The Shocking. The Terrifying. The Unbelievable!
This film is about tribes in Africa and South America who turn toward magic as a means of survival and way of life.
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By combining actual footage with reenactments, this film offers both a documentary and fictional account of the life of Adolf Hitler, from his childhood in Vienna, through the rise of the Third Reich, to his final act of suicide in the waning days of WWII. The film also provides considerable, and often shocking, detail of the atrocities enacted by the Nazi regime under Hitler's command.
A collection of death scenes, ranging from TV-material to home-made super-8 movies. The common factor is death by some means.
Completely topless. Completely uninhibited. The craze that began in San Francisco is now exploding across the USA and Europe.
Rare mondo film focusing on the seamier side of Paris. Crazy fashions, transgender hookers, coke snorting New Wavers, female body builders, nude beaches, leather bars, a wealthy playboy’s private torture dungeon and some X-rated dildo insertion to liven things up.
This film is a Mondo film, which only shows various forms of violence, images of accidents and dead people. This film, after a brief introduction from the director, is not intended to glorify violence, but only to show the reality. Images of surveillance cameras showing shopkeepers being threatened with weapons, amateur videos of Colombian drug trafficking, executions and skull collections are shown here. As the film progresses, one sees various deformities of newborn and unborn babies. The film concludes with a hip hop music video.
This documentary looks at strange behaviors and practices in Europe, including nude skiing in Switzerland, hot-butchering in Italy, and an orgy in a graveyard.
The film documents modern slave trade through a number of African countries, under dictatorship rule. The filming was conducted both in public places, and sometimes with the use of hidden cameras, for high impact scenes of nudity, sex, and violence - and a few surprises, as slaves made out of peregrins to Asia, and slave traders paid in traveller checks.
Mondo Cane and the Schoolgirl Report series stand as obvious influences on this occasionally amusing but generally rather tedious exploitation film that alternates between documentary, fake documentary and docudrama. The theme is Satanism and the linking thread is a recreation of what is supposedly the real-life case of a murder and attempted murder of two Munich teenage men by a quartet of girls who had been dabbling in devil worship. During the ensuing trial, the lawyer resorts to dilatory tactics while the hearing is frequently interrupted by the girls breaking into incantation, temper tantrums or shivery fits ostensibly bearing on demonic possession. When the subject of the Manson killings is brought up, the most obnoxious of the defendants breaks in indignantly, claiming that Sharon Tate’s “execution” was justified as she posed dangers to the Satanic community.
Special release in the Death File series focused on spirituality instead of gore and brutality.
Cult director Sergio Martino, during the most glorious mondo years, delivered Naked and Violent, a documentary which unveils the brutality of the USA. Hidden behind a mask of perfection and justice, Naked and Violent traces the problems of American society in the 70s: from racial persecutions to the depraved sexual habits of the middle class, from the drug market to illegal gambling.
Mondo documentary.
A chronicle of the violence that occurred in much of the African continent throughout the 1960s. As many African countries were transitioning from colonial rule to other forms of government, violent political upheavals were frequent. Revolutions in Zanzibar and Kenya in which thousands were killed are shown, the violence not only political; there is also extensive footage of hunters and poachers slaughtering different types of wild animals.
Long considered a cult classic, "Mondo Hollywood" captures the underside of Hollywood by documenting a moment in time (1965-67), when an inquisitive trust in the unknown was paramount, hope for the future was tangible and life was worth living on the fringe. An interior monologue narrative approach is used throughout the film, where each principal person shown not only decided on what they wanted to be filmed doing, but also narrated their own scenes. The film opens with Gypsy Boots (the original hippie vegan - desert hopping blender salesman), and stripper Jennie Lee, working out 'Watusi-style' beneath the 'Hollywood' sign -- leading into the 'sustainable community' insight of Lewis Beach Marvin III, the S&H Green Stamp heir, who lived in a $10 a month garage while owning a mountain retreat in Malibu.
Documentary film making at its best as it narrates very exotic and esoteric rituals of the primitive peoples of Africa.
The sensational follow-up to "London in the Raw," "Primitive London" sets out to reflect society's decay through a sideshow spectacle of 1960s London depravity—and manages to outdo its predecessor. Here, we confront mods, rockers and beatniks at the Ace Café, cut some rug with obscure beat band The Zephyrs, smirk at flabby men in the sauna and goggle at sordid wife-swapping parties as we discover a pre-permissive Britain still trying to move on from the post-war depression of the 1950s.
With reference to little scientific theses, sexual rituals and preferences around the world are shown.
The effects of pollution on the inhabitants of a Japanese fishing village; group psychotherapy methods used in the United States; animal testing for the effects of drugs; assisted fertilization in a Swedish clinic; a gay dance in London; heart surgery by American surgeon De Bakey; a dog fight in Japan; sex education for blind children in Sweden; military training for young Palestinians in Lebanon; contraceptive techniques taught in Sweden; state-managed abortion combined with female infertility treatment; a female priest celebrating Mass; a school for children with phocomelia: these are some of the themes explored in this mondo documentary.
A young woman wanders around New York City and stumbles across a number of strange characters and settings that represent the "underground" areas of the city. She sees stand up comedy in Central Park, a prostitution auction, a voodoo ceremony, an S&M club, and a number of very interesting performance artists. These are just a few of the sights and sounds of New York that she encounters.
The final official installment in the "Mondo Cane" series dares to go where no other Mondo film has gone before.
Short film made by Elio Belletti.
