Short movie from the German band "Das Ich". "Kaleidoskop" was filmed by Kevin Gross.
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This film was made out of the capture of a live animation performance presented in Rome in January 2005 by Pierre Hébert and the musician Bob Ostertag. It is based on live action shooting done that same afternoon on the Campo dei Fiori where the philosopher Giordano Bruno was burned by the Inquisition in 1600. A commemorative statue was erected in the 19th century, that somberly dominate the market held everyday on the piazza. The film is about the resurgence of the past in this place where normal daily activities go on imperturbably. The capture of the performance was reworked, shortened and complemented with more studio performances.
A short, silent, experimental film created by avant-garde created by Ukranian-born artist, Anna Malina.
After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.
CGI collage short film originally premiered as part of the 'Extinction Renaissance' exhibition at the Loyal Gallery in Stockholm.
Sex as dance and comedy: in Progressive Touch Portnoy studies and expands the relationship between sex, choreography and composing music. He introduces complex compositions from progressive rock and math metal during sex, thereby combating the ostensible simplification of rhythm in human movements and gestures. A group of actors perform the new moves in three slapstick-like scenes. Worth trying at home.
Halloween, New York City, 1981 Live at The Palladium with Ray White, Steve Vai, Bobby Martin, Tommy Mars, Ed Mann, Scott Thunes, Chad Wackerman
Adopting mainly hand contact printing with photographic enlarger, «Metaphysics of sound» started from September of 2006 and completed in July of 2007. With a 35mm soundtrack image, I made a hand-drawn soundtrack on the 16mm film strip. The sounds were made either by directly contact printing the 35mm sound tracks or collaging the scratch images. According to pattern of sound on the 20% blank of 16mm film strip (normally used as space for optical recording), I edited whole image and made structure of film. Hence the margin is a where image is sound, and vice versa. Later, I studied the sound patterns which varied according to the kinds of images used or the concentration of the image, and made various attempts at rearranging the structure of the sound with the image.
Dislocation in time, time signatures, time as a philosophical concept, and slavery to time are some of the themes touched upon in this 9-minute experimental film, which was written, directed, and produced by Jim Henson. Screened for the first time at the Museum of Modern Art in May of 1965, "Time Piece" enjoyed an eighteen-month run at one Manhattan movie theater and was nominated for an Academy Award for Outstanding Short Subject.
A tragic story of a musician taking a bold voyage in the pursuit of creation, ambition, and need. Letting life choose for him, as part of the art itself and coming to terms with his decisions.
Idiosyncratic composer, unique musician and ground-breaking film director ..Frank Zappa packed more into his short lifetime than most men would manage in two. His restless, challenging, creative spirit meant that he never stood still during a career that bought huge critical and commercial success Zappa sold more than 60 million albums both as a solo artist and with the Mothers of Invention. The life and work of Frank Zappa are examined in this superb new critical review, which features new in-depth interviews with industry insiders, rock journalists and respected critics plus highlights from the songs that re-drew the face of rock music.
data-verse is a data-driven audio-visual trilogy by artist and composer Ryoji Ikeda which marks a two-decade culmination in the artist’s research. The trilogy addresses the layered dimensions of our world, from the microscopic, to the human, to the macroscopic. Through Ikeda’s process, massive scientific data sets have been transcribed, converted, transformed, de/re/meta-constructed and orchestrated to visualise and sonify the different dimensions that co-exist in our world between the visible and the invisible. Each variation immerses visitors in the vast data universe in which we live, capturing hidden facets of nature and the vast scientific knowledge underpinning our existence. This large-scale data-driven trilogy is generated by extremely precise computer programming and features a minimalist electronic soundtrack, harmonised with Hollywood-standard, high-definition, 4K DCI video projections of scientific data onto a large screen.
In the feature documentary, Summer 82 – When Zappa Came to Sicily, filmmaker and Zappa fan Salvo Cuccia tells the behind-the-scenes story of Frank Zappa's star-crossed concert in Palermo, Sicily, the wrap-up to a European tour that ended in public disturbances and police intervention. Cuccia had a ticket to the concert but never made it. Thirty years later, collaborating with Zappa's family, he re-creates the events through a combination of rare concert and backstage footage; photographs; anecdotes from family, band members, and concertgoers; and insights from Zappa biographer and friend Massimo Bassoli. The story is also a personal one, as Cuccia interweaves the story of Zappa's trip to Sicily with his own memories from that summer.
Recorded Live at Hollywood Rock, Rio de Janeiro, Brazil - 26.jan.1996
This scintillating compilation of various Cabaret Voltaire albums and singles makes a great introduction to this interesting group. Tracks include "Diskono," "Obsession," "Nag Nag Nag," "Seconds Too Late," "This Is Entertainment," "Badge of Evil," "Eddie's Out," "Landslide," "Photophobia," "Extract from Johnny Yesno," "Walls of Jericho," "Moscow," "Trash (Parts I & II)" and more.
Rock musical adaptation of William Shakespeare's "A Midsummer Night's Dream".
Frank Zappa: New York & Elsewhere is an Austrian released TV documentary directed in 1980 by Rudi Dolezal and Hannes Rossacher, aka DoRo productions, who are most popular for their work with Queen.
And One have never been prone to be satisfied with anything less than superlatives. But, as opposed to the empty phrases most politicians have to offer, the Electronic Body Pop band fronted by Steve Naghavi are sticking to their promises: the long planned and now finally completed double live DVD is the most comprehensive live experience ever to be released on this medium. 55 (!) live songs, recorded between 2004 and 2008 in Berlin , Hamburg and Hildesheim! All the hits, spanning their entire career, are included, plus lots of highly original cover versions of delightful tunes and the typical zaniness that accompanies any And One gig, including an always lively interaction with the audience. Add to that all the video clips the band has ever produced, a making of, plus a complete concert recording from 1989. Any questions?
Global Groove was a collaborative piece by Nam June Paik and John Godfrey. Paik, amongst other artists who shared the same vision in the 1960s, saw the potential in the television beyond it being a one-sided medium to present programs and commercials. Instead, he saw it more as a place to facilitate a free flow of information exchange. He wanted to strip away the limitations from copyright system and network restrictions and bring in a new TV culture where information could be accessed inexpensively and conveniently. The full length of the piece ran 28 minutes and was first broadcasted in January 30, 1974 on WNET.
