A short documentary that begins with an experience of Uriel, a young trans man, and then draws an analogy with a part of human identity tied to the name we are given at birth.
An experimental study of nature through three stories and how we have destroyed it.
A short film on Chris Marker
Carl Johan De Geer remembers his old friend Lena Svedberg. He talks about how they used to make their magazine together, how beautiful but strange she drew and how bad she seemed to feel.
An experimental documentary about dead turtles, crab swarms, decaying tennis courts, and microscopic histories. The filmmakers shot their explorations into the abandoned golf courses, factories, and resorts of Sarasota, Florida and spoke to local youths who are using them for new and strange purposes. What would the Surrealists and Situationists think of a suburban, subtropical tourist town? What goes on in a storage unit in the dead of night? What is the afterlife of a decommissioned train car? What ghosts haunt a ruined hotel? What is the life cycle of a city? When will waters wash it all away?
If cinema is the art of time, Linklater is one of its most thoughtful and engaged directors. Unlike other filmmakers identified as auteurs, Linklater’s distinction is not found on the surface of his films, in a visual style or signature shot, but rather in their DNA, as ongoing conversations with cinema, which is to say, with time itself. A visual essay produced by Sight and Sound.
No overview available.
Humble Quest: In Rare Form, is a short film with seven reimagined tracks off Morris's third studio album "Humble Quest".
Based on the career of Roberto Dinamite, Vasco da Gama's biggest idol, we explore the magic of the goal and the connection with the stands in the figure of a player who personified the spirit of the club and its fans on the field
This film was produced as an extension of a research film on the metamorphosis of the fly. It successively shows the hatching of the eggs, the nutrition and growth of the larvae, swarming and underground penetration, the formation of the pupa, metamorphosis and organization of the adult insect.
A group of British children aged 7 from widely ranging backgrounds are interviewed about a range of subjects. The filmmakers plan to re-interview them at 7 year intervals to track how their lives and attitudes change as they age.
After surviving three years as victims of sex trafficking, sisters Iris and Dulce recall their experience, reflecting on such topics as female companionship, re-meaning their bodies, and restoring dignity to their lives.
Chennu committed his first crime when he was 15 years old: being a street kid. And he entered hell: Pademba Road. The adult prison in Freetown. In hell, Mr. Sillah is in charge, and there is no hope. Chennu got out after four years. Now he wants to go back.
Vertiginous documentary, shot in effective black-and-white, treats two painful histories. The first is a love story about a truck driver who, on his way from Johannesburg (South Africa) to Luderitz (Namibia), is haunted by thoughts of his girlfriend and their recently severed relationship. His memories are expressed in an often recurring scene, in which songs by Alec Empire, Macy Gray and Robert Schumann roughly tell the story. This small history is alternated with the tragic fate of the Namibian Heroro people, many thousands of whom died early last century in concentration camps that had been set up by the German colonisers near Luderitz. The depiction of this history is cruder and more poignant, with slanting frames, odd camera angles and a multi-layered sound sculpture. The dilapidated barracks and officers' quarters are the last remnants of the miscarried, so-called civilisation projects in Africa.
This work is a representation of the deterioration of the first love of Nakano Eiji. He uses a psychedelic effect to represent the deterioration.
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