A French silent film directed by Louis Feuillade.
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The true story of B.: Torn between a cold relationship with K. and her feelings for another woman, shy and insecure B. is heading for a disaster. For too long she has suppressed her desire and lived a lie. But is it really too late for B. to follow her heart?
This MGM Passing Parade series short presents how separate events led to the creation of three provisions - freedom of speech, freedom of the press, and prohibition of the infliction of cruel and unusual punishments - in the U.S. Constitution's Bill of Rights.
Agustín and Juan are going to meet up with a guy they met online to buy his bike. While they wait for him, they discuss their girlfriends' periods.
A young woman proposes to the passengers of a full bus a change in seats. On the trip they will discover that, regardless of the result, it is always good to review the established order.
After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.
Shannon Amen unearths the passionate and pained expressions of a young woman overwhelmed by guilt and anxiety as she struggles to reconcile her sexual identity with her religious faith. A loving elegy to a friend lost to suicide.
A naive actor auditions for a film which could launch his career. The things he's asked to do make him more and more uncomfortable, until a choice remark from the director makes him see red.
A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Mariana must sacrifice her dog Frida after violently beating it for having destroyed her recently deceased son's toys. The pet's death helps Mariana accept and overcome the loss of her son.
At her young age, Juana has two great responsibilities: preventing her older sister from fleeing the house and passing on the secret of making bricks to her younger sister.
An aspiring Peruvian-Australian performer is partnered with her ex-boyfriend in a community Marinera dance competition.
In the woods, a young woman and man scuffle as they fight for life. Gently lit and accompanied with a soundtrack of soaring strings, this film by Jessie Oldfield and Adam Murfet explores vulnerability, connectedness and a renewed sense of self among the autumn leaves.
Impressively shot over an 18-month period, Giants documents the changing drought-ridden landscape – from green to yellow to a Mars-like brown-red dust – from the perspective of one farmer, who risks losing everything as he holds fast to remain on his land.
A young woman awakens to find herself in the midst of a living nightmare.
In early-colonial Australia, a timber feller, kept awake by his infant child’s cries of hunger, encounters something perturbing in the woods.
A group of schoolboys engage in tomfoolery, but it’s not long before playful behaviour turns primal.
An intimidating encounter with a group of teens forces a 12-year-old to ponder her place in the world.
After her father unexpectedly hits her, a young girl decides to toughen up.
