A story with a moral about a hippopotamus who misused the expression "well let it", a boastful crocodile, a parrot who, as always, is innocent, a turtle and a wise monkey.
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An animated short, winner of Annie award
Snooze buttons, sunlight…the inescapable cacophony of alarm alerts: waking up in the morning is a battle between the present and the future state of mind. A dream-like war with yourself and other objects that seem to take a life of its own.
A streetlight that breaks and falls to the ground due to a blizzard causes a flower to bloom from the warmth of its light. In the harsh coldness of winter, a sympathetic connection is formed as they try desperately to survive.
To the memories of my mother.
A statue, with outstretched arm pointing “forward,” is unveiled to thunderous applause. Then one day it points the other way. Once again, thunderous applause!
Edge of Alchemy is the third film in a trilogy examining the psychological terrain of women's inner worlds. In this handmade film, assembled from over 6,000 collages, the actors Mary Pickford and Janet Gaynor are lifted from their early silent features and cast into a surreal epic with an unending of the Frankenstein story and contemporary undercurrents of hive collapse.
Waiting to board the train, an old lady just wants to eat her cookies in peace, but hijinks ensue when a teenager on the platform next to her seems intent on sharing them, too.
The first short made by Robert Morgan, made using a VHS camera and some rough puppetry.
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An associative linking of erotic and pornographically suggestive transformations, whereby the unity is preserved by placing the action in a frame.
When night dawns on the farm a little bat wakes up. The little bat wants somebody to keep its company. It doesn't want to be alone. It is looking for a friend.
Animation, also of a new order in the recent series of short works. Mostly on black space, the figures in blue perform a very compact and jewel-like opera in surreal form, again to Satie’s piano music. Ideally, the film should be projected on a 30" wide white card sitting on a music stand, center stage of a large auditorium or music hall, with sound from the projector piped into the big speaker system. The film is most effective this way, but can be shown normal-size also
In the distant future, mankind begin research on clones that live underground in search of lost genetic information.
Two kids go hunting for ghosts to help their dad run a burger cafe. An epic sequel to Hardcastle's "T is For Toilet" segment of the horror anthology film "The ABCs of Death", it takes place 12 years after the accident.
A humoristic turbo drama. Floyd, after being dumped by his girlfriend, suffers from psychological problems manifested as a little demon who disrupts his everyday life. Floyd has to go through great depths before he can continue his life.
This is a classing Jordan animation, primarily in B/W, with touches of color. Actually, the engraved art work was film on color negative, so that subtle variations in tone are recorded. The mood--enhanced by John Davis' original music--is dream-like. It is both lyric and crackling, producing a kind of anticipatory tension. The scenes, in the usual Jordan manner, follow the surreal principle of placing objects and people where the ought not to be, and making movements that in the waking world are impossible. Each scene is a kind of drama from another world.
A boy is by an accident a member of a crew that is going to travel to the moon.
It’s the Little Things that frustrate us all. Everyday sketches of a dysfunctional world in which nothing quite works and everybody has their foibles. Can the repetition of mundanity endure under extreme circumstances?
Your first date becomes your worst nightmare...
