Exclusive access to chief diplomat of the EU Federica Mogherini as Europe faces a crumbling world order.
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Eleven major film makers from Europe, America and Asia talk about Akira Kurosawa and discover surprising influences on their own work.
Scar Tissue by Su Friedrich is a filmic version of a white canvas or a silent music piece.The fact that Friedrich never really shows the whole body, but rather plays off of body parts could be read as a desire to show less of the people on the screen, so that the viewer's reading can be generalized. If the "characters" existed as people, the images would inevitably read to be telling a story about these people. The legs and torsos do not signify people; it is the experience of these body parts and the rhythm with which they are portrayed that constitute the work.
Maria Iliou documents the ethnic cleansing and violent expulsion of Greeks from the Ottoman Empire. In the first compulsory "exchange of populations" in the modern world, 1.2 million Greek Orthodox and 400,000 Muslims were forcibly relocated from Turkey to Greece and Greece to Turkey respectively.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
They experienced perhaps the greatest crimes against humanity the world has ever seen. Yet what do we know about the Holocaust survivors who made Britain their home? Britain's Holocaust Survivors takes a unique approach to recording the experiences of the last generation to have living memories of the Holocaust. The film takes viewers into the homes of a small group of extraordinary survivors, telling their stories with sensitivity, humour and compassion. A compelling cast of characters are revealed as they gradually reveal the horror of their past and how those experiences have shaped their lives.
Jesus Camp is a Christian summer camp where children hone their "prophetic gifts" and are schooled in how to "take back America for Christ". The film is a first-ever look into an intense training ground that recruits born-again Christian children to become an active part of America's political future.
Edie Bouvier Beale and her mother, Edith, two aging, eccentric relatives of Jackie Kennedy Onassis, are the sole inhabitants of a Long Island estate. The women reveal themselves to be misfits with outsized, engaging personalities. Much of the conversation is centered on their pasts, as mother and daughter now rarely leave home.
A documentary about urban violence in Brazil, especially in Rio de Janeiro. Policemen, drug dealers, and shantytown dwellers get trapped in a daily war that knows no winners.
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The Mejia family emigrated from Oaxaca to Fresno, California 40 years ago. Filmmaker Trisha ZIff filmed the family in 1996, and returns now to see the changes that have settled over them, and follows the family on their return to Mexico.
Documentary on the events that took place in Alsasua during the Civil War, with specific reflections on the figure of the parish priest Marino Ayerra, interviews with the people of Alsasua, and general historical comments by the historian Tuñón de Lara.
Two actresses take us through a series of 'raps' and sketches about what it means to be beautiful and black.
Margaret Tait documents her house, studio and garden in Buttquoy, Orkney as the seasons pass. She had lived there from the age of seven and often returned. At the time of filming, the house was about to be taken back by the council - this film is an effective 'goodbye'. Margaret Tait said it 'was meant to define a place, or the feeling of being in one place, with the sense this gives one, not of restriction but of the infinite variations available.'
Staged as a series of voiceover sessions, written with gloriously off-balanced precision and dipped in the color green, THE FUTURE TENSE unfolds as a poignant tale of tales, exploring the filmmakers’ own experiences in aging, parenting, mental illness, along with the brutal history that lies submerged beneath Ireland’s heavy, moist earth.
A documentary chronicling the adolescent years of Elie Wiesel and the history of his sufferings. Eliezer was fifteen when Fascism brutally altered his life forever. Fifty years later, he returns to Sighetu Marmatiei, the town where he was born, to walk the painful road of remembrance - but is it possible to speak of the unspeakable? Or does Auschwitz lie beyond the capacity of any human language - the place where words and stories run out?
A woman's walk through time and search for true freedom. The inner look breaks with the punishment of immobility, and the woman's destiny becomes a symbol of poetry and freedom.
In Busto of a poet, the word is the real protagonist: the verses, reflections and texts of José Ángel Valente take shape through the poet's gaze around the lands, landscapes and monuments of Navarre, in a deep and magical journey. Image, word, music and silence converge and harmonize.
Documentary that portrays the life of the Navarrese composer Emiliana de Zubeldia, a woman ahead of her time.
A film about teenagers with growing pains, who discover their own voice and talent through riding and grooming toy horses.
