Documentary about the Lyon sex workers who occupied the church of St. Nizier on June 3, 1975.
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When a group of baristas in Buffalo, New York announce their intention to start a labor union, Starbucks responds with an elaborate, illegal anti-union attack. Featuring on-the-ground footage from workers and organisers, Partners takes us to the front lines of the historic union campaign that catalysed America’s Gen Z labour revival.
After she discovers canisters of undeveloped film shot by her late father, Elene sets out on a journey to collaborate with him on a special project. Between the earth and the land of the dead, a darkroom becomes the only dimension where the paths of a father and a daughter can cross.
This poetic film follows director Marialuisa's journey with Anita and Leticia, Central American women traveling with the Caravan of Mothers of Missing Migrants.
Never in Russia's history has the Russian domestic intelligence agency FSB had greater power than it does today. He uses fraud and corruption to achieve his goals. And murder on behalf of the Kremlin. Four people in exile share their experiences. They resisted state arbitrariness and became targets. How far does the FSB control Russian society?
In 2010, the iconic Tote Hotel – last bastion of Melbourne’s vibrant music counterculture – was forced to close by unfair laws. Filmed over 7 years, “Persecution Blues” depicts the struggle of more than 20,000 fans – and the bands who inspire them – to preserve their history and protect their future, and puts the audience on the front line of an epic-scale culture war.
This documentary goes back to the turn of the century to show how women shaped the nation’s history.
Fest organized by Irmandade do Outeiro Nossa Senhora da Glória with the attendance of president Eurico Gaspar Dutra.
This experimental short traces the lifespan of the graffiti and murals present at the occupation of NYC’s City Hall in June and July of 2020. The encampment formed to demand the abolishment of the NYPD and the reallocation of its resources to housing, education, and other social programs.
“It ain’t easy…being green” is the favorite expression of Stormé DeLarverie, a woman whose life flouted prescriptions of gender and race. During the 1950s and '60s she toured the black theater circuit as a mistress of ceremonies and the sole male impersonator of the legendary Jewel Box Revue, America’s first integrated female impersonation show and forerunner of La Cage aux Folles.
In June 1999, Jean-Claude Gaudin organized a great popular festival, "La Massalia", to celebrate all the communities that make up Marseilles and to show the desire of thousands of people from elsewhere to be Marseillais. A radiant rainbow. Less than a year later, in March 2000, the municipal campaign began: what about this new state of mind that seemed to be blowing over Marseilles' political life? Does it find a translation in the political sphere? How many children of recent immigration would be in an eligible position and would eventually be elected among the 101 municipal councilors?