Triple the Fun!
The Minions are back along with some new friends in three hilariously fun short films: Competition, Cro Minion, and Binky Nelson Unpacified.
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Centers on a boy named Osamu who receives an umbrella as a gift from Sayu, but it goes missing. That umbrella transforms into a girl who goes gallivanting around town on a rainy day.
Xiao Hei, a little carp, jumps over the bridge pier and gets cheers from his four friends. His grandma says that he is capable only if he can jump over the Dragon Gate like his ancestors did.
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Edgar impulsively invites his boss, Mr. Markham, to his home for dinner when his boss compliments him for giving coffee money to a down and out man. At the train station Edgar intervenes, keeping another man from beating a young man named Frankie, and Edgar takes Frankie home with him, even though the stranger warns Edgar that the young man is nothing but trouble.
With the spectre of COVID-19 looming, the old ways of waking and burying the dead are fractured and desolate in this curious tale of two bachelor brothers, Pádraig and Éamonn, from Achill Island, living and dying under the shadow of the Coronavirus.
M.A.M.O.N. (Monitor Against Mexicans Over Nationwide) is a satirical fantasy sci-fi short film that explores with black humor and lots of VFX the outrageous consequences of Donald Trump´s plan of banning immigration and building an enormous wall on the Mexico - US border.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Their last dinner before he leaves to join the Army. The reality of the situation begins to break in through the four surrounding walls.
Nice Shorts consists of four short films from up and coming directors. A simple walk means so much more in the touching short "Shall We Take a Walk?" directed by Kim Ye Yeong and Kim Yeong Geun. Directed by Hong Sung Hoon, "Girl" tells of a father's strange day when his son's girlfriend shows up, and Lee Jeong Wook's "Mates" goes undercover into memories and crime solving. Winner of Best Korean Short at the 2009 Jeonju Film Festival and the Excellence Award at the Seoul Independent Film Festival, Jo Sung Hee's "Don't Step Out of the House" is about two young children who live in a rundown apartment by themselves, and what happens when adults invade their space.
In this short, the janitor of a Paris museum's Egyptology department agrees to help a girl hide from the police.
"The Cailleach was dependent on this one thing... every hundred years she must get back to the water and immerse herself so that she might become young again." This film is an interpretation of fragments of the ancient myth of the "cailleach", old hag, otherworld female, mother earth, sovereignty queen, or witch. Told using a large scale puppet and actors moving through real landscape.
The story is about two city boys who spent their summer holidays in a village where everything is so unusual and new. Here all the wildlife is at a glance: both large and small beetles, which can sometimes land right in the soup, and a real turtle that hides in its house from danger, and an apricot that gives ripe fruits similar to a small sun. And there is also an interesting place — the attic, where you can find a lot of old things. But soon the summer will end and mom will take the children back to the city...
Meet Mark. A daydreamer who has lived with hearing loss for his whole life. As his condition deteriorates, Mark must listen to his past and face the present, in order to move forward with his life. Sometimes loss doesn't mean lost. At a routine checkup with his lifelong audiologist, Mark is presented with a hearing aid and with a choice. Between the torment from his childhood - and his stigma around wearing the hearing aid - he lashes out. But he remembers his young self, loving and loved; along with the care his late mother showed him. Through courage, he is able to connect with her; as she guides him through this tumultuous time in his life. He realises he can either continue to shut himself off from the world, or open up and begin to accept himself for who he really is.
This technically quite well-made cartoon from pre-war Nazi Germany is a commercial (or propaganda piece) for Volksempfänger ("people's receiver"), inexpensive radios. First we see agricultural statistics: the far-away village of Miggershausen is quite below standards in milk and egg production. An anthropomorphic radio undertakes the long voyage by express train, steam train, hay carriage to Miggershausen to advertise its services. It is not well received. Then, it collects and leads an army of radios to try again. They flood all the farmhouses and seem to be more convincing that way - at day, they spread agricultural knowledge to bring milk and egg production up to standards; later, they just play music and illustrate how various people enjoy various kinds of music.
When a charming, world-famous concert violinist comes to town for a concert series, a lonely bag boy attempts to impersonate him in an attempt to improve his love life.
Housewife Eun-ha is busy every day: In addition to taking care of her husband who doesn’t help out at all and her willful daughter and son, she has to care for her nagging mother-in-law, who is nearly bedridden.
Two rival robotics companies in the future release their latest creations at a robotics convention, claiming each to be the latest and greatest in technological advances. Mega Stellar Company's release is a robot boy named Romie-O, while Super Solar Cybernetics has released a girl robot named Julie-8. Unforeseen to each of the company's creators, is how each of the advanced robots soon falls in love with the other.
In the vestibule of a hospital room, a young boy waits to see his dying mother. The clamor and spiralling movements of bodies around him intensify, forming a grotesque circus—a cacophonous circle that pushes the child back, depriving him of one final touch of his mother's hand. Using rotoscoped drawings suggestive of charcoal sketches, as well as 3D and object animation techniques, The Circus compels viewing with its unsettling realism. Colour is employed metaphorically to subtly express the promise and the memory of maternal affection. Nicolas Brault's highly personal film, suffused with poetic modesty, casts a poignantly sincere gaze on the heartbreak of a child facing the fearful, mysterious experience of his mother's death.
Ray discovers his La-Z-Boy recliner is a one-minute time machine. Will he learn from his mistakes or is he destined to repeat them forever?
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