A girl named Patchwork and the real cloud fight the evil king Fontanius I and his treacherous subordinates.
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(voice)
Terra Incognita is a multi-plane cut out animation made from photocopies of 19th century illustrations made during the race to the poles and drawings by Eric Leiser. For the puppet performance it was flat-rod puppets on a proscenium stage with a screen behind them, onto which the animation Terra Incognita is projected. Many of the sea monster puppets and ships performed in sync with the animated ones, along with splashes of water and powdered chalk to mimic snowfall. These techniques came from my time studying puppet theater in Prague, in 2002, and learning from Svankmajer and Svankmajerova. It was a lot of fun to both animate and to perform live with Jeffrey's wonder score. At the same time the film comments on the colonial race to claim the Arctic by various countries—a race that, in a sense, is still going on today, but this time again for oil—and the murders of the Inuit people who had inhabited the land for millennia.
Documentary on industrial lubrification.
Imagine that you are a renowned chemist, who invents a legal psychoactive drug. Imagine that you push it as a start-up and become the most notorious drug baron of the 21st century. Imagine that all of this is true. How to make a documentary out of this unbelievable story? Let’s animate it, give it rhythm and take the audience on a journey where the high-tech world and academia meet the fauna of the Haifa underworld.
This short animation by artist and animator Evelyn Lambart offers a wordless plea for the right of all living creatures to a clean, unpolluted environment. With rich colour and intricate animated motion, the film features birds, butterflies and other woodland creatures succumbing to air pollution caused by human inventions.
Wasteland is a five-part anthology film that deals with isolation, mental illness, and the subjectivity of reality. Each of the five parts can be watched individually, but when viewed in sequence, each story brings out a more interesting and distinct context to its respective pieces.
Based on a poem by Samuil Marshak about an incredibly absent-minded man from Leningrad.
This is a classing Jordan animation, primarily in B/W, with touches of color. Actually, the engraved art work was film on color negative, so that subtle variations in tone are recorded. The mood--enhanced by John Davis' original music--is dream-like. It is both lyric and crackling, producing a kind of anticipatory tension. The scenes, in the usual Jordan manner, follow the surreal principle of placing objects and people where the ought not to be, and making movements that in the waking world are impossible. Each scene is a kind of drama from another world.
Short experimental animation by Jules Engel
A little frog jumps out of the pond and wants to see the world. He is excited about new discoveries, not yet knowing about the danger of the stork. He almost gets eaten by the stork, but the frog saves himself at the last minute.
Suicidal poet Archy tries to end his life by jumping off a bridge, but awakens to find he has assumed the life of a cockroach and has become a part of a community of creatures living in a newspaper office. He also discovers that he can still write poetry, using a typewriter, and begins to enjoy his new life. Archy develops deep feelings for the lovely but self-destructive cat Mehitabel, but will have to fight to win her from bad-boy tomcat Bill.
Roads is a story about the choices of woman who is searching for her future.
We aren't only created with free will, but also with responsibility. The responsibility to listen to our gut feelings, follow our intuition, the wise part of us. According to the old definition, a magician is a wise person. So we can all be magicians if we are brave enough.
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A nostalgia trip in the enigmatic labyrinth of the passed childhood.
Animated story of a sad magician
The scissors cut out a little man with huge boxing gloves from black paper. The boy comes to life and is immediately convinced of his punching power. So he grabs the scissors himself and cuts out a huge opponent to demonstrate his strength. He makes a complete fool of himself in the process. It doesn't help that he cuts his opponent smaller and smaller and finally even sticks him down with glue. Although he adorns himself with the laurels of victory at the end, it is clear that he is just a ridiculous paper hero.
In the middle of the forest, a bonfire will define the fate of Fayna, a young, colorless girl.
An animated adaptation of Poe's famous short story.
ALEXANDER THE GRAPE, an unfinished cut-paper animated short from Jim Henson from 1965, relates the fable of a young grape with big ambitions who learns that it is better to accept yourself than to try to be something you are not. The short was reconstructed from film and audio elements; images from Jim’s storyboard fill in missing segments of the animation.
Set in Bangkok, the film shows the process of urbanization of the city while humans lose control over the consequences of their actions and their greed. The story begins and we move underground to meet the two protagonists: a pangolin couple. The two lovers are living a tranquil life in their hidden city beneath, when their quiet is upset by sudden earth shakes provoked by the drilling of a construction site above. Separated by the cracks in the soil, they begin an adventurous journey to find each other, taking the viewer deeper into the causes of the loss of connection between humans and the earth beneath and ultimately, of the pandemic.
