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Alzéador, dentist
Jesabel, servant
Pepinsec, middle-class person
Twelfth Night is a tale of unrequited love – hilarious and heartbreaking. Two twins are separated in a shipwreck, and forced to fend for themselves in a strange land. The first twin, Viola, falls in love with Orsino, who dotes on OIivia, who falls for Viola but is idolised by Malvolio. Enter Sebastian, who is the spitting image of his twin sister... Christopher Luscombe, Director of the ‘glorious’ (Daily Telegraph) Love’s Labour’s Lost and Much Ado About Nothing (2014 and 2016), returns to the Royal Shakespeare Company to tackle Shakespeare’s greatest comedy, a brilliantly bittersweet account of "the whirligig of time".
When the friendship between two men is put to the test by two women, we can only laugh because the author has managed to adapt this situation in a superb comedy.
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To obtain a remission of sentence, three detainees, whom everything opposes, must put on a classic play before the Minister of Justice soon to visit their prison. From bad repetitions to improbable attempts, they will form a joyful and delusional complicity. From valves to tirades, they set up an action plan to escape the bars of their daily lives and here they are on their way to the great artistic escape! The Great Escape, the most hilarious comedy of the year!
Harold Chasen is a young man of 19 years with an overflowing and morbid imagination, who takes advantage of his free time to attend funerals, and stage suicides to react to his mother, Mrs. Chasen, a strict, tyrannical woman and a a bit hysterical, who takes care of finding a wife for his son. But when Harold meets Maude, "80 year old princess", nonconformist and full of life, everything changes for the young man. The old woman teaches him to love life through more wacky experiences than each other, and Harold falls in love with it.
They stick to our skin and soul, our clothes. We believe we buy them, they own us. Warning ! these rags are traitors: far from dressing us they expose our complexes, our moods ... Clinging to their hangers, to our memories too, they exercise an underhand dictatorship. Snuggled up, huddled together, they build a bulwark against oblivion in our closets. Often stained for eternity with ink or redcurrant, impregnated with perfume, tears sometimes, piled up or messed up on our shelves, they remain forever linked to the happy or unhappy chapters of our life. It is through the evocation of their wardrobe that Gigi, Eve, Marie, Nora, Françoise, Amanda, Lisa and the others evoke the past, missed appointments and those that changed their lives, the joys and childhood revolts, giggles, disappointments, dramas, parties and hopes too…
Maria, a great tragedian, has desires for radical change in her career. Singing, dancing, changing registers and getting younger: it has become an obsession. To get there, she calls on her ex-lover Simon whom she left in the past, who has become a popular choreographer for stars on Broadway. The reunion is somewhat tormented ...
A temperamental Broadway producer trains an untutored actress, but when she becomes a star, she proves a match for him.
Mr. Bennett is a model citizen, a tender father and an irreproachable husband, he yearns for a quiet life. On a weekend he receives a visit from a strange man called Pédro Juarez. Mr. Bennett’s past suddenly resurfaces and his peaceful existence is turned upside down ...
Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.
During the run of a particularly awful interpretation of Richard III, the star, Anthony O'Malley, begins to frequent a rough pub to develop his character. He meets Barreller who he discovers owes someone he's never met a considerable sum of money. Seeing an opportunity to make some fast money, O'Malley convinces hapless extra, Tom, to meet Barreller as the debt collector.
