He is a miner, everyday tries to go with the river flow. She dreams of escaping too, but she’s trapped...
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Amira, a woman who initially lived happily with the person she loved. However, everything changed when she experienced betrayal and lost someone close to her. Disappointment, devastation, and loneliness made Amira lose her direction in life. She felt heartbroken and found it difficult to recover from deep wounds. In desperation, Amira decided to go to the Holy Land. For Amira, this journey was not just a pilgrimage or an escape from problems, but a search for identity and new hope. In Mecca, Amira tried to make peace with her past, rebuild her fragile heart, and strengthen her spiritual connection with God. During her time in the Holy Land, Amira reflected a lot and discovered the true meaning of life. She also met new people who helped her healing process, including Barra who was always there to support her. This journey slowly transformed Amira into a stronger and more sincere person.
After several years of being in relationship, Yusuf knew at what point he had to be brave to take his relationship to the next level with Zulaikha. Their love is pure and sincere and both hope this will become a solid foundation for both of them in the future. But the future is indeed unpredictable. Their love is hindered by caste differences. Zulaikha, who is descended from Bugis aristocrats, is not allowed to marry Yusuf, who, although he is well off, is from the common people of Makassar. History repeated itself because in the past, Yusuf's father, Dirham faced a similar polemic. Unlike his father, Yusuf was bolder against custom. He chose to fight for his love and asked Zulaikha to run with him.
Salim and Rifa had a marriage full of love and happiness, until Rifa passed away. Salim refuses to fall in love again and chooses to focus on looking after his daughter, Nasya. Salim's loyalty is tested when he meets Mila.
Bonar has just fallen out of love with Cantika and is trying to rise from his downturn with the help of his two friends, Awang and Wongso. They also received offers to become rain charmers to earn money.
A former couple reunites after years of not seeing one another. They find themselves caught up in a whirlwind of emotions as they reconnect. The quaint reunion quickly turns into a rollercoaster ride of nostalgia, longing, and a strong desire to rekindle what they once had.
This films tells four different stories, all connected by the banks of a river.
Her and Him live together and love each other. Him wants to have kids and Her is not so sure. Everything changes when Him believes Her is pregnant. Him realizes that maybe having kids with Her, is no quite what he really wants.
Koo Kyo-hwan and Lee Ha-na are lovers The cash-strapped couple plans their own self-associated documentary, "Project Name: Love," blinded by the five million won advance fund. However, they suddenly break up due to differences in personality, artistry, and taste.
An angry father sets out to get revenge for the death of his daughter in a toxic waste accident.
Two Chicago couples struggle to keep their love alive when secrets and long-simmering resentments rise to the surface.
A moment in the life of Jacques and Kathleen, a Haitian couple confronted with the expiration of their Temporary Protected Status. Their story reflects the real fear and uncertainty thousands of families are living through right now.
An English-German filmmaking couple retreat to Fårö for the summer to each write screenplays for their upcoming films in an act of pilgrimage to the place that inspired Ingmar Bergman. As the summer and their screenplays advance, the lines between reality and fiction start to blur against the backdrop of the Island's wild landscape.
A well known theater and movie actor, dissatisfied with his conditions at home and at the theater suddenly stops the dress rehearsal of a play in which he has one of the main roles, and goes on the Danube to visit his friend, a boatman transporting bricks on his small barge from a brick plant in a poor settlement to Belgrade. This unexpected action confuses everyone in the actor’s environment. Everybody sets out to the Danube in order to find out the real reason for the actor’s odd behavior and to find out when he will return to normal life. The actor refuses to talk, stating that he only knows what he does not want! The young director, who had started working on filming a portrait of the actor prior, doesn’t know what to do. The opening night is postponed.
During the 1971 liberation war of Bangladesh, in a remote village, a landlord collaborated with the Pakistani army. After the death of his brother, he married his sister-in-law who had a young son. A teacher in the village, with a widowed daughter, taught the young man had a daughter. When the war broke out, the young man joined the Bengali guerrillas, shattering his innocence. In the village, the landlord's action get worse and worse, until he kills the teacher and compels the daughter to marry him. Now the young man must return to his village with new determination.
The marital problems of an American couple come to a head while visiting southern Italy with their impressionable young son.
Aris was the perfect husband and ideal family man. That is, until his sister-in-law moves in and they begin a forbidden affair.
Before the assault, feel the weight of the body.
Director Jean Renoir’s entrancing first color feature—shot entirely on location in India—is a visual tour de force. Based on the novel by Rumer Godden, the film eloquently contrasts the growing pains of three young women with the immutability of the Bengal river around which their daily lives unfold. Enriched by Renoir’s subtle understanding and appreciation for India and its people, The River gracefully explores the fragile connections between transitory emotions and everlasting creation.
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A lonely hairdresser watches the title sequence of "That Cold Day in the Park" then visits a local park to invite a down-and-out skinhead to his apartment. He draws the silent man a bath and talks to him as he soaks. He locks his guest in a bedroom. Next day, the skinhead leaves through the window and visits his sister, who's making a film called "Sisters of the SLA." He helps with a screen-test. The hairdresser has dreams and fantasies involving the skinhead, the skinhead returns to visit him, and then the filmmaker pays a call on the two men, exposing her brother as faking his silence and pretending a lack of sexual interest. Fantasies can come true.
