There is nothing left to do but complain.
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An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
No overview available.
The Kuwaiti short film العاصفة (The Storm) explores Kuwait's social and economic shifts before and after the discovery of oil. Through the perspectives of an older father and his modernized son, it delves into the challenges of tradition versus rapid modernization.
Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from A Hard Day's Night are countered with Paik's early electronic processing.
Strings together what's strung together (please use yr tether).
Say Om as you reach home only to realize you never really left/stopped saying Om.
A take it or leave it auteur-experimental fiction exercise: two women are monitoring their dreams, dreams that may of course also be stark naked reality, at least to the dreamers, as they come and they go like bubbles, rising, floating, bursting. A man appears out of nowhere. Poet Peter Laugesen co-wrote the script with Tom Elling, who was Lars von Trier's director of photography on "The Element of Crime".
Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.
Don't ask me why, but I feel we're about to cry trying.
Centrist revelations abound among repetitions & revisitings.
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
Seeking fulfillment, a young drifter forgoes isolation to embark on a year-long murder spree.
An experimental film that lifts the veil on the world of African American drag racing.
A Hollywood actor grows tired of making the same corporate movies, so he moves to Argentina to find more experimental and meaningful work.
Hermitage, defined by Bene as "a rehearsal for lenses", beyond any literal rendition - its narrative trace comes from one of his anti-novels, Credito Italiano V.E.R.D.I - displays his immediate attitude to thinking a cinematic language completely based on actor's movements and actions, and more specifically, on his presence and his schemes. Camouflaged or naked, still or moving, his body seems to play and be played at the same time, shifted by objective and subjective tensions, both metaphorically and visually speaking.
A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.
Things become shrouded when The Loner discovers a dead body outside his home. His mind becomes a prison of contradiction, falsification and fear when a series of dreams push him to realize the truth.
Hitiro the noble samurai serves the Emperor of Richmond, Virginia. After he refuses to enforce the Emperor's draconian tax policies, Hitiro is attacked by a jealous rival, who frames Hitiro for the murder of his wife. Hitiro escapes multiple ninja assassins, and seeks to begin a new life at a peaceful, rural village under the alias of "Hitiro the peasant." But can Hitiro outrun his past? Can he deny his burgeoning feelings for Ikama, daughter of the village headman? And can he save his new home from the wrath of the Emperor's soldiers?
Cooper is given a decision that could help him finally make a difference or get him killed.
A woman returning home after having a sour day decides to sleep.
