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The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.
I have to give it up to Howie Day for putting on an amazing one man show. I've never seen a performance quite like it. He samples his own vocals, and guitar riffs live on stage. Then he loops them seamlessly together. Before you know it, you have what sounds like some percussion, a rhythm guitar, a lead guitar, a bass guitar and layered up vocals (all by himself). He basically brought his studio to the stage. He does it so incredibly well. He has some undeniable talent not only with instruments, but also in the studio, producing. I own both of his studio albums; Australia and Stop All The World Now; both quality releases. But if you want to see how truly talented Howie Day is; you must get this DVD. It's only 30 minutes long, but it will keep you on the edge of your seat for the entire 30 minutes.
A documentary that follows a middle-aged Azorean record obsessive who has lost the vinyl collection of his youth, and so seeks to reconnect with it through talking with the fellow island collectors he grew up with about the music scene of their wilder years.
After bassist Jason Newsted quits the band in 2001, heavy metal superstars Metallica realize that they need an intervention. In this revealing documentary, filmmakers follow the three rock stars as they hire a group therapist and grapple with 20 years of repressed anger and aggression. Between searching for a replacement bass player, creating a new album and confronting their personal demons, the band learns to open up in ways they never thought possible.
A real time journey witnessing the rise, fall, and ultimate redemption of the fierce feminist pioneers of American grunge punk: L7.
When "Take On Me" reached nr 1 on Billboard in the US in 1985, the dream came true. Or did it? The band was not prepared for what the success could bring, including tension between the three band members.
Greatest Hits Live ... And More: Total Live Concert Le Zenith, Paris October 1990.Tracklisting: 1. Intro (Child's Anthem) 2. Africa 3. Georgy Porgy 4. I'll Be Over You 5. David Paich Solo Spot 6. I Won't Hold You Back 7. Little Wing (Tribute to Jimi Hendrix) 8. Without Your Love 9. English Eyes 10. Rosanna 11. Afraid Of Love 12. Hold The Line
Get Thrashed traces the rise, fall and impact of thrash metal; from its early years, through its influence on grunge, nu metal and today's heavy metal scene. It is the story of the heaviest, hardest music of the 80s and early 90s as told by the bands who lived it, the fans and bands that grew up on it and by the artists that carry the "thrash metal" flag today.
Rude Boy is a semi-documentary, part character study, part 'rockumentary', featuring a British punk band, The Clash. The script includes the story of a fictional fan juxtposed with actual public events of the day, including political demonstrations and Clash concerts.
Featuring legendary recording engineer Steve Albini, 'Document: A film about Malojian' captures the energy of a band at the top of their game, as they rush to complete their third album, "This is Nowhere", in just four days.
Duran Duran: Unstaged is a multimedia event that takes the audience on a cinematic journey with one of the most successful acts in the world during their performance at the Mayan Theater in Los Angeles.
The biography of former Beatle, John Lennon—narrated by Lennon himself—with extensive material from Yoko Ono's personal collection, previously unseen footage from Lennon's private archives, and interviews with David Bowie, his first wife Cynthia, second wife Yoko Ono and sons Julian and Sean.
Duran Duran's Oakland, California concerts that were filmed for the Arena (An Absurd Notion) movie were also edited to form the one-hour As The Lights Go Down concert video. As The Lights Go Down is essentially the Arena video without the theatrical sequences, although the live footage for many songs was edited differently. This version was first aired on the Cinemax cable television channel, and later on MTV and other music channels.
Documental film about Jorge Martínez, leader of the spanish rock band Ilegales.
This patriotic wartime short showcases the service bands of the U.S. Army, Army Air Force, Marines, and Navy.
In this fascinating Oscar-nominated documentary, American guitarist Ry Cooder brings together a group of legendary Cuban folk musicians (some in their 90s) to record a Grammy-winning CD in their native city of Havana. The result is a spectacular compilation of concert footage from the group's gigs in Amsterdam and New York City's famed Carnegie Hall, with director Wim Wenders capturing not only the music -- but also the musicians' life stories.
Korn came out of California in the early nineties and went on to become one of the most globally successful metal acts of their generation. They continue to play live to vast crowds and have record sales in the millions. This concert from Montreux in 2004 is their only performance at the festival to date.
In 1984, Midnight Oil released their iconic record Red Sails in the Sunset. They embarked on a relentless tour around the nation performing raw and electrifying music that reignited the imagination of young Australians. That same year, their lead singer Peter Garrett committed to run for a Senate seat for the Nuclear Disarmament Party. With the mounting pressure of balancing the demands of music and politics this is the year that would make, but nearly break, Australia's most important rock and roll band. Thirty years in the making and featuring never seen before seen footage of the band on and off the stage, Midnight Oil: 1984 is the untold story of the year Australia’s most iconic rock band inspired the nation to believe in the power of music to change the world.
For long-time fans, this may be the most outstanding concert by Queen. The reason? It gives a perfect overview of an early Queen presentation. The material, the costumes, and the performance of the members are really great and supported by the hilarious conversational approach of a young Freddie Mercury. In one of the last interviews, the singer Freddie Mercury said that the way he looked in those days was ridiculous; many would argue. The band looked very theatrical and outrageous. That's the way that the orthodox, good old fashion Queen fan likes it more, so it's joyful to see the careful treatment of the performance and the power of the Queen sound when all the members of the band sing together.
Two closely related episodes. Youths make problems for two local orchestras about to compete nationally, and in a talent competition a young girl gets stage fright, while another lies to her boss to compete.