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Documentary following a team of technicians in Italy as they reconstruct a number of historic Middle Eastern artifacts that were vandalized at the hands of Islamic State.
Ekhlas Alhlwani was forced to flee Syria with her three children and now lives in Zaatari, a refugee camp in the Jordanian desert. Rizzi spent seven weeks observing her and other women's daily life, which is devoid of any prospects. He shows how Alhlwani makes every effort to establish some kind of normality for her family despite the difficult camp conditions. The film vividlyconveys the cruelty of war, and especially the state o funcertainty and rootlessness to which refugees are exposed. The film is the first part of a trilogy that focuses on the emergence of a new civil consciousness in Malaysia, Tunisia, Egypt, Bahrain and Syria, as well as the social implications of the end of post-colonialism in these countries.
Documentary Film maker, Mark Brown, attempts to discover the damaging effect the over-spilling immigrant population has on the coastal city of Calais, France.
THE STORY WON’T DIE, from Award-winning filmmaker David Henry Gerson, is an inspiring, timely look at a young generation of Syrian artists who use their work to protest and process what is currently the world’s largest and longest ongoing displacement of people since WWII. The film is produced by Sundance Award-winner Odessa Rae (Navalny). Rapper Abu Hajar, together with other creative personalities of the Syrian uprising, a post-Rock musician (Anas Maghrebi), members of the first all-female Syrian rock band (Bahila Hijazi + Lynn Mayya), break-dancer (Bboy Shadow), choreographer (Medhat Aldaabal), and visual artists (Tammam Azzam, Omar Imam + Diala Brisly), use their art to rise in revolution and endure in exile in this new documentary reflecting on a battle for peace, justice and freedom of expression. It is an uplifting and humanizing look at what it means to be a refugee in today’s world and offers inspiring and hopeful vantages on a creative response to the chaos of war.
The first documentary to present an unabashed critique of the impact of the Syrian government’s agricultural and land reforms, Everyday Life in a Syrian Village delivers a powerful jab at the state’s conceit of redressing social and economic inequities.
The story of iconic Syrian peace activist Ghiyath Matar whose brutal torture and death at the age of 26 outraged the international community and erupted into one of the most violent uprisings in modern history.
Like a visual elegy, My Memory Is Full of Ghosts explores a reality caught between past, present and future in Homs, Syria. Behind the self-portrait of an exsanguinated population in search of normality emerge memories of the city, haunted by destruction, disfigurement and loss. A deeply moving film, a painful echo of the absurdity of war and the strength of human beings.
A powerful investigation into the political and criminal enterprise of kidnappings as ISIS rose to power in war torn Syria. It inter cuts exclusive footage with interviews of negotiators, investigators, fixers and even a used car salesman who are caught up in the confusion.
Takes place in the Saharawi refugee camps in Algeria against the historical backdrop of Spanish colonialism and the Moroccan invasion of the Western Sahara. The Saharawi women, who make up 80% of the adult refugee population, provide a powerful voice as they reveal how they came to assume primary responsibility for the survival of the remains of their families and in turn the entire refugee population.
Aïcha is 59. She's been through some hard times. She decided to turn to helping others. Seeing firsthand the government's lack of support, she tries in her own way to remedy the lack of care for refugees. She dedicates the majority of her time to helping refugees in the greater Paris area, first as part of the "Solidarité Migrants Wilson" organization operating in the suburbs north of Paris, then in the nonprofit she founded, "la Team du Coeur", with the help of one of her daughters, her son-in-law, a Sudanese refugee himself, and a friend. Together, they offer on-street support and enter refugee camps daily to talk, provide material support and a listening ear.
A film about the unprecedented Swiss grassroots movement of regular citizens who rise to aid thousands of refugees stranded at the European borders. In rich and safe Switzerland people from all backgrounds leave their regular life behind to support people in need. There is a Swiss farmer and his wife who keep cows in the Swiss Alps, a former commander of the Swiss Army, an elder rich lady residing at the lakeside, and a successful comedian and entertainer. These unexperienced volunteers take on an adventure that will change their lives forever.
An animated documentary film, based on an actual story of a woman from Damascus countryside. Suleima evokes some of childhood memories, when her thoughts refusing injustice had arisen. The film is a portrait of Suleima, and a monitoring of intellectual and social shifts she experiences during the events. The visual environment: has been presented graphically fully of sharp contrasts, and imaginary mixed with reality.
A very personal and dynamic meditation on the current global refugee crisis through the eyes and voices of campaigners, specially children, where past and present establish a dialogue. A reflection on the importance of human rights.
A Palestinian grain miller in a Jordanian refugee camp safeguards her culture and shares her people’s history through food prepared with love, longing, and sumud—the Palestinian spirit of steadfastness.
The documentary The Silent Revolution explains the revolution involving nearly 3 million kurds living in Syria. With the outbreak of the civil war —in the frame of the called ‘Arab Spring'— the Kurds of Syria have taken advantage of the context to fight for their political and cultural recognition and thus end the repression that started more than 50 years ago.
Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.
As the Syrian war continues to leave entire generations without education, health care, or a state, Lost in Lebanon closely follows four Syrians during their relocation process. The resilience of this Syrian community, which currently makes up one fifth of the population in Lebanon, is astoundingly clear as its members work hard to collaborate, share resources, and advocate for themselves in a new land. With the Syrian conflict continuing to push across borders, lives are becoming increasingly desperate due to the devastating consequences of new visa laws that the Lebanese government has implemented, leaving families at risk of arrest, detention, and deportation. Despite these obstacles, the film encourages us to look beyond the staggering statistics of displaced refugees and focus on the individuals themselves.
In the midst of the chaos of México City, a group of eight bachelor millennials who call themselves ´The Hermits´, open the doors to their tiny apartments in the historic Ermita Building, in the yet-to-be gentrified neighborhood of Tacubaya, and share their life experiences in a time when precarity changes the way in which we love, feel and relate to each other. As we explore the homes of these eight neighbors, we also witness their personalities intersect in a Whatsapp chat, a virtual space that functions as a supporting system that helps them face the adversities that living alone in this city brings.
"With the barrel bombs falling on Ghouta, civilians sought shelter in the basements of their homes. I was one of them, holding on to my camera, I tried to film what I couldn’t express in words."
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