Tannhäuser

May 30, 2000

3h 6m

★ 0.0

Overview

A romantic opera in three acts with music and libretto by Richard Wagner, performed by the Orchestra of the Teatro di San Carlo. The original title, Tannhauser und der Sangerkrieg auf Wartburg, reveals the real nature of the opera, born by a fusion of two traditional sagas and dedicated to the dualism of spirituality and sensuality and the possibility of redemption through love. Composed between 1843 and 1845, Tannhauser has a tormented musical theme, made up of constant variations. It debuted in Dresden in 1845 when Wagner was just over 30.

Genres

Music

Drama

Fantasy

Production Companies

Image Entertainment

Tannhäuser Trailers

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Cast

Tannhäuser

Alan Woodrow

Wolfram

Ludwig Baumann

Elisabeth

Gertrud Ottenthal

Hermann

Andrea Silvestrelli

Walther von der Vogelweide

Nikolov Bojidar

Biterolf

Ivan Konsulov

Heinrich

Patrizio Saudelli

Reinmar

Ezio Maria Tisi

Venus

Mariana Pentcheva

Self - Direttore

Gustav Kuhn

Self - Corpo di Ballo

Corpo di Ballo del Teatro di San Carlo

This May 2010 production of Massenet's 1910 opera "Don Quichotte" marked the opera's centenary and also Jose Van Dam's operatic farewell at the Theatre de la Monnaie, Brussels. It is beautiful in every way--vocally, scenically, sonically, and visually--and a worthy record of Van Dam's farewell. Van Dam is just shy of 70 in this production, but you would never guess it from his singing or stage movements--a consummate artist. His is a noble portrayal and deeply moving. The Act V death scene is a model of beautiful singing and acting.

4.0

Verdi La Traviata

Aug 14, 1992

This set has Edita Gruberova singing in top form, all her scooping cast aside, which one finds in abundance in her Lucia under Richard Bonynge. Here, however, she makes ravishing use of those bits of tone that only she can produce: those instances of coloratura and dramatic legato with little asides and small florishes of style that suggest her intelligent approach and her high degree of musical involvement in this role. She does this in her I Puritani and her Anna Bolena, less so in Roberto Deveraux and Maria Stuarda(both sets). Listen to Addio del passato and the Sempre Libra...ravishing, yes, but there are again those nuances learned from Callas that she makes her own. A very singualr perform,ance, and extremely moving with its detail and cry for pity throughout..from the start even. Neil Schicoff is excellent, not an unworthy Alfredo at all! His is a great lyric tenor voice that should have been in the top line.

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0.0

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0.0

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No overview available.

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0.0

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3.0

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6.0

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0.0

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0.0

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