Jerry Ryan, a lawyer, is devastated after his divorce. Desiring to make a change in his life, Jerry moves to New York in the hopes that it will be good for him. Jerry's life takes a different turn when he meets Clara Mosca, a free-spirited woman in New York.
Two neurotics, working for a suicide hotline on the night of Christmas Eve, get caught up in a catastrophe when a pregnant woman, her abusive boyfriend, and a transvestite visit their office.
Beatriz gets a second chance after failing in almost every aspect of her life while working as a substitute psychologist in her eccentric aunt's school. Funny enough, this school used to be her family's estate.
New Faces was a musical revue with songs and comedy skits tied together by a quirky plot. It ran on Broadway for nearly a year in 1952 and was then made into a motion picture in 1954. It helped jump start the careers of several young performers including Paul Lynde, Alice Ghostley, Eartha Kitt, Carol Lawrence, performer/writer Mel Brooks (as Melvin Brooks), and lyricist Sheldon Harnick. The film was basically a reproduction of the stage revue with a thin plot added. The plot involved a producer and performer (Ronny Graham) in financial trouble and is trying to stave off an angry creditor long enough to open his show. A wealthy Texan offers to help out, on the condition that his daughter be in the show.
Psychiatrists move in with bickering stage spouses and start bickering too.
For the first time in nearly 95 years, Oswald stars in an all-new hand-drawn short from Walt Disney Animation Studios in celebration of Disney 100 Years of Wonder!
During the Nazi occupation of Poland, an acting troupe becomes embroiled in a Polish soldier's efforts to track down a German spy.
The true story of the famed British actor David Garrick and his love for Ada Ingot.
Peer behind the curtain as a cast of neurodivergent teens prepare to come of age and hit the stage in their school’s time-travelling, John Farnham–themed musical.
Ten bottles of wine serve as the common thread in this fourth show by François-Xavier Demaison, which combines personal anecdotes and colorful characters. The year or origin of these vintages serve only as a pretext for a journey through time and space, from 1973 to the present day, from Catalonia to New York. The actor's memories mingle with those of the audience, and the tasting becomes a reflection on a strange era.
This comedy/theatre show is the sequel to 'Micha Wertheim: Somewhere Else'. This second show starts exactly where the first show ended: in the same theatrical scenery, with the same robot. But this time Wertheim surprises his audience by showing up. He tells about how the first experimental comedy show was received and contemplates about the magic of theatre and art in a society about the right to exist of art in a society that allows less and less doubt and confusion. When Robot falls into a depression, the boundaries between theater and reality begin to blur.
The bigger the audiences for Dutch comedian Micha Wertheim’s shows became, the less he had to do to make them laugh. In one early show, he suggested that the audience would be better off without him. So in 2016, he acted upon this suggestion with an experiment that made theater history: he wasn't physically present onstage but somewhere else. The audience wasn't aware of this in advance, though they did get a hint in the form of a pre-recorded "live" radio interview from a remote studio. "I see my audience as my children," Wertheim says in this interview. "You have to educate them, and that’s what I’ve been doing for the past 15 years. At first you have to constantly be there watching them, but there comes a time when you have to trust them to get on with it without you." With some help from a robot, a printer, a stereo and a set of headphones, the members of his audience were able to make their own performance.
