A coming-of-age story set in Slovenian town during WW2.
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After returning from a concentration camp, Susanne finds a traumatized ex-soldier living in her apartment in bombed out Berlin. Together the two try to move past their experiences during WWII.
What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)
At the end of WWII the Dutch resistance kills a German officer in front of the house of a Dutch family. Years after the war the young boy who witnessed the killing runs into the members of the resistance who committed the killing.
When a young boy comes in to see a doctor abourt a red mark on his face, the doctor's wife welcomes him into the consulting room instead. As they talk, she offers him something to eat and then notes that his manner of eating is just like that of her previous husband, who died in prison many years earlier. It turns out that the young man had been his cell mate for a year, and he tells her the story of how her husband died. She then remembers (in flashbacks) how she had helped her first husband rid himself of his sexual repression, and how she had promised him she would marry her current husband if she were widowed. It seems her doctor-husband was a man who could remain untouched through any political climate, and was much admired by her first husband. Now that her memories have been awakened by the young man's account, she ignores the repeated phone calls of her current husband and decides to rid this young man of his own sexual repressions.
A story about a family after the Second World War. The petty bourgeois cashier Karl Weber of Berlin observes from a distance how his son Ernst participates in the building of a new socialist society. Karl does not understand Ernst's visions, instead he confides in his other son Harry. However, Harry becomes involved in illicit business and Karl quickly realizes that it would be best to join his son Ernst in the citizen-owned factory.
World War II is over and Heinrich, a young German boy, influenced by the Russians, starts to act according to Communist principles in a small German village.
In the ruins of post-WWII Berlin, a twelve-year-old boy is left to his own devices in order to help provide for his family.
Orphaned after a Nazi air raid, Paulette, a young Parisian girl, runs into Michel, an older peasant boy, and the two quickly become close. Together, they try to make sense of the chaotic and crumbling world around them, attempting to cope with death as they create a burial ground for Paulette's deceased pet dog. Eventually, however, Paulette's stay with Michel's family is threatened by the harsh realities of wartime.
A young academy soldier, Maciek Chelmicki, is ordered to shoot the secretary of the KW PPR. A coincidence causes him to kill someone else. Meeting face to face with his victim, he gets a shock. He faces the necessity of repeating the assassination. He meets Krystyna, a girl working as a barmaid in the restaurant of the "Monopol" hotel. His affection for her makes him even more aware of the senselessness of killing at the end of the war. Loyalty to the oath he took, and thus the obligation to obey the order, tips the scales.
An American journalist arrives in Berlin just after the end of World War Two. He becomes involved in a murder mystery surrounding a dead GI who washes up at a lakeside mansion during the Potsdam negotiations between the Allied powers. Soon his investigation connects with his search for his married pre-war German lover.
A Holocaust survivor moves to Israel and experiences difficulty adjusting to life.
Katherine Watson is a recent UCLA graduate hired to teach art history at the prestigious all-female Wellesley College, in 1953. Determined to confront the outdated mores of society and the institution that embraces them, Katherine inspires her traditional students, including Betty and Joan, to challenge the lives they are expected to lead.
A melodramatic story of Lucia, who serves as a charwoman on the Podlogar family's rich farm, and makes a fuss among householder's sons, as she becomes pregnant with one of them. A decision on whether one should be forced into marriage with the pregnant charwoman and her child, ends tragically. Will Lucia be able to sustain psychological pressure, contempt and pity of the Podlogar brothers?
The film is based on a novel by Ivan Tavcar and was adapted for the screen by Andrej Hieng. It is set at the end of the 17th century in the area that is now Slovenia at a time of religious intolerance with Amandus, a Catholic priest, determined to persecute local Protestants.
Bevant is a freak who wanted to remain faithful to himself, and therefore, in contrast to most, he remained a farmer.
A TV journalist making a documentary in a factory finds out that the workers have been on strike and tries to analyze the strike in his film, but is thwarted by the TV company. His failure at his job is interwoven with his failed marriage.
In 2009, a group of military enthusiasts led by the commander France (Gojmir Lešnjak - Gojc) decides to occupy Trieste. The group that stages battles performs it at a completely fictional location. However, this hobby is not to the liking of France's wife Marija (Silva Čušin) and his daughter Mateja (Anja Drnovšek). The daughter as a representative of the young generation has no understanding of her father's enthusiasm for partisans, battles and Tito. France is also confronted by the Slovenian police led by the commander Brane (Dario Varga) as Brane forbids France to stage any more battles ... Will the young generation accept our history and will Trieste be ours?
When a U.S. Marine returns home from Afghanistan, he finds that the place he once called home is no better than the battlefields he fought on overseas. Accompanied by his best friend, he searches desperately for the whereabouts of his estranged son and wife. In their search, the two intercept a man carrying vital information about his family.
Old man Repovz recalls experiences of the WWII in an entertaining, comic way rather than tragic. A man breaks his arm to avoid being drafted; the other man shoots fire to scare enemy soldiers; love stories, as well as troubles with forced collectivization took place there. A partisan hero finds out that he lost her fiancee, but somewhat cheers up when his white horse comes back to him...
Veronica is a high school student studying to be a glazier, although she dreams of being a theatre actress. The only thing that she finds joy in at school is the company of her friend, Klemen and writing the script for a theatre play in her spare time together with a retired actress whom she has befriended. Her parents find it difficult to understand her acting ambitions - or rather, they would probably find it difficult, if they would bother to take the time off their busy schedules to try. Nor does anyone else understand Veronica. When all her plans go awry, she ends up in a home for juvenile delinquents. When she is released into the custody of her parents again, she eludes their vigilant guard and runs away to the country, to Klemen. Only Klemen's father makes it abundantly clear to her when she gets there that Klemen will not stand by her side either. Veronica finds herself out on the street again, where everything is possible and the future is open to her...
