This investigative film ushers us inside the controversial Church of Satan, with an exclusive inside look at the most intimate aspects of their philosophy and rituals.
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Murder, rape, satanism and necrophilia is the staple diet of millions of teenagers who listen to the lyrics of extreme heavy metal music. This World investigates the potential links between "death metal" and a series of gruesome crimes around the world. In Italy a group of young death metal fans formed a satanic cult called the Beasts of Satan. At least four gruesome killings resulted. But death metal musicians deny that they have any responsibility for the actions of people who profess to be their fans. With exclusive access to the families, one of the killers and graphic police footage, the film tells the inside story for the first time. We hear from the musicians, the children and the parents from Oslo to California and ask just how far can music go in its ability to shock, and just how damaging might it be?
Mondo Cane and the Schoolgirl Report series stand as obvious influences on this occasionally amusing but generally rather tedious exploitation film that alternates between documentary, fake documentary and docudrama. The theme is Satanism and the linking thread is a recreation of what is supposedly the real-life case of a murder and attempted murder of two Munich teenage men by a quartet of girls who had been dabbling in devil worship. During the ensuing trial, the lawyer resorts to dilatory tactics while the hearing is frequently interrupted by the girls breaking into incantation, temper tantrums or shivery fits ostensibly bearing on demonic possession. When the subject of the Manson killings is brought up, the most obnoxious of the defendants breaks in indignantly, claiming that Sharon Tate’s “execution” was justified as she posed dangers to the Satanic community.
The story of how the Satanic Panic of the 1980s was ignited by "Michelle Remembers", a memoir by psychiatrist and his patient. The book relied on recovered-memory therapy to uncover Michelle's abduction by baby-stealing Satanists.
In the realm of contemporary music, Adam “Nergal” Darski surely needs no further introduction. Yet the guitarist and singer has even made inroads into general pop culture and shaped social discourse, all the while not moving away an iota from the underground ethos his ongoing career is based on. Rising from his humble beginnings in Cold-war Poland to global fame with his band Behemoth, striving for musical excellence throughout the ignominies of life-threatening illness and dubious legal battles, staying deeply spiritual and focused during even the most casual appearances in mundane limelight, it is safe to say the 1977-born has many faces, the sum of which defies categorization. Satanist or dexterous money spinner? Academically certified historian or shallow media figure? Inspired and inspiring spokesperson of a generation or mere agent provocateur? Make your guesses...
Yes, here he is, the best preacher in the world, here to warn the country about the dangers of Satanism in America. Plenty of interviews with "victims of ritual abuse" recounting "true experiences" of their lives being destroyed by secret Satanic cults.
During the 1980s, claims of satanic ritual abuse ran rife throughout the western world, uncovered by hypnotic therapists and perpetuated throughout the media, including high-rating television talk shows. In Demonic, filmmaker Pia Borg delves into this bizarre chapter of history, examining the elusive line between fact, fiction and the persuasive power of the media.
Realizing the urban legend of their youth has actually come true, two filmmakers delve into the mystery surrounding five missing children and the real-life boogeyman linked to their disappearances.
The story of The Satanic Temple, a controversial movement that combines religion and activism with the apparent purpose of questioning the basic foundations of US society.
Masters of Darkness: Aleister Crowley, the Wickedest Man in the World
Something is happening. It is happening nationally and locally. It is an ideology that manifests itself in graveyard desecrations, animal mutilations, human sacrifices and suicide. It categorically involves drug/ alcohol abuse, pornography, sexual perversion, physical/mental abuse, heavy metal music and drinking blood. And it is highly organized. Satanic/Occult organizations (churches) have corporate charters, own buildings, maintain national/ international computer networks, publish magazines/newsletters and hire professional public relations firms to polish their public image. It is both generational and self-styled. Some groups are esoteric while others are pantheistic.
Geraldo Rivera investigates allegations of a widespread Satanic underground in the United States.
