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La jeune paysanne
Henri de Navarre, futur Henri IV
A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre.
A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.
A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.
Under the scalding heat of the summer sun, two young men find shelter in the woods of a local park. Unbeknownst to them, they’re thrust into a summer of exploration, emotion, and romance. But is love enough?
A short film exploring the notion of identity in relation to our actions and society's perception of individuals.
Being scolded while playing, three children plot small revenge on an old lady. A decision they regret later.
Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
The old man’s daughter married the foreigner and moved abroad. Only his neighbor Gienyk remembers his name. Others call him “Beard”. “Beard” feeds hens, smokes cheap cigarettes, goes fishing as an ordinary villager. But nobody, even Gienyk knows what’s on his mind. His daughter visits him while passing by. He’s not at home at that moment. When he comes back, he founds his daughter on the threshold, ready to leave. The old man sees off his daughter with sadness. And then takes the gun. Everything’s going to change in a moment… The Beard will disappear.
Olia and Zina are sisters. Olia has a husband and children. Zina has a parrot and a cat. Olia moved to Germany, she couldn’t handle her mother who was dying of terminal illness. Zina has left her art career and dedicated herself to mother. Both of the women suffer from insults, innuendos, and self-reproaches. They’re parted by borders and social status. But there’s still something that urges them to arrange a meeting, even if a meeting is going to be virtual. And there’s still something that saves them from tragedy that is about to occur during their meetings.
Vito is a sweet little boy with Down syndrome, and this short documentary puts his energetic, jolly personality on full display as he interacts with his loving family. By showing Vito’s dignity and inherent value, Vito-Man tackles the difficult conversation that is the eradication of people with Down syndrome, proving that an extra chromosome should not be a death sentence.
A short film in which an innocent northern girl discovers her sexual identity on a trip to London, where she goes into a lesbian bar/club, and considers revealing her gayness to her mother.
When a young Bengali bride collapses in the desert, a cowboy appears out of the sunset and rescues her.
After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.
Set in the Mayan civilization, when a man's idyllic presence is brutally disrupted by a violent invading force, he is taken on a perilous journey to a world ruled by fear and oppression where a harrowing end awaits him. Through a twist of fate and spurred by the power of his love for his woman and his family he will make a desperate break to return home and to ultimately save his way of life.
