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Laura, this young and pretty blonde with the face of such an innocent angel arrives on stage ... What does she have in store for you? Laura Laune has no limits, she dares everything! In a stripping black humor and a total irreverence, the angelic madness of Laura Laune and her characters full of paradoxes gives you chills: is she innocent or mean? Aware of his words or just crazy to link? From a nursery rhyme that goes into a spin, characters of seemingly imperceptible madness, the show has many surprises in store for you. Sheltered under his air of a little fair-haired girl, the Belgian humorist, who caused a sensation by winning all the prizes of the humor festivals of the last two years, uncompromisingly tackles the most difficult themes: maternity, education, parenthood , abuse, homosexuality, racism, homophobia, and many others. With Laura Laune, you will discover the monsters hiding in the closet!
Paris of the 1930s, in the world of little rascals. Loulou gus is in the shade. To get a clean crust, it needs sorrel, fuzzy, dough. Especially since he owes a package to Pierrot's band that is close to making his skin. But Loulou is madly stiff. Luckily, Paul, who has a crush on her, spins in a small jewelry store. This is the perfect breakage opportunity. From a frill-frac behind the fagots. But Jo, Loulou's acolyte, who has no gas on all the floors, promises us not the breakage of the century, but at least the breakage of the evening… And then the Mother Mercandieux, jeweler of father in girl, is not ready to leave his jewelry to this band of thugs ... Especially since Paul is not going to let himself be told too long. So beware, there’s going to be some mayhem!
Dany Boon says farewell to the stage after 25 years of comedy. For the last time, Dany Boon paints his absurd scenes, colorful characters, life struggles and takes us to his homeland: north of France.
Florence Foresti lets loose on stage at La Cigale in Paris, performing with total confidence. She brings to life a gallery of sharp and hilarious characters. Drawing on the trivialities of everyday life, the comedian exposes human flaws and turns them into sparkling, unexpected situations. From waking up next to a stranger after a Saturday night out, to a compulsive liar bragging about a fake love story, and a hysterical actress, she wraps up her show by taking aim at a plastic pop idol. The immaturity of men and the frivolity of women are among her favorite themes.
Dans ce nouveau tour de piste, Larocque aborde des sujets qui ne sortent pas nécessairement de l’ordinaire mais, en revanche, l’angle qu’il utilise est intéressant. Courts, efficaces et toujours aussi punchés, tous ses numéros font mouche, et ce, sans exception. Dans Vu d’même, Sylvain Larocque est drôle, intelligent et surtout très pertinent. De tous les spectacles de l’artiste, celui-ci est sans aucun doute le plus achevé. Bref, c’est évident, l’humoriste est au sommet de son art. D’entrée de jeu, l’humoriste a tenu à remercier son public d’avoir osé venir le voir, et ce, malgré son apparence. «Je sais, je n’ai pas l’air d’un gars qui, après le spectacle, va aller gambader nu dans un champ de marguerites. Pas que je n’aime pas ça mais, quand ça fait deux fois que tu te fais arrêter par la police, tu comprends le message…» .
Mathieu Madénian
