logologo
MovieVerse© 2024
Privacy PolicyTerms of ServiceContact Us
Made with ❤️ by Thathsara
movie poster
Minot, North Dakota
Sign in to create your own watchlist

Minot, North Dakota

Apr 9, 2008
0h 18m
★ 1.0

Overview

The town Minot is home to a U.S. Air Force base that guards 150 nuclear missiles buried in northern North Dakota. The weapons of mass destruction placed there 50 years ago are still targeted at Russia. Minot, North Dakota portrays an American landscape where people live with nuclear bombs in their backyard.

Genres

Documentary

Minot, North Dakota Trailers

No Trailers found.

Cast

No Cast found.

You may also like

Roundabout
0.0

Roundabout

Jan 1, 1962

Short experimental 16mm film.

Ahasverus
0.0

Ahasverus

Jan 1, 1962

Short experimental 16mm film.

The End of Time
5.0

The End of Time

Apr 5, 2017

An experimental film about that one hypnotic moment on a regular, unassuming Tuesday when one realizes that time has stopped and the universe has been sucked into a single smile.

No Image Available
0.0

Brise-glace : Bateau givre

Dec 15, 1987

First part of the collaborative project "Brise-Glace" showing the diverse travels on the icebreaker "Frej". Directed by Jean Rouch.

Impressions from the Upper Atmosphere
6.0

Impressions from the Upper Atmosphere

Jan 1, 1989

Sistiaga painted directly on 70mm film a circular (planetary?) form, around which dance shifting colours in a psychedelic acceleration matched by the soundtrack’s deep-space roar and howl. - Cinema Scope

Past Perfect
0.0

Past Perfect

Apr 9, 2002

“Past Perfect” is a spirited meditation on the elusiveness and inaccessibility of (Jewish) history as conveyed through sightseeing tours of “Jewish” Poland, a grandmother’s recollection of life in America during War II, and memoir-like “last moments” of a great aunt believed to have died in Treblinka. Shot almost entirely in contemporary Poland, “Past Perfect” lyrically portrays the relentless yet ultimately futile attempt to resuscitate a history literally gone up in smoke.

Sites Unseen
0.0

Sites Unseen

Apr 9, 2002

Sites Unseen is a 3 channel 16mm projection of the Jewish cemetary in Warsaw, a photograph of a great Aunt who died in Treblinka, and my late grandmother eating her morning cornflakes.

We At Her
0.0

We At Her

Apr 9, 1995

A story about a woman descending into mental illness.

White Sands
0.0

White Sands

Apr 8, 2014

White Sands is a 3 screen projection 16mm film installation which reflects on the visible and invisible manifestations of the nuclear fuel chain on the land, air, water and people of New Mexico.

Devotion
0.0

Devotion

Apr 9, 2003

A sparing and minimal travelogue of Istanbul. A foreigner meditates on the unraveling of a relationship while moving from hotel room to hotel room. In a city simultaneously devoted to Islam and secular nationalism, she finds refuge in the frailty and severity of the rituals of devotion.

No Image Available
5.7

Daumë

Jan 1, 2000

Culled from four rolls of Super-8 film shot while the maker was a development worker in a small South American village, Daumë is at its center a film about ritual, power, and play. Daumë is both ethnography and critique; it is an interrogation into how to represent a place that can't be represented.

The Middle Dog's Day
6.0

The Middle Dog's Day

Jul 27, 1974

shows visual and metaphorical representation using rope as a motif through various rope images and meanings.

Color of Korea
6.5

Color of Korea

Jan 1, 1976

It shows Korea’s traditional colors and culture through the use of superimposing. It is an experimental film, which not only tries to show Korean traditional culture through the use of color, but also tries to show the modern history of Korea.

Running Shadow
5.5

Running Shadow

Dec 31, 1971

Rapidly changing images of natural objects, scenery, animals, plants, and people flicker, flash, tumble, and cascade across the screen.

Anônimo e incomum
6.0

Anônimo e incomum

Mar 16, 1990

No overview available.

No Image Available
4.4

1/57: Experiment with Synthetic Sound (Test)

Mar 1, 1957

Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously with a crackling, brutal sound. (Hans Scheugl)

Tenement Films
0.0

Tenement Films

Mar 15, 2009

A series of portraits, made for Television, of four diverse individuals brought together through shared residence. These short films were filmed in the tenement where I lived for eight years. The first is shot in our bedroom, which doubled up as my former partner's office, the three others were shot in architecturally identitical spaces owned by my then neighbours. Shot and edited on a single 16mm bolex camera using available light throughout, the films invoke reflections on the four individuals, how they occupy these particular spaces together.

The Bomb
7.0

The Bomb

Jun 10, 2017

Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.

Puenting (Leap of Faith)
0.0

Puenting (Leap of Faith)

Apr 30, 2019

A first feature based on sexual events. An actress undertakes her desire of directing her first movie, without a budget or any production company funding her project. She gathers a group of professional actors and actresses, and proposes a project based on a very particular experience: stepping on their fears through a metaphorical 'leap of faith'. As the project advances, individual conflicts will arise affecting the shoot, making the movie crew wonder whether or not they should go on. Will they take the leap of faith with all its consequences?

The Fish
10.0

The Fish

Nov 14, 2016

"A fisherman, dark-skinned and shirtless, sits in a boat on a quiet river and, before long, catches a fish. The fish gasps for air and the fisherman holds it to his chest until it dies. This sequence—performed by a series of fishermen, of various ages and using various styles of capture—is the spine of the work, interrupted by passages of quiet natural beauty; one shot is a steady, stately pan through scores of trees and empty air behind." - Vinson Cunningham