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Biographical portrait of the labor movement and left wing movement in Uruguay, "Conversations with Turiansky" combines two stories. The first portrays the son of immigrants, the engineer passionate about the mystery of electricity, the man in love, the movie buff. The other places the protagonist in his time: union struggles, the advance of authoritarianism, prison and the challenges of the present. In both are present the lucidity, commitment, discreet tenderness and humor of Wladimir Turiansky.
Lissette's favorite aunt Adriana, who lives in Australia, is arrested in 2007 while visiting her family in Chile and accused of having worked for dictator Pinochet's notorious secret police, the DINA, and of having participated in the commission of state crimes. When Adriana denies these accusations, Lissette begins to investigate her story in order to film a documentary about her.
An account of the childhood and youth of the Peruvian writer Mario Vargas Llosa, Nobel Prize for Literature in 2010, and how the hard experiences he lived during these formative years led him to write and publish his first major work when he was only 26 years old.
In the spring of 1974, a camera team from Studio H&S succeeded against the explicit orders of the Junta’s Chancellery, entered into two large concentration camps in the north of the country - Chacabuco and Pisagua - leaving with filmed sequences and sound recordings.
Explores the life and work of English journalist Robert Cox, the former editor of "The Buenos Aires Herald" daily newspaper, whose investigative reporting in the late 1970s exposed the shocking human rights crimes of Argentina's military dictators.
A documentary on the war between the Guatemalan military and the Mayan population, with first hand accounts by Nobel Peace Prize winner Rigoberta Menchú.
The Documentary tells the story of Jane Vanini from the author's reflections on her militancy-building process. Starting with the meeting of the two during the “Jornadas de 2013”, we will look at Jane's path as we follow steps, from her hometown, Cáceres, to Concepcion, in Chile. It is the possibility of discussing this journey from a personal point of view that makes this project unique and takes us to social, political and human borders. This window is opened to us through Jane's 41 letters to her family, allowing us to glimpse nuances of her intimacy and militancy choices. It was while researching Jane's militancy that the author debated these reflections on his own militant career and the context in which it takes place. Telling Jane's trajectory, going through her family and religious formation and its implications for her activism was one of the moments of encounter between these two days.
Amid the civil-military dictatorship implanted with the 1964 coup, Sergio Muniz had the idea of making a documentary about the action of the Death Squad. At the time, the press still had some freedom to disseminate the work of these death squads formed by police officers of various ranks, and that he acted on the outskirts of cities like Sao Paulo and Rio de Janeiro. The victims of police repression (as today) were men, poor and black, and this condition is supposed criminals.
Filled with raunchy laughs, this documentary compiles outrageous scenes from sex-comedies that shaped Brazil's "pornochanchada" boom of the 1970s.
Images of Argentinian companies and factories in the first light of day, seen from the inside of a car, while the director reads out documents in voiceover that reveals the collusion of the same concerns in the military dictatorship’s terror.
Four siblings, whose their father disappeared during Brazilian Military Dictatorship, report their childhood during the regime.
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With confidential and unpublished documentation, the film shows the background and behind-the-scenes of the coup in Chile that took place on September 11, 1973 - and General Pinochet's dictatorship, which lasted 17 years.
The series tells the story of the São Paulo International Film Festival, one of the most traditional cultural events in Latin America. For 48 years, the festival has showcased hundreds of films from all over the world, bringing vibrancy to the city. Filmmaker Marina Person provides an irreverent perspective, highlighting the exciting and unusual stories that have marked the festival’s journey of resistance. The series reveals the individuals who have embraced the challenge of organizing this significant cultural event in Brazil every year, despite often challenging conditions. We also delves into how the Mostra has grown to become one of the main festivals globally, shedding light on the changes in cinema, Brazil, and the world over the years.
August 29, 1979, Talavera Bruce Penal Institute, Bangu, Rio de Janeiro. After serving eight years in prison, Inês Etienne Romeu, the only survivor of the "House of Death" in Petrópolis and the first political prisoner sentenced to life in prison in Brazil, left prison benefiting from Amnesty. Norma Bengell filmed this moment: from the prison door to her home with her family, Inês was welcomed by family, friends and members of the Brazilian Amnesty Committee, in what marked the first act of the historic denunciation that Inês would carry out against her tormentors and the Military Regime.
Triggered by congressman Jair Bolsonaro’s homage to the torturer Carlos Alberto Brilhante Ustra, during president Dilma Rousseff’s impeachment hearing in 2016, Inês, a 70 year-old actress, starts a fragmented narrative of her own history, transforming the memories of her youth as an artist and guerrilla fighter during the military dictatorship into performances. Using as a starting point her participation in Teatro Oficina's 1967 production of the play "King of The Candle", by Oswald de Andrade, Inês creates a manifesto in defense of art's political strength, intertwined with memories of lost love and resistance.
Journalist Dermi Azevedo has never stopped fighting for human rights and now, three decades after the end of the military dictatorship in Brazil, he's witnessing the return of those same practices.
The long fight over the land, which demolished the wall between master and serf, continues to divide Peru to this day. But the 1969 agrarian reform marked a before and after in the country's story - a profound change that Peruvian cinema reflected and encapsulated, creating great imagination we continue to discover today. 50 years after the social experiments of the revolution, we ask ourselves whether Peru really messed up or not with Juan Velasco Alvarado.
With no choice, César faced leaving his family behind, quitting his job and joining the Army. In an unprecedented chain of events he became the first conscientious objector in Galicia (Spain) to be put in prison. Now, nearly thirty years later, Two Years, Four Months, A Day takes a look at what made him do it.
Florian Hartung and Dirk Pohlmann have reconstructed a previously unknown dimension of the collaboration between Nazis and the CIA in the Cold War. Drawing upon recently released documents, the film exposes for the first time a perfidious, worldwide net that reaches deep into the power structures of the Federal Republic of Germany. Lending their authority to the fact-finders’ mission are high-ranking statesmen, journalists and historians.
