Three stories connected by the motifs of water and death told in neorealist style.
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Irga
Naci
Lenčka
Miha
Vanek
Anza
Splavar
Marica
Teine Sā - the ancient spirits of the Pacific are stirring. Revered and feared in equal measure, these sacred gods have crept back into the modern world to engage with five different women facing their own demons.. Teine Sā is a series of stories of modern day issues impacting Pacific women who look to the atua of the past for guidance. Teine Sā are the ancient spirit women, with the ability to bless and curse in equal measure. From the notorious goddess Telesa to the Hiama of the Solomon Islands, these tales of the unexpected take age-old stories on many twists and turns.
In 1940, shortly before the outbreak of war, a young boy Marjan lives a carefree life with his gang in Ljubljana, experiencing all the problems of his age. With Lenka he's experiencing his first "pure" love, while discovering sexuality... The Italian occupation brings many changes, gang breaks up, some join the liberation movement, the others join collaborationist forces. Marjan remain "unlisted". Italians surrender, and hand over the city to Germans. Frivolous Milena, who has good connections with them, seduces Marjan whom she lost her innocence with. The war is over and the partisans win. The new authorities mistakenly imprison Marjan.
L'Amore ('Love') is a 1948 Italian drama anthology film that consists of two parts, The Human Voice (Una voce umana), based on Jean Cocteau's 1929 play of the same title, and The Miracle (Il miracolo), based on Ramón del Valle-Inclán's 1904 novel Flor de santidad.
When Peter comes back from the war, he finds his father changed and alone. Their former maid, Leni, has also left and soon Peter's grandfather also dies. His father begins writing his memoirs of his Partisan years. Peter blames his father for his mother's death, but the final blow comes when he catches his father together with his (Peter's) former girlfriend. He moves in with his brother and accuses Leni of having had an affair with his father. Peter decides to kill his father but cannot carry out the plan. His father tells him in a fit of rage that he isn't his son at all. Feeling desperate and down, he goes to Leni's place for comfort, and finds her dead on the floor. The police arrest Peter for the murder of Leni. Will Peter have to serve a jail sentence on his road to maturity and will political connections have a bearing on the final verdict of the trial? Peter doesn't even know whom he can trust anymore.
The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.
A three-part anthology about love and sexuality: a menage-a-trois between a couple and a young woman on the coast of Tuscany; an advertising executive under enormous pressure at work, who, during visits to his psychiatrist, is pulled to delve into the possible reasons why his stress seems to manifest itself in a recurring erotic dream; a story of unrequited love about a beautiful, 1960s high-end call girl in an impossible affair with her young tailor.
"Lluvia" showcases six stories and different characters as they navigate the streets of Mexico City, pursued by intermittent rain. Each one faces a strange, luminous, or absurd event that reveals who they are, if only for a moment.
Three stories from the school environment, mostly from the perspective of teachers. In the first story we see an unnecessarily strict teacher, in the middle one a sports career is glossed over, which causes a young teacher to leave his job. In the final story, on the other hand, an experienced high school teacher goes to teach in a rural school to gain inner peace.
A film in five episodes, all based on an attempt to show the life of young people today, their feelings and relationships, their behaviour in public and private life.
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
A group of Mumbai up-and-comers search for love and struggle for success in this ensemble drama that centers on an eager young call centre executive.
The film consists of five story units: "Concert on the Clouds", "The Enemy and Enmity of the Square", "Welcome to Jina Village", "Calm Down", and "Sunset Red Scout". It tells the struggle of ordinary characters in the new era to pursue a better life. The story shows the country’s development and progress, people’s livelihood changes, and the people’s sense of gain, happiness, and security.
Anthology film in which Hedy Lamarr plays 2 queens during 2 different time periods. Ulmer directed the Genoveffa di Brabante part whereas Allégret was responsible for the empress Josephine section after he left due to artistic differences with Lamarr.
A short story film in which the first story takes place at the end of the German occupation, when a resistance fighter is arrested while transporting leaflets. The second story takes place in the 1950s at a cattle shed. The final episode tells the story of a doctor terrorized by fleeing criminals.
Featuring seven stories from seven auteurs from around the world, the film chronicles this unprecedented moment in time, and is a true love letter to the power of cinema and its storytellers.
These intertwining stories about romance and separation follow a firefighter who can't find the right time to propose, a shy theme park worker who falls for an artist, an estranged mother and son, and a man seeking to regain his lost love.
A compendium of three short science-fiction films, each with a decidedly feminist slant.
Four young women are somewhat desperate in their relationships, since their male partners are not the most successful types. But does that mean you have to break up with them? In his fast-paced comedy, Santa YAMAGISHI takes a closer look at romantic clichés and the truths that lie behind them.
The film tells about the inhabitants of the Russian city of Tsaritsyn-Stalingrad-Volgograd. The film consists of three novellas, united by the theme of love and the scene - a city on the Volga.
Three distinct tales unfold in the bustling city of Tokyo. Merde, a bizarre sewer-dweller, emerges from a manhole and begins terrorizing pedestrians. After his arrest, he stands trial and lashes out at a hostile courtroom. A man who has resigned himself to a life of solitude reconsiders after meeting a charming pizza delivery woman. And finally, a happy young couple find themselves undergoing a series of frightening metamorphoses.
