Melania Trump's homeland is open for business.
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Codelli is a feature-length docudrama about a little-known film project by Slovenian inventor Baron Anton Codelli. Together with filmmaker and adventurer Hans Schomburgk he filmed in Togo in 1914 the first live-action film in Africa, which possibly inspired James Rice Burroughs for his novel on Tarzan. In the company of three Codelli’s descendants and actor Primož Bezjak, we traced the fate of Codelli’s film, brought the remains from Togo and Berlin to Ljubljana and used the Green Screen technology to bring to life 15 live-action scenes based on 600 Codelli’s museum photographs.
The story is told through different points of view. A woman loves everything green, her husband loves his car, a magician knows the secrets of the stars, a professor knows everything about sound and a cyclist solves a difficult problem. A surreal travel through time and space.
Tatjana in Motherland is a partly animated documentary essay about Slovenia and its men. It is a “documentary-tale” of how Slovenian society has been disintegrating in an invisible way. The story will unveil a Slovenian Oedipus archetype of the possessive martyr mother type and her relationship with her son, in which she through emotional manipulation, by constantly creating feelings of guilt, burdens her son to such a degree, that he remains dependent on her for the rest of his life. In order to put this relationship to its best use, all Slovenian governing structures have elevated mother figure on the level of a saint and have assigned to it the cultish role. The result of the Slovenian maternal cult is a typical Slovene male, who is pathologically obsessed with his mother.
A story about a couple from the bottom of the social ladder, about smuggling refugees across borders and other 'suspect' things- it is, first and foremost, an attempt to tell a story about the worst in people, wherever they may be coming from.
Špela graduated in Art History and has never had a steady job. Unlike her two best friends, who have moved out of Slovenia years ago with no plans to return, she is determined to stay in Ljubljana. When even her longtime boyfriend gets a job abroad she moves back in with her parents and her grandma. But Špela wants to grow up and cut the cord instead of delaying her already well overdue adulthood any longer.
A story set in a Slovenian village during Italian occupation. Stefuc, a man who has been widowed twice and has four daughters, wants to get married for the third time with Zana, who's already engaged and pregnant with Ludvik. Stefuc tries to separate them away, but realizes that he'll have to marry Hedvika, a nice looking girl who has just returned from Milan. In the meantime, Italian fascist authorities decide to eradicate five Slovenian songs with the help of local traitors.
An excellent display of how humans can rehabilitate and restore an area where a heavy industry polluted the water so severely that it was unsuitable to sustain any kind of life. A a film showing how birds returned to an environment once devastated by industry. The lakes around the northern Slovenian town of Velenje, placed in the Central Europe, are geographic center of the film. They emerged as the land above the lignite mines subsided and the depressions were filled with water. The mines started operating at the end of the 19th century. In the mid 20th century a power plant was built that caused a severe pollution of the lake waters to the extent of the lakes not being fit for any kind of life. As a consequence many birds moved from these parts. After a long ecological restoration that started in the mid 1980s, life returned to the water. Gradually the birds returned as well, including some there were previously never observed in this area.
After being fired, a young car mechanic Đuro gets recommendation to look for another job in a remote village. His new boss is warm, old fashioned and naive - completely opposite from the world he's coming from. The peaceful atmosphere is shaken when Đuro falls for a regular customer's wife.
In 2009, a group of military enthusiasts led by the commander France (Gojmir Lešnjak - Gojc) decides to occupy Trieste. The group that stages battles performs it at a completely fictional location. However, this hobby is not to the liking of France's wife Marija (Silva Čušin) and his daughter Mateja (Anja Drnovšek). The daughter as a representative of the young generation has no understanding of her father's enthusiasm for partisans, battles and Tito. France is also confronted by the Slovenian police led by the commander Brane (Dario Varga) as Brane forbids France to stage any more battles ... Will the young generation accept our history and will Trieste be ours?
Stunning stories from the unusual life of the Ural owl, a mysterious nocturnal predator that can fearlessly attack even humans. Set over a period of just over a year, 'Fearless Queen of the Night' provides an extraordinary insight into the life of one of the largest European owl species.
Equal parts film, conversation, and social experiment, this interactive documentary uses footage shot by activists in the crowd of the Maribor uprisings, a 2012 to 2013 Slovenian protest, to pull you into the fray, where you must collectively decide what happens next.
Postwar life of eight remaining inhabitants of Strmec, a village located in the very corner of Slovenian Alps near Italian border. When local partisans killed a German officer, the Nazi occupiers shot all males in the village as an act of revenge; those who remained are seven women of different age who traditionally wear black scarves, and young boy who hasn't any friends to play with.
Two partisan miners are entrusted with the task of honor to transfer safely three orphan children from a dangerous zone of fighting to the safe liberated territory. In the beginning the two miners feel humiliated because they would like to engage in more important action, but later they become big friends with the children, especially with Peter, the youngest one.
Old man Repovz recalls experiences of the WWII in an entertaining, comic way rather than tragic. A man breaks his arm to avoid being drafted; the other man shoots fire to scare enemy soldiers; love stories, as well as troubles with forced collectivization took place there. A partisan hero finds out that he lost her fiancee, but somewhat cheers up when his white horse comes back to him...
Erjavec family (dad, mom, daughter, son) go camping in Slovenian Alps. Instead of a peaceful vacation, they end up involved in detective kind of story.
The documentary visually presents the very diverse fauna and flora of Slovenia, focusing on mammals and birds, and shows some particularly interesting species of amphibians, fish, insects and plants. It takes place over a period of one year and takes the viewer through typical Slovenian landscapes. The plot crosses between the provinces and occasionally returns to the same area in order to show what is happening in the animal world in the second part of the year. A very rich ecosystem diversity, rarely seen recordings, and scientifically verified information weaved into the intelligible text are key attributes of this film.
Charlie, the protagonist of the Slovenian film “Porno Film”, is so dedicated to his porn viewing that his two friends John and Frank jokes that he must have a PhD in pornography by now. Using Charlie’s extensive knowledge of all things porn, the trio sets out to make the “first real Slovenia porn film”, in Slovenian language and everything — except the women in the film are emigrated Russian hookers, and their Slovenian isn’t very good.
Under the warm rays of the sun, the protagonists become living still lifes, resting on benches, chairs, and deckchairs. In the quiet embrace of nature, they wait, reflect, and remember. This cinematic group portrait delves into the legacy and creative spirit of Vilko Filač, the Slovenian master of film photography, celebrating the enduring mark he left on the world of cinema.
To understand firsthand what the United States of America can learn from other nations, Michael Moore playfully “invades” some to see what they have to offer.
Worker Maks Bigec decides to take things in his own hands when he hears that his factory will be closed. He takes the factory director as a hostage and demands that the state should reopen the factory.
