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A short documentary that begins with an experience of Uriel, a young trans man, and then draws an analogy with a part of human identity tied to the name we are given at birth.
An experimental study of nature through three stories and how we have destroyed it.
A short film on Chris Marker
Jean-Michael Cousteau's documentary about the Great Barrier Reef keeps getting interrupted by characters from Disney's Finding Nemo.
Two friends walk and draw circles. It is what it is, idizwadidiz, c’est ce que c’est, seskecé. Nice weather.
Set in a leper colony in the north of Iran, The House is Black juxtaposes "ugliness," of which there is much in the world as stated in the opening scenes, with religion and gratitude.
No overview available.
The short registers a sports spectacle of great importance (probably of soccer). We never see the spectacle itself but the people watching and reacting at the stadium.
In the midst of the Covid-19 pandemic, Steeve Day has been suffering from ALS for eight years and decides to call for assistance in dying. At the same time, however, visits to hospitals are suspended. Steeve then rents a hotel room in which to spend his last days and receive his loved ones.
As with so many early films by Sokurov, this film has two dates: the first is the date of its creation (the film was then banned), the second is the date of the final edition and legal public screening. The film consists of German and Soviet archive footage of the World War II — to be exact, from the end of the war. An attempt to make a large–scale documentary on this subject had been undertaken in the Soviet cinema of the 1960s: the film — “Ordinary Fascism” — by the outstanding Soviet film–maker Mikhail Romm had become a classic retrospective investigation of fascism. But Sokurov uses the expressive power of the documentary image in an absolutely different way. He does not amass materials for a large–scale picture of Nazi crimes.
Kyra Gardner's loving tribute to growing up in the world of the psycho killer doll, Chucky.
The Puppeteer is a powerful, moving glimpse into the art of puppetry and the passion of a brilliant artist. The film treats viewers to Igor's street corner magic and following a dramatic turn of events, leaves us to reflect on life, art and the pursuit of dreams.
Based on the negatives of the 33 'La Tauromaquia' engravings made by Goya in 1816, the director invites us to witness the transformation of bodies at the approach of death.
Living Here is a story made of solitude and wind, told with the poetry of Nunavik's stark tundra and the beauty of young Martha's words.
The main committee is of the opinion that the rating "especially valuable" can be retained. The style of the film is appropriate to the subject of "Visiting Busch" in its concentrated limitation to the authentic living environment. The individual visual motifs are composed with great care. On the one hand, the small world appears endearingly portrayed, on the other hand, the film's allusions to the background of the Wilhelm Busch phenomenon are convincing. Above all, the Committee would like to uphold the rating because the film, made in 1961, sought out the people who still knew Busch and bear witness to them in the film in an impressively simple and not exaggerated manner.
A short film capturing the journey of various musicians and singers to the Lithuanian Song Festival.
Three commercials, presented as a short film, for fictional clothing brand 'Death To Straight White Men' by the QnWF-Sociétè. This fictional clothing brand and the ready-for-action poses and portraits of the three models were in many ways the foundation for 'E Kolór Korra' (2017).
A short mock-vlog film explaining and defending the concepts behind the fictional 'Death To Straight White Men 2017' clothing brand. Edited in a way that mocked the trends of Youtube vlogging and apology-videos of the time, including sound effects and interjected fast-moving graphics. "After QnWF-société received an overwhelming amount of negative feedback following the launch of their 'Death To Straight White Men 2017' clothing brand, their CEO felt the need to create an apology video of sorts - explaining and defending the concepts behind their latest line of clothing."
No Cast found.