All the seemingly innocent symbolism of Halloween – blackcats, snakes, broomsticks, bonfires, “trick or treat,” jack-o’-lanterns, apple dunking and costumes – has its roots in Sorcery, Witchcraft and Satanism. Parents’ responsibilities are challenged to decide whether to allow their children to participate in celebrations which glorify Pagan Occultism. This highly informative video traces the pagan origins and history of Halloween. The Pagan Occult calendar of Druids, Witches, Pagans and Satanists marks Halloween as one of their highest “holy days.” This video uncovers the mystic Druidic rites and ceremonies with which “Samhain” (Halloween) was originally observed 4,000 years ago. The occult rituals seen in this video are real and not re-enactments.
An experiential portrait depicting Satanists in both the everyday and in the extraordinary as they fight to preserve their lifestyle: magic, mystery, and misanthropy.
Founded in 1966 in California by a former organist and lion tamer named Anton Szandor LaVey, the Church of Satan has often been surrounded by mysteries, scandals and moral panics. An immersive journey into one the most fascinating phenomena of American religious pluralism.
Is today's Revival Of Evil setting the stage for the antichrist? Join David Hunt in this fascinating journey into the world of the occult. See candid shots inside Anton LaVey's First Church of Satan, hypnotic regression to "prior lives", and psychic "revelations" from UFOs. Occultism also masquerades as the latest in science, education, parlor games & movies. Through candid interviews learn the truth about witchcraft in famous rock groups, psychic powers and seances among teenagers, demonic possession through yoga, and the true power behind Ouija boards as told by those who are still involved and others who have been triumphantly delivered through Jesus Christ.
Evangelist Bob Larson sits down with Zeena and Nickolas and tries to talk some good old fashioned religion into 'em, but they'll have none of it.
An epidemic of ritual abuse of children from infants to teenagers is sweeping through the country. According to recent TV and radio broadcasts 2 million children a year are reported missing, many too young to be runaways and 5 thousand unidentifiable bodies of children are found each year in the US alone. "Devil Worship: The Rise of Satanism" takes you behind the scenes into actual black witchcraft and satanic rituals. Former Satanists, practicing witches and law enforcement experts explain the vastness and diversity of the movement. Experts tell why people join and how Satanists recruit their members as well as their victims. Parents are given clues to determine if their children are involved. Most importantly, dangerous doorways into the occult are exposed.
Based on their book, “Why Knock Rock?”, and their church lectures, Dan and Steve Peters examines how rock music's obsession with sex, drugs and suicide is dangerous to young people. Since the dawn of Rock and Roll, there has been ministers howling about its evil affects. Ministers would tour the country's churches and college campuses with sermons and slide shows illustrating the Devil's influence on the rock music. In this film we certainly see that rock stars aren't the best role models for kids and teens, but the Peters brothers often miss the musician's point – especially with some of the lyrics. Dan and Steve do however seem to take a delight in presenting some of the 1980s more perverse album covers to young people.
In 1989, I met Anton LaVey for the first time. At this time in his life, LaVey was seeing only a select few people. For this film, I've met and interviewed some of them, to try and create a composite image of what he was really like, and what he meant to these people. It's a memory lane trip, filled with personal stories, dark humor, great music and never before seen material with the Black Pope himself.
"No film may throw ridicule on any religious faith..." So began Article VIII of the Hollywood Production Code, a series of ethical guidelines that for forty years helped the motion picture industry produce many of the greatest and most family-friendly films in history. That was then, however, this is now. A revered "historical" movie quietly takes every opporturnity to lie and twist the facts in order to make Christians appear as backward, foolish hypocrites. An actress jumps at the chance to play a Christ-hating role, saying, "I'm an atheist, so it was a joy." One of Hollywood's most respected directors films a passion play written by a disciple of Friedrich Nietzsche, the father of the "God is dead" movement. Not surprisingly, the movie's Jesus helps crucify people and later confesses that satan is inside him. A media mogul states that "Christianity is a religion for losers."
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