Kenji is a young aspiring movie director. He falls in love with Princess Miyuki, who came from a black‐and‐white movie.
Miyuki
Kenji Makino
Toko Naruse
Ryunosuke Shundo
Shintaro Yamanaka
Amane Yoshikawa
Tadashi Honda
Old Man in Hospital Room
Trailer
Arrogant, self-centered movie director Guido Contini finds himself struggling to find meaning, purpose, and a script for his latest film endeavor. With only a week left before shooting begins, he desperately searches for answers and inspiration from his wife, his mistress, his muse, and his mother.
It's 1957, and James Whale's heyday as the director of "Frankenstein," "Bride of Frankenstein" and "The Invisible Man" is long behind him. Retired and a semi-recluse, he lives his days accompanied only by images from his past. When his dour housekeeper, Hannah, hires a handsome young gardener, the flamboyant director and simple yard man develop an unlikely friendship, which will change them forever.
Bruno Salvati is a director of little success, fresh from the separation from his wife Anna with whom he had two children, the twenty-year-old Adele and the seventeen-year-old Tito. Following a sudden illness, Bruno is diagnosed with a disease that requires the intervention of a donor. All his family relationships are called into question, including that with his father Umberto, the custodian of a secret that will force Bruno to embark on a journey in search of someone who can help him.
Muhammad returns home to Detroit to bury his stepfather and is thrust into settling his accounts, but Muhammad’s struggles with depression and addiction may finish him before he finishes the task.
A committed filmmaker struggles to complete his latest project while coping with a myriad of crises, personal and professional, among the cast and crew.
Italian immigrant Rudolph Valentino makes it big in silent Hollywood, but he ends up struggling between his career and the woman he loves.
Successful movie director John L. Sullivan, convinced he won't be able to film his ambitious masterpiece until he has suffered, dons a hobo disguise and sets off on a journey, aiming to "know trouble" first-hand. When all he finds is a train ride back to Hollywood and a beautiful blonde companion, he redoubles his efforts, managing to land himself in more trouble than he bargained for when he loses his memory and ends up a prisoner on a chain gang.
When an old friend brings filmmaker Enrique Goded a semi-autobiographical script chronicling their adolescence, Enrique is forced to relive his youth spent at a Catholic boarding school.
A year after Sheila is killed in a hit-and-run, her multimillionaire husband invites a group of friends to spend a week on his yacht playing a scavenger hunt-style mystery game—but the game turns out to be all too real and all too deadly.
An exiled filmmaker finally returns to his home country where former mysteries and afflictions of his early life come back to haunt him once more.
A down in his luck film director falls in love with an attractive waitress and decides to launch her as a big singing star. Once the goal is reached, the girl runs away and becomes involved with a gangster who leads her into prostitution.
A showman introduces a small coastal town to a unique movie experience and capitalizes on the Cuban Missile crisis hysteria with a kitschy horror extravaganza combining film effects, stage props and actors in rubber suits in this salute to the B-movie.
A struggling filmmaker finds unexpected solidarity and validation when she takes on the job of restoring a classic 1960s film directed by the first known female South Korean director.
Currently, Sunwoo and Ikjune are lovers and co-directors of a movie. The film starts with a landscape shot at dawn. Ikjune is smoking a cigarette from the veranda of his house, looking at the village across the street. In the bedroom, Sunwoo is lying on Ikjune's bed with her eyes open. Next to them are the same movie scenarios. You can predict what they are thinking by looking at their faces. Production is half-way and the two are having a long conversation about what to shoot today as they are headed to the set. At the set, they are talking with the actors and giving acting directions. In the process, Sunwoo and Ikjune experience various feelings about love, either individually or together.
Two young people arrive in New York to spend a weekend, but once they arrive they're met with bad weather and a series of adventures.
An aspiring director wants to submit his own short film to his school's media festival. With less than a month left to participate, he has yet to begin production on the film. His procrastination leads him to decide between making the project he's most excited for, or coming up with something else for the meantime.
Lonely college student Alex encounters his favorite filmmaker, JP Smith, stalking around his sleepy town in upstate NY. Together they form a precarious relationship, with Alex becoming the star of JP’s latest flick.
Renowned filmmaker John Wilson travels to Africa to direct a new movie, but constantly leaves to hunt elephants and other game, to the dismay of his cast and crew. He eventually becomes obsessed with hunting down and killing one specific elephant.
Film director Juan Bravo is in a deep, existential funk: his latest film has been vilified by critics, and his friends, relatives and even business associates are wasting no time in badmouthing him. He seeks refuge in the city of Oviedo, Asturias, wandering the empty streets at night, going to parties that are veritable circuses full of wannabes, and attending concerts and religious and traditional ceremonies as he seeks inspiration for his next film. He reminisces about his childhood but, most importantly, that strange woman who asked him to visit her at her apartment at precisely 10 p.m., not one minute more, nor one minute less.
Tomas and Martin are a gay couple living in Paris whose marriage is thrown into crisis when Tomas impulsively begins a passionate affair with young schoolteacher Agathe. But when Martin begins an affair of his own, Tomas must confront life decisions he may be unprepared—or unwilling—to deal with.
