The life of the cotton workers in the Chaco and its struggle for wages.
No Trailers found.
Filmed in the coal country of West Virginia, "Matewan" celebrates labor organizing in the context of a 1920s work stoppage. Union organizer, Joe Kenehan, a scab named "Few Clothes" Johnson and a sympathetic mayor and police chief heroically fight the power represented by a coal company and Matewan's vested interests so that justice and workers' rights need not take a back seat to squalid working conditions, exploitation and the bottom line.
An aging doorman, after being fired from his prestigious job at a luxurious hotel, is forced to face the scorn of his friends, neighbours and society.
The sawmill in a northern Swedish village close down. Nils becomes unemployed. In order to cope with needs of his family, he is forced to travel south. His wife Karin and the children will stay in the village until further notice. Nils starts working at a factory. In addition to the job, he has been promised a good residence so that the family can move to him.
The Harbour shows how two brothers end up on opposing sides of this system. One becomes the leader of an employer’s gang of thugs, while the other becomes an activist. All the while, the women in their family go hungry and the community is ravaged by violence and alcoholism.
Workers in a factory in pre-revolutionary Russia go on strike and are met by violent suppression.
25-year-old philosophy major Marta faces the ugly truth for many young Italians — a complete lack of career opportunities. While babysitting for single mother Sonia, she starts to work as a telemarketer, experiencing first-hand the fanatical and exploitative rat-race culture pushed on employees while quickly rising through the ranks of the company. Around her revolve people like delusional supervisor Daniela, her womanizing boss Claudio, fragile coworker Lucio "2", and well-meaning but inconsistent union rep Giorgio.
During 2004 alone, 1400 people in Italy died at their workplace, 3.87 per day. Andrea is one of them.
Portugal, 1944. In a country oppressed by a brutal dictatorship, there are those who resist and mobilize the people to fight for bread and freedom, even if it cost them prison, torture or their lives.
Emma Freese is desperate when her husband Alfred falls ill at the Howaldtswerke in Kiel. How is the family supposed to get by without their wages? The war has scarred this generation, but now things are supposed to be looking up. The workers want their fair share and are fighting for an income that also gives them room to live. In October 1956, 34,000 metalworkers in the shipyards and factories of Schleswig-Holstein walk off the job to fight for justice and their dignity. This strike is still regarded as the toughest and longest in Germany. Employers and politicians stand in the strikers' way.
A French-to-Spanish interpreter working for a food processing plant that hires seasonal workers from Guatemala is, at first determined to obey the sometimes excessive directives of the young boss, but she befriends the workers and tries to defend them against the exploitation they suffer.
When a group of young filmmakers witness and film a crime of passion, the most outrageous blackmail of the century begins. By means of a fantastic plan, the filmmakers send to the murderer, a financial and industrial big shot, a copy of the movie that incriminates him and they demand him an improvement of the standard of living for the working class.
In a company trading maté, workers are treated as slaves. Some of them try to escape, but those who are caught suffer severe punishments.
Six widows demand compensation for the death of their husbands, who were killed during a worker's strike. The women are arrested and taken to the police quarters, where the authorities try to make them retract their statements, but it turns out they're not so easily intimidated.
A complex web of emotions which unfolds the grounding difference between love & predilection. An underlying, but prominent current of class difference between Indrajit & Zoya, brings clarity to the waters that they're in.
Gurwinder comes from Punjab, he’s been working for years as a farm hand in Agro Pontino, not far from Rome. Since he first came in Italy, he’s been living with the rest of the Sikh community in Latina province. Hardeep is also Indian, but her stress is Roman, and she works as a cultural mediator. She, born and raised in Italy, is trying to free herself from the memories of a family that emigrated in another age, while he is forced, against his faith, to take methamphetamine and doping to bear the heavy work pace, to be able to send money in India.
No overview available.
This powerful documentary explores the cruel realities of sweatshop labor and workplace injury in China, and one lawyer's mission to defend worker's rights.
Women workers stand up to the toxic flower industry in Colombia.
The director, twenty-three-year-old Iwabuchi Hiroki, is a permanent part-timer who on weekdays does menial work at a factory for 1,250 yen an hour, and on weekends takes on casual temporary work in Tokyo, a city he is fascinated with. He joins a demonstration demanding rights for permanent part-timers, and is featured on TV as "a poor, unhappy temporary worker." Despite having made his own choice to live as a permanent part-timer, he says that "the days feel like drowning in shallow water." But during the diary-like documentation of his life, something changes...
On March 25, 1911, a catastrophic fire broke out at the Triangle Waist Company in New York City. Trapped inside the upper floors of a ten-story building, 146 workers - mostly young immigrant women and teenage girls - were burned alive or forced to jump to their deaths to escape an inferno that consumed the factory in just 18 minutes. It was the worst disaster at a workplace in New York State until 9/11. The tragedy changed the course of history, paving the way for government to represent working people, not just business, for the first time, and helped an emerging American middle class to live the American Dream.
Laureano Cabral
Anselmi
Gina
Renato
