In this film the last living witnesses of the events from Second World War are telling their stories and thus transferring silenced victim’s voices to present times.
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Paul Pawlikowski's award-winning documentary on life behind Serbian lines in Bosnia. The film observes the roots of the extreme nationalism which has torn apart a country and provides a chilling examination of the dangerous power of ancient nationalist myths.
The Patriarchate of Moscow and the POKROB Film Studio deliver to global Orthodoxy a documentary with a total duration of five hours on the holy life and work of Saint Paisios of Mount Athos.
"The Moscow Pilgrims" is a film that takes you on a tour of Russia’s ancient capital. The film’s main characters – father and son – are doing the most intersting sights of old Moscow, including the Simonov Monastery, the New Spassky Cloister and the Krutitsky Church located on a picturesque bank of the Moskva River. The celibate priest Ilia, the dean of the church of the Holy Mother of God father Vladimir and other priests will help the pilgrims and visitors to see the world of Moscow’s ancient holy sites: the burial-vault of the noble Romanov family, the Cathedral of the Transfiguration of God recently cleared from security services, and the graves of the Kulikovo battle heroes, the monks Oslyabi and Peresvet.
In the Kosovo War, human dignity was shattered by the terrors of the Serbian government and the Albanian liberation army. Truths about the victims’ fates faded away, which is why a Finnish forensic research group led by Helena Ranta got a mission to act as an unbiased agent and investigate the real course of events.
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A documentary on alternative music scene of Novi Sad (Serbia) that covers the period between 1989 and 2017.
The film 3211 is a true story about Stefan Djuric, a successful musician who one day loses everything and goes to prison, where only his songs remain from his former life.
Illegal immigrants and asylum seekers in Serbia, placed in asylum centers after their dramatic journeys from war-torn and poverty-stricken areas of North Africa, Near and Middle East go through a period of adaptation to life and social circumstances in Serbia. In most cases, however, their goal is to reach one of the EU countries. Docu-drama is a space for them to, beside the socio-political context in which they found themselves, show their individual values, becoming heroes that viewers can identify with and whose destiny and struggle they can understand.
The last months in the life of a Serbian philosopher and socialist activist Svetozar Marković and his exile by the government of the Serbian Princedom.
Emir Kusturica views himself as a rock musician and believes that he became a world-famous filmmaker by pure chance, as he shoots his movies only in between concert tours with the “No Smoking Orchestra” band. At these little pinpoints of time he gets “Palms d’Or” at Cannes, “Golden Lions” in Venice, builds his own villages, a power plant and a piste and regrets not becoming a professional football player. Kusturica’s own living is very much similar to his movies, where shoes are polished with cats, death is treated like a story from tabloid press, and life is a miracle...
In a remote mountainous village elderly people no longer deemed productive are stoned to death.
This documentary was inspired by the artistic life of Serbian actress Sonja Savić. Being a wonder child, a star of Yugoslavian cinematography, a sex symbol, and urban legend of the eighties generation, a fighter against establishment, Sonja Savić had always attracted attention. Simply put, she always looked, spoke and thought differently from others, she was entirely autonomous, an authentic phenomenon of Serbian culture. In the documentary SONJA, friends and colleagues of Sonja Savić testify on many aspects of her life and work, and a special emphasis is put on Sonja’s libertarian, rebellious, Don Quixote type of nature.
Documentary road movie ‘Tarot Serbia’ is following Milan Radonjić, the star of ‘Commercial Tarot’ on his odyssey through rural, provincial parts of Serbia, where he’s invited to be the guest of honor at local TV stations. On his journey Milan will explore and reveal the characters of people living at the very edge of society, the ones who lost their jobs during transition, refugees from Bosnia and Kosovo, war veterans, invalids, sick people, betrayed lovers, girls possessed by demons, lonely pensioners, exorcists and all other people asking him for help and solution to all their problems.
A poetic and metaphysical view on a daily life routine in a distant nursing home, on a top of the mountain in Uzice, Serbia – the closest place to heaven. This is the last station on earth for old people that called “clients”. While they’re waiting for the end of their lives, prisoned in a desolate nursing home and their old-dying body, they are fighting for the freedom of their soul, the only place they can feel young and alive. A fight between light and darkness, suffering and acceptance, life and death.
DEVOUT reveals an archaic utopia, a timeless spiritual sphere that is as beautiful and harsh as the mountain terrain of the Caucasus, tempting but unforgiving, a riddle like God and faith as mysterious as the human condition.
Still regarded as the best Serbian documentary film account of WW1 ever, it gathers all the available footage of Serbia's army, its battles on the home ground, its refuge on the island of Corfu, its victorious offensive on the Thessaloniki Front and the return to the homeland. The original documentary footage from 1915–1918 was somewhat supplemented in a small measure with some staged reenactments of Serbian army retreating over Albania, and later liberation of Belgrade. The first version of this documentary epic was shown in 1930 under the title "For the Honour of Homeland". Andrija Glisic and Zarija Djokic later made a new sound version of the previous silent movie and renamed it "Fire Over the Balkans".
Documentary that follows events after the fall of Slobodan Milosevic, while looking back on the previous fifteen years, tracing his rise to power. Personal testimony alternates with analysis of a disintegrating society.
Kenedi is in a huge debt after building a house for his family. He finds himself searching for any kind of work to support himself, for as little as 10 EUR per day, a scarce amount to help him relief his debt. Ultimately, Kenedi decides to look for money in sex business. Initially offering his services to older ladies and widows, he expands his 'business' to offer sex to wealthy men. When he finds out about new liberal European laws on gay marriages, Kenedi sees prospects in looking for a "marriage material", to renew his search for a legal status in EU. The opportunity arises during EXIT Music Festival, when he meets Max, a guy from Munich. But will their promising relationship bring the solution to Kenedi's problems?
'History is always made in the middle of the night. And when it happens, you are so damned tired, that you couldn't care less,' says Robert Cooper, an EU peace negotiator whose job it is to get Serbia and Kosovo to reach an agreement about peaceful coexistence. National pride and compromise are on everyone's lips, and much is at stake: Kosovo wants to come closer to independence, the Serbs have been promised EU membership if they can reach an agreement, and the EU tries to strengthen its credibility. But how far is each party willing to go? It is the unique characters that make this fascinating film about a delicate political game so vivid and loveable. The stoic, Serbian negotiator has a great passion for rock music, his colleague from Kosovo does not want to miss out on his daily visit to the hairdresser, and Cooper himself has a closet full of ties - one for every conceivable occasion.
Traditions during Easter holidays in the remote village of Grešnica. The film was a research project of the newly opened Ethnological Museum to preserve the disappearing customs at least on film for future generations.